In the September 2011 issue of Q&Q: Guy Vanderhaeghe completes his iconic Western trilogy

Q&Q speaks to Governor General’s Literary Award–winning Saskatoon author Guy Vanderhaeghe about the final book in his Western trilogy, the ambitious A Good Man.

Also in September, rekindling interest in history with high-profile political biographies, a look at independent U.S. bookstore e-book sales, and touring the country with Doug Gibson. Plus reviews of new books by Brian Francis, David Gilmour, Marina Endicott, and more.

FEATURES
A good guy
After nearly two decades, Guy Vanderhaeghe has completed his iconic Western trilogy – and now he’s ready to move on

Raising the dead white men
Can a handful of high-profile political biographies rekindle interest in Canadian history?

E-reading’s awkward embrace
If the experience of U.S. indies is anything to go by, Canadian booksellers gearing up to begin selling e-books should expect some bumps along the road

FRONTMATTER
Orphaned Key Porter authors take back control of their work
How digital technology has put audiobooks within reach of small presses
In memoriam: Robert Kroetsch
Montreal violin-maker Tom Wilder turns publisher
Snapshot: Knopf Random Canada executive vice-president and publisher Louise Dennys
Cover to cover: R.T. Naylor’s Crass Struggle
Touring the country with Doug Gibson
Guest opinion: Rolf Maurer on rethinking the role of the arts

REVIEWS
Natural Order by Brian Francis
The Perfect Order of Things by David Gilmour
The Little Shadows by Marina Endicott
Our Daily Bread by Lauren B. Davis
Eating Dirt by Charlotte Gill

PLUS more fiction, non-fiction, and poetry

BOOKS FOR YOUNG PEOPLE
Starfall by Diana Kolpak; Kathleen Finlay, photog.
No Ordinary Day by Deborah Ellis
First Descent by Pam Withers
The Busy Beaver by Nicholas Oldland
Once Every Never by Lesley Livingston

PLUS more fiction, non-fiction, and picture books

Q&Q/BOOKNET CANADA BESTSELLERS

THE LAST WORD
Greenpeace International’s Tzeporah Berman on finding a balance between her own voice and that of the organization she represents

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Publishing at the polls: Copyright reform

As Canadians head to the polls on May 2, Q&Q looks at key federal policies affecting the publishing industry. Stay tuned for upcoming features on federal funding, mass digitization, and foreign-ownership regulations.

After nearly a year of parliamentary hearings and heavy industry lobbying, Bill C-32, the Copyright Modernization Act, succumbed to a sudden death on March 26, when the latest Canadian federal election was called.

For nearly a decade, publishers, authors, and other content creators have lived without a copyright act that takes into account the realities of a digital economy. Bill C-32 was the federal government’s third attempt to update the legislation. To get a sense of how outdated Canada’s current laws are, the last copyright reform, passed in 1997, instituted a levy on cassette tapes. It will now be up to the new government to table yet another copyright bill — and successfully get it passed for there to be meaningful reform.

As Canadians head to the polls once again on May 2, Q&Q spoke to several publishing copyright advocates about the lessons learned from Bill C-32.
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In the April 2011 issue of Q&Q: Susan Musgrave talks to Lorna Crozier

It’s been more than a decade since the iconic – and iconoclastic – Susan Musgrave published a new collection of poetry. In the April 2011 issue of Q&Q, Musgrave discusses her new collection, Origami Dove (McClelland & Stewart), with fellow B.C. poet Lorna Crozier, whose collection Small Mechanics also appears this spring with M&S. Also in April, a profile of overlooked short story author Clark Blaise, a special report on B.C. publishing, and a feature on the financial struggles facing Canadian literary journals. Plus reviews of new books by Julie Booker, John Furlong, Joe Ollmann, Chester Brown, Nicola Winstanley, Elisa Amado, Mélanie Watt, and more.

FEATURES

On poetry and prose
Two of B.C.’s leading poets – Susan Musgrave and Lorna Crozier – discuss writing, self-doubt, and Al Purdy’s birthday cake

Special report on B.C. publishing
Industry newcomer Randal Macnair brings new life to Oolichan Books; B.C. BookWorld’s Alan Twigg on surviving lean times; New Society carves out a distinctive niche in D&M’s growing eco-book empire; B.C. booksellers find solidarity at this year’s provincial book fair

Rough cuts
A year after the Department of Canadian Heritage slashed funding for small-run periodicals, many venerable literary magazines are struggling to adapt

FRONTMATTER
Clark Blaise’s return to form
An insider’s take on the collapse of H.B. Fenn and Company
Snapshot: Books for Business CEO Sean Neville
Best short stories: Alexander MacLeod on Alice Munro
Cover to cover: Gil Adamson’s Ashland
Guest opinion: Carmine Starnino on rebooting the CanLit canon
Kirstie McLellan Day’s hockey-book hat trick

REVIEWS
Up Up Up by Julie Booker
Patriot Hearts: Inside the Olympics That Changed a Country by John Furlong with Gary Mason
Mid-Life by Joe Ollmann
Paying for It by Chester Brown
Touch by Alexi Zentner
Esther: The Remarkable True Story of Esther Wheelwright, Puritan Child, Native Daughter, Mother Superior by Julie Wheelwright
Underground by Anatanas Sileika
PLUS more fiction, non-fiction, and poetry

BOOKS FOR YOUNG PEOPLE
Cinnamon Boy by Nicola Winstanley; Janice Nadeau, illus.
What Are You Doing? by Elisa Amado; Manuel Monroy, illus.
You’re Finally Here! by Mélanie Watt
Banjo of Destiny by Cary Fagan
PLUS more fiction, non-fiction, and picture books

THE Q&Q/BOOKNET CANADA BESTSELLERS

THE LAST WORD
Cynthia Holz on a writer’s search for inspiration between novels

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Michael Geist’s covert ties to Amazon

[This post has been updated]

The debate surrounding Amazon’s planned Canadian expansion has produced many arguments both for (the editorial boards at The Globe and Mail and National Post) and against (the Canadian Booksellers Association, the Association of Canadian Publishers). While such polarized opinions are to be expected, one of the most surprising voices to come out in support of Amazon is copyright activist and University of Ottawa academic Michael Geist, known for his anti-corporate stance on many copyright issues in the digital age.

In Monday’s Toronto Star, Geist went after the Canadian Booksellers Association, arguing that the “CBA’s attempt to cloak the issue as a matter of Canadian culture is unsurprising, but [Heritage Minister James] Moore should recognize this for what it is – a transparent attempt to hamstring a tough competitor that ultimately hurts the Canadian culture sector.” Geist went on to suggest that Amazon’s (theoretically) unlimited selection of books is a good thing for Canadian culture and that the “scarcity of space in brick-and-mortar stores has long been a key concern for Canadian authors and publishers, who fear that their titles might get squeezed off the shelves.”

In the wake of Geist’s op-ed, U.S. blogger Christian L. Castle, described on his blog as a Los Angeles–based journalist, has unearthed ties between Amazon and an Internet think tank headed co-created by Geist:

First of all, it should not be overlooked that Geist’s U.S.-backed Samuelson-Glushko Canadian Internet Policy and Public Interest Clinic, the Alcan of IP with its almost 100% American board, “was established in 2003 with the aid of a start-up grant from an Amazon.com Cy Pres fund, received by Prof. Michael Geist.” Now I’m sure that Geist would deny that he personally received any money, but if that’s true, they might want to revise that sentence on the SG-CIPPIC website.

It’s entirely possible that Geist, in his ignorance of book retailing and the publishing sector, truly believes that independent booksellers are a threat to Canadian culture. If that’s the case, however, he should have been above-board about his past dealings with Amazon.

[Update] Michael Geist responds: “The Amazon grant was money that came via a court order through a class action settlement. It was used to establish the Canadian Internet Policy and Public Interest Clinic in 2003. Being part of a Cy Pres Fund, Amazon did not oversee or make the award. A court did. There is no conflict and nothing hidden. In fact, look back at my earlier columns criticizing them for the Kindle to see how much influence they have over what I say. None.”

The publishing industry: this week in quotes

“Like Al Purdy or Joe Strummer, he was unfailingly generous in his encouragement and support, treating everyone who ever beat a guitar or twirled a pen as his spiritual equal. He was the kind of modern artist that we now take for granted: someone who laboured to explore the complicated and emotional grist of life while wringing humour and exultant joy from his sources.” – author Dave Bidini paying tribute to Paul Quarrington in The Afterword

“To my mind successful reviews identify works and discuss them within their own framework or tradition; the reviewer – and his or her opinion of the work – is nearly invisible; and the review acts as a signpost to readers to go this way, or not, and don’t presume to know what readers want, or don’t want, from a text.” – poet Elizabeth Bachinsky on Lemon Hound

“For all the Kindle’s success, it remains in many ways a niche product, aimed at consumers who fit a certain narrow profile, namely avid readers. In 2007, the Associated Press reported that a quarter of Americans hadn’t read a single book in the prior year. And among those who did read that year, the average number of books read was seven. Even considering that you can get some non-book content on the Kindle, these numbers alone suggest that the market for the Kindle is limited.” – The Millions

“So, Best Beloveds, the New Novel. I’m calling it that in the frail hope that it will hear me and turn into one – at the moment it is, of course, the New Notebook Full Of Stuff and A Smattering of Early Paragraphs. A long project is, as you will realise, a massive and potentially ludicrous commitment of time and enthusiasm which could come apart in your hands at any moment, could promise wonders, cough twice and then turn into ashes and sand at the end of three years’ preparation and one year’s labour.” – author AL Kennedy in the Guardian book blog

The publishing industry: this week in quotes

“Many people in the beleaguered industry are hoping that [The Apple Tablet] will do for reading what the iPod and iTunes did for music. A survey among booksellers claimed that an Apple e-reader would one of the main factors that will help push digital publishing forward.” – Thomas Rogers via Salon.com

“The fact is: My septuagenarian mother is delighted with her first-generation Kindle and my sixty-something-year-old mother-in-law is delighted with her Kindle 2 and my 14-year-old nephew is delighted with his iPod touch…If I were to guess, out of all the aforementioned people who already own devices, the only one likely to spend money on an upgraded device anytime soon will be my teenage nephew. That’s not a very large percentage of current owners willing to re-invest in this newest generation of devices, the ones we’ll be hearing about over the next week.” – Edward Nawotka, in an editorial on publishingperspectives.com

“Writing about writing is the best way I know to discover what I think about a book and what I think about what other people think about it. Sometimes reviews bring new readers and sometimes they don’t. Tony Hoaglund’s book Donkey Gospel published by Graywolf didn’t receive one review yet became widely read. A positive or opinionated review in the NYTBR can bring many readers, but reviews in smaller magazines do not have much effect.” – poet Emily Warn, on Lemon Hound

“I spend an inordinate amount of time doing nothing. I don’t even think it can be called daydreaming.” - Joyce Carol Oates, via Paris Review.

“I’m beginning to see just how irrelevant our prejudices about new technology really are. Books are wonderful partly because they have been an unchanging corner of our lives in a world that thrusts change on us every day. But anything that reassures us by being constant should also make us anxious, because there are no exceptions anymore — everything is being transformed in the digital age.” – Peter Scowen on the Globe‘s book blog

Kirkus gets new lease on life

As previously reported by Quill & Quire, Nielsen Business Media announced plans in early December to cease publishing Kirkus Reviews, the 76-year-old pre-publication review journal. Now, however, it looks as if the journal might live on.

According to an internal memo obtained by DailyFinance, Eric Liebetrau, the managing editor of Kirkus Reviews, claims that the magazine has an interested buyer and that the publication will immediately resume business as usual. The magazine will continue to operate under the Nielsen umbrella for now, and Liebetrau expects a sale to be finalized in the next two to three weeks.

New Yorker cans short fiction issue

On December 4, Douglas Hunter published an opinion piece in The Globe and Mail suggesting that the annual CBC literary smackdown known as Canada Reads is biased against non-fiction:

I think it’s super that Canadian novelists and short-story writers are getting another annual boost from the Mother Corp. I just find it discouraging that we seem to think serious, memorable reading only involves fiction. Canada Reads has not once in nine years included a non-fiction title. Were a celebrity participant to defend Ken McGoogan’s Lady Franklin’s Revenge or Ken Dryden’s The Game, I’d keel over in a dead faint.

The CBC is not alone in its bias. Non-fiction remains a second-class literary citizen in the Great White North.

Whether this ingrained national bias actually exists is open to debate (Quillblog would like to point out that non-fiction consistently outsells fiction in this country); the same is apparently not true south of the 49th parallel. WWDMedia today reports that The New Yorker has decided to pull the plug on its second fiction issue of the year (the first one appeared in the early summer) and instead publish a “world changers” issue, which hits stands this week.

“I think one is enough for the time being,” said editor David Remnick of dropping a fiction issue. “We’ll still continue to publish fiction every week. I think we’re one of the last magazines that does.”

And apparently the decision to replace the fiction issue sits well with advertisers:

Ad pages rose more than 50 percent for the issue, making it the biggest of the year. Chanel, Prada, and Louis Vuitton are among the fashion advertisers and the automotive category has seven more pages than last year, thanks to BMW, Acura, Ford, Cadillac, and Toyota. Total ad pages for “world changers” is almost 69, compared with 45 for last year’s winter fiction issue.

Lisa Moore still “unreadably Canadian,” Barbara Kay says

National Post columnist Barbara Kay really has it in for novelist Lisa Moore. The one-sided feud began last July, when Kay responded to Post reporter Katherine Laidlaw’s “gushy” profile of the two-time Giller Prize nominee, calling Moore’s most recent novel, February, “unreadably Canadian,” a prime example of the “navel-gazing narrative stasis” that defines Canadian literature. “Welcome to the unrelenting self-regard of CanLit,” Kay wrote, “where it’s all about nobly suffering women or feminized men.”

The only catch was that Kay had yet to read the book in question. However, the opinionated journalist rectified the situation on her summer vacation, reading February and a handful of other literary titles sent to her by Moore’s publisher, House of Anansi Press. Not surprisingly, Kay’s summer reading only confirmed her assumptions about the novel’s unmanly approach to character and plot. “February is 99% writerly foreplay, 1% readerly orgasm,” she writes:

Moore is an enormously talented writer, but like so many others of her sensitive, creative workshopped-to-death ilk, a writer’s writer privileging an artistic, leisured rendering of memory and feeling over prole-friendly dialogue, action and, above all, plot.

According to Kay, the woeful state of CanLit can be blamed on the impact that feminism has had on the industry (Canadian publishing is “highly feminized by comparison to 40 years ago,” she observes) and indulgent public-sector grants, which encourage writers to “start writing for bureaucrats, academics, theorists and literary elites, not for flesh and blood readers,” Kay argues.

Of course, it’s impossible to take seriously a critic whose pre-judgments are so ingrained and politically charged. Unfortunately for Moore, any number of authors could have stood in as the target of Kay’s screed.

September Q&Q: Dany Laferrière and more in the spotlight on Quebec publishing

The cover star of the September issue of Q&Q is the Haitian-born, Montreal-based author Dany Laferrière, who came to national attention in the 1980s with his first novel, How to Make Love to a Negro Without Getting Tired, and is set to make a comeback in English-Canada with his latest novel. Also in the issue, Q&Q looks at a Quebec City publishing house that is bringing English-Canadian writing to French readers, and at the Montreal micro-publisher Conundrum Press, which evolved from being a quirky literary house to a quirky publisher of graphic novels. All that plus Fall Announcements, listing every fall adult title, and reviews of Linwood Barclay’s Fear the Worst, Douglas Coupland’s Generation A, Shinan Govani’s Boldface Names, and Arthur Slade’s The Hunchback Assignments.

Returning North

Globe-trotting novelist Dany Laferrière is a big-time celebrity in Quebec. Now, after a decade-long hiatus, he’s being published again in English

Exposing family secrets

Six authors on navigating the personal minefield of memoir writing

The English invasion

An upstart Quebec City house is discovering a surprising demand in its home province for English-Canadian writing. And more in the spotlight on Quebec publishing: The evolution of Conundrum Press, and the dying art of literary translation

Fall Announcements

The season’s complete listings

FRONTMATTER

Bonnie Burnard is back in the spotlight

Don LePan among the Animals

Snapshot: BookNet Canada’s new CEO Noah Genner

Cover to Cover: Lavie Tidhar and Nir Yaniv’s The Tel Aviv Dossier

The e-catalogue cometh

Harry Bruce on the Hugh MacLennan novel that almost never was

Local Buzz: Back to the Beach

GUEST OPINION

Canada’s beleaguered litmags must experiment online to stay relevant, argues Jason McBride

REVIEWS

Too Much Happiness by Alice Munro

Galore by Michael Crummey

The Fallen by Stephen Finucan

Animal by Alexandra Leggat

Plus more fiction, non-fiction, and poetry

BOOKS FOR YOUNG PEOPLE

Violet by Tania Stehlik and Vanja Vuleta Jovanovic

The Winter Drey by Sean Dixon

The Hunchback Assignments by Arthur Slade

Plus more fiction, non-fiction, and picture books

THE LAST WORD

The ups and downs of Amazon’s sales rankings can drive authors to distraction, writes Linwood Barclay