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Fall preview 2012: Canadian non-fiction, part II

The season of high-profile literary awards and author festivals is on its way, and there’s no shortage of new releases from marquee names. In the July/August issue, Q&Q looks ahead at some of the fall’s biggest books.


In 2009, police discovered a car in the Rideau Canal just outside of Kingston, Ontario. The car contained the bodies of three sisters – Zainab, Sahar, and Geeti Shafia – and 50-year-old Rona Amir Mohammad. Authorities later arrested the girls’ father, brother, and mother, all of whom were convicted of first-degree murder for their roles in the honour killings. Paul Schliesmann’s Honour on Trial (Fitzhenry & Whiteside, $19.95 pa., Oct.) examines the facts behind the case that horrified Canadians.


He’s been a dragon in his den and gone to prison for his reality-television show, Redemption Inc. Now, Kevin O’Leary, businessman, pundit, and author of the hybrid memoir/business guide Cold Hard Truth, returns with The Cold Hard Truth about Men, Women and Money (Doubleday Canada, $29.95 cl., Dec.), a guide to avoiding common financial mistakes. • O’Leary’s left-leaning opponent on CBC’s The Lang and O’Leary Exchange, Amanda Lang, has a leadership book out this season. The Power of Why: Simple Questions that Lead to Success (HarperCollins Canada, $33.99 cl., Oct.) postulates that asking the right questions leads to increased productivity.


From the internal combustion engine and cold fusion to the Internet and the artificial heart, all scientific discoveries and technological advancements are the product of human ingenuity. In the 2012 CBC Massey Lectures, Neil Turok argues that science represents humanity’s best hope for progress and peace. The Universe Within: From Quantum to Cosmos (House of Anansi Press, $19.95 pa.) appears in September. • Terence Dickinson is editor of the Canadian astronomy magazine Sky News and author of the bestseller NightWatch: A Practical Guide to Viewing the Universe. His new book, Hubble’s Universe: Greatest Discoveries and Images (Firefly Books, $49.95 cl., Sept.), is a visually sumptuous compendium of images from the Hubble Space Telescope.


Novelist and short-story writer Thomas King, who was also the first native person to deliver the prestigious CBC Massey Lectures, has long been a committed advocate for native rights. In The Inconvenient Indian: A Curious Account of Native People in North America (Doubleday Canada, $34.95 cl., Nov.), King examines the way European settlers and natives have viewed each other via pop culture, treaties, and legislation. • Poet and critic Kathleen McConnell explores the portrayal of women in pop culture through the ages in Pain, Porn and Complicity: Women Heroes from Pygmalion to Twilight (Wolsak & Wynn, $19 pa., Nov.).

In A Civil Tongue, philosophy professor and public intellectual Mark Kingwell predicted the devolution of political discourse into a schoolyard-like shouting match. His new collection, Unruly Voices: Essays on Democracy, Civility, and the Human Imagination (Biblioasis, $21.95 pa., Sept.), is about how incivility and bad behaviour prevent us from achieving the kind of society we desire.

Poet, publisher, and critic Carmine Starnino turns his incisive and cutting attention to CanLit in his new collection of essays, Lazy Bastardism (Gaspereau Press,  Sept.). • James Pollock believes that Canadian poetry lacks an authentic relationship with poetry from the rest of the world. His new book, You Are Here: Essays on the Art of Poetry in Canada (The Porcupine’s Quill, $22.95 pa., Nov.), attempts to situate Canadian poetry in a global context, through examinations of the work of writers such as Anne Carson, Eric Ormsby, and Karen Solie.

A new anthology from Women’s Press brings together essays addressing specific concerns of LGBT communities and individuals across the country. Edited by Maureen FitzGerald and Scott Rayter, Queerly Canadian: An Introductory Reader in Sexuality Studies ($64.95 pa., Sept.) takes up issues of education, law, and religion, among others. • For a brief moment in the 1960s, Montreal became a hotbed of Civil Rights activism, radically challenging traditional conceptions of racial hierarchies. The 1968 Congress of Black Writers included activists and spokespeople such as Stokely Carmichael, C.L.R. James, and Harry Edwards. David Austin chronicles this important gathering in Fear of a Black Nation: Race, Sex, and Security in Sixties Montreal (Between the Lines, $24.95 pa., Nov.).

Belles Lettres (McArthur & Company, $29.95 pa., Nov.) is a collection of postcards from authors such as Baudelaire, Flaubert, Proust, and Charlotte Brontë, collated and annotated by Greg Gatenby, the founding artistic director of Toronto’s International

Festival of Authors. • In The Other Side of Midnight: Taxi Cab Stories (Creative Book Publishing, $19.95 pa., Oct.), writer and anthologist Mike Heffernan chronicles the experiences of St. John’s cab drivers and their clients.


In the years following Liz Worth’s Treat Me Like Dirt, the market for books about the Canadian punk music scene has been as frenzied as the audience at a Fucked Up concert. In Perfect Youth: The Birth of Canadian Punk, (ECW, $22.95 pa., Oct.), Sam Sutherland looks at the historical context for Canadian punk progenitors such as D.O.A., the Viletones, and Teenage Head. • One early Canadian punk band – Victoria’s NoMeans­No – is the subject of the latest book in the Bibliophonic series from Invisible Publishing. NoMeansNo: Going Nowhere ($12.95 pa.), by Halifax author Mark Black, is due out in October.

Marc Strange, who died in May, was known for mystery novels such as Body Blows and Follow Me Down. He was also the co-creator (with L.S. Strange) of the seminal Canadian television series The Beachcombers. Bruno and the Beach: The Beachcombers at 40 (Harbour Publishing, $26.95 pa., Sept.), co-written with Jackson Davies, the actor who played Constable John Constable in the series, chronicles the iconic show and its equally iconic lead actor.

Since its release in 1971, Ken Russell’s notoriously blasphemous film, The Devils, has been the subject of heavy censorship in both the U.S. and the U.K. Canadian film scholar Richard Crouse examines the history of this cult classic in Raising Hell: Ken Russell and the Unmaking of The Devils (ECW, $19.95 pa., Oct.), which includes an interview with the film’s director, who died in 2011.


Former model and current stay-at-home mom Kelly Oxford has found her largest measure of fame as a result of her sarcastic Twitter feed (@kellyoxford), which features such Oscar Wildean witticisms as “IDEA: ‘Bless This Mess’ novelty period panties” and “Some parents in China get their kids to work in factories and I can’t get my kid to pass me some Twizzlers.” The essays in Everything’s Perfect When You’re a Liar (HarperCollins Canada, $24.99 cl., Sept.) promise more of the same. • If you prefer your humour with a larger dollop of political satire, you’ll be pleased to know that Rick Mercer has a collection of brand new rants on the way. A Nation Worth Ranting About (Doubleday Canada, $29.95 cl., Oct.) includes the author’s description of bungee jumping with Rick Hansen, and a more serious piece about Jamie Hubley, a gay teen who committed suicide after being bullied.

If you want to know whether you might be a redneck, ask Jeff Foxworthy. If you want to know whether you might be a native of Saskatchewan, check your birth certificate or consult the new book from author Carson Demmans and illustrator Jason Sylvestre. You Might Be from Saskatchewan If … (MacIntyre Purcell/Canadian Manda Group, $12.95 pa.) appears in September.


Rob Feenie is the latest Food Network Canada celebrity chef with a new cookbook. The host of New Classics with Chef Rob Feenie, who famously defeated Masaharu Morimoto on Iron Chef America, offers innovative approaches to classic, family-friendly fare in Rob Feenie’s Casual Classics: Everyday Recipes for Family and Friends (D&M, $29.95 pa., Sept.). The recipes have undergone stringent quality control, each one having been approved by Feenie’s children, aged 3, 6, and 7.

Camilla V. Saulsbury’s 500 Best Quinoa Recipes: Using Nature’s Superfood for Gluten-free Breakfasts, Mains, Desserts and More (Robert Rose, $27.95 pa., Oct.) provides more healthy recipes based on the reigning superstar ingredient. • Aaron Ash, founder of Gorilla Food, a Vancouver restaurant that features vegan, organic, and raw cuisine, has achieved popularity among celebrity fans including Woody Harrelson and Katie Holmes. His new book, Gorilla Food: Living and Eating Organic, Vegan, and Raw (Arsenal Pulp, $24.95 pa., Oct.), collects 150 recipes, all of which are made without a heat source.


Rocker Dave Bidini returns to his other passion – hockey – in A Wild Stab for It: This Is Game Eight from Russia (ECW, $22.95 cl., Sept.), in which the author talks to various Canadians about the influence of the 1972 Canada-Russia Summit Series. The release of the book is timed to coincide with the 40th anniversary of the iconic series. • The man who made that series so memorable also has a book out this fall. Co-written with sports commentator Roger Lajoie, The Goal of My Life (Fenn/M&S, $32.99 cl., Sept.) traces Paul Henderson’s route through the OHL and the NHL, on his way to scoring “the goal of the century.”

To commemorate the 100th anniversary of the Grey Cup, ex–CFL quarterback and coach Frank Cosentino has penned the appropriately titled The Grey Cup 100th Anniversary (McArthur & Company, $29.95 pa., Oct.). • Crime fiction writer Michael Januska offers his own take on 100 years of Canadian football history in Grey Cup Century (Dundurn, $14.99 pa., Sept.).

Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2012. • All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have been listed in previous previews do not appear here.

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D&M’s Trena White lands fellowships at Frankfurt, IFOA

Earlier this week, Q&Q reported that Trena White, publisher at D&M Publishers, has been named the inaugural Canadian editorial fellow for the I.V. Programme, the annual networking event that runs alongside Toronto’s International Festival of Authors. It turns out that White, who is based in Vancouver, will have to dust off her passport as well, as she has also been named the sole Canadian fellow at this year’s Frankfurt Book Fair.

The latter fellowship runs from Sept. 30 to Oct. 14 and will see White visiting publishing houses in Frankfurt, Cologne, and Berlin, before attending the international book fair. In a press release, White says of her dual appointments: “It’s a great honour to be granted these opportunities. D&M Publishers has built lasting connections with international publishing contacts over the years, and it’s vital that our next generation of leaders continue in this tradition. The fellowships will allow us to do just that.”

White was promoted to publisher of D&M last March as part of a series of executive-level changes. Before joining the firm in 2010, the B.C. native spent six years as an editor at McClelland & Stewart.

In the March issue of Q&Q, we asked Trena about her editorial vision and D&M’s future:

In general, do you think the non-­fiction being published has changed over the last decade? This is definitely the era of celebrity memoirs and bios. The bestseller list is largely populated by books about or by celebrities, and I don’t know if that was the case 10 years ago. I think there’s been something of a shift, where it seems as though people have been looking for slightly lighter fare in the last couple of years. After 9/11 people were looking for meaty, weighty non-fiction analyzing current events, but now it seems like people want to be more entertained. I’m thinking of books like Neil Pasricha’s The Book of Awesome (Penguin). Maybe there’s a bit of fatigue over books about international affairs.

What do you look for in a manuscript? I love narrative non-fiction, so I love a good story. I want to be entertained as much as I want to be informed. Every editor and publisher talks about discovering a strong voice, somebody whose writing makes you sit up and pay attention, whose writing is original and fresh, and shows a deep talent. I like books that have a social conscience, and that’s a way my values align nicely with Douglas & McIntyre’s. Historically, it’s been a humanistic list: a lot of books about social issues, politics, and current affairs.

How is D&M preparing for the future? These are such challenging times for book publishers: no one knows where things are going, and everything’s in flux. I think there are specific challenges for mid-sized publishers like D&M, because we’re competing nationally against the big corporations that can pay healthy advances, and we don’t have the economies of scale. But I think we’re doing a lot right now to put us in a good place for the future, like focusing on international distribution arrangements; getting our art and architecture books distributed in Europe through Prestel Verlag, for example.

How is working for a Vancouver publisher different than a Toronto-based company? I’m from B.C., so for me, coming to D&M was coming home. It’s different in that there’s a very strong writing and publishing community in Vancouver, and we’re the biggest player in that scene. We get a lot more proposals and manuscripts through referrals, and through relationships various people in the company have with writers and other contacts. We’re tapped into the community in a very significant way, and that’s fantastic.

Are there downsides to being headquartered on the West Coast? I do worry that we’re under the radar of agents and authors in Toronto, though half, if not more, of our authors are based in central or Eastern Canada, and we have a small marketing office in Toronto. I also sometimes worry about the perception that we’re not a big player because we’re not based in Toronto. We don’t see ourselves as a regional publisher – we’re a national publisher competing on a national level.

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Stone Upon Stone, Spectacle & Pigsty win 2012 Best Translated Book Awards

The winners of this year’s Best Translated Book Awards have been announced. The honours were presented May 4 at McNally Jackson Books in New York as part of the PEN World Voices Festival.

In the fiction category, the winning title is Stone Upon Stone (Archipelago Books) by Wieslaw Myśliwski, translated from Polish by Bill Johnston.

Kiwao Nomura’s Spectacle & Pigsty won the poetry award. It was translated from Japanese by Kyoko Yoshida and Forrest Gander, and published by Omnidawn Publishing.

The winners were selected by a fiction jury consisting of 11 judges (including writers Susan Harris and Matthew Jakubowski), and a five-person poetry jury (including poets Brandon Holmquest and Erica Mena). Cash prizes of $10,000 (provided by Amazon) are awarded to each category to be distributed among the winning authors and translators.

The BTBAs, organized by Three Percent (an international literature group at the University of Rochester), is the only award that recognizes international works of translated literature published in the U.S. in the previous year.

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Book links roundup: Audible’s new author services; book your Hunger Games theme wedding; and more

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Q&A with art star and kidlit up-and-comer Cybèle Young

Cybèle Young may have seemed like an overnight kidlit success when her most recent picture book, Ten Birds (Kids Can Press), won a Governor General’s Literary Award last fall, but the Toronto-based artist actually began working on it more than 15 years ago. Young first made her name in the art world, where her miniature paper sculptures have attracted galleries and collectors in Vancouver, London, and New York, and landed her a recent residency in Paris. In the March 2012 issue of Q&Q, she discusses how her art informs her literary work, the transporting power of story, and what readers can expect next.

It might surprise some to learn that you trained as a sculptor. How did you get into publishing?
From a very young age, there was no question in my mind that I was an artist. At the Ontario College of Art, I did all sculpture courses. But in my final year of school, when I was pregnant with my daughter, everything shifted. I took a book-arts class and discovered that books were sculptural, too, on a private yet accessible level. I found myself going to kids’ book sections a lot more than I would go to galleries. And I still do.

You started Ten Birds in 1996. How did it finally come to fruition?
I drew most of the pictures for Ten Birds right after my daughter was born. I went to Groundwood Books with it 15 years ago because co-publisher Patsy Aldana is a friend’s mother. Then I illustrated a bit for Groundwood while focusing mainly on art – I felt I could only have one focus in addition to parenting.

Three years ago, after Groundwood had agreed to publish another picture book of mine, A Few Blocks (2011), I thought, “Well, I already showed this to Patsy, and we’re working together on something else,” so I showed it to Kids Can publisher Karen Boersma, whom I’d met at Groundwood. It clicked. We added one or two pages at the beginning and one or two at the end, but other than that, we used only the original drawings.

Some of your illustrations look like your sculptures. How does your art affect your books, and vice versa?
They definitely inform each other – I’m really half a person without one or the other. I had to find my voice in art first, but one of the things I love about books is being able to reach a wide audience. My sculptures imply stories, and in my books there are definitely themes I explore in my art, like my interest in small day-to-day experiences. Another thing I learned in sculpture that I apply to everything else: if I don’t enjoy it, it’s going to suck.

Has being a mom affected your publishing career?
Certainly I fell in love with children’s books when I was pregnant. And as a parent, there’s nothing more heavenly than knowing your kid, who could be climbing the walls, will sit happily in your lap if you offer them a book, and you can both be transported to another world.

Click on the thumbnails to see examples of Young’s fine art and illustration work.

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Christopher Hitchens, 1949-2011

Critic, gadfly, supporter of the Iraq war, misogynist, atheist. Christopher Hitchens was all these things. He was also one of the most erudite and plain-spoken writers of his day, possessed of intelligence, wit, and interests that were, in the secular sense of the word, catholic.

Hitchens died last night after a protracted battle with esophageal cancer. He was 62.

The man himself would, perhaps, cavil with the term “battle” to describe his ailment. In one of a series of pieces he wrote for Vanity Fair magazine describing, in typically direct, often painful detail, his daily struggles with the disease that was killing him, he referred to the oft-repeated term as “one of the most appealing clichés in our language”:

You’ve heard it all right. People don’t have cancer: they are reported to be battling cancer. No well-wisher omits the combative image: You can beat this. It’s even in obituaries for cancer losers, as if one might reasonably say of someone that they died after a long and brave struggle with mortality.

Once lionized by progressives, Hitchens’s views fell increasingly out of favour in the years following 9/11, especially concerning his support for the unpopular war the U.S. and its “coalition of the willing” launched against Iraq in 2003. From the Observer:

His advocacy for the Iraq war was only the latest of Hitchens’s positions that many on the left found uncomfortable, and led to a chill in his relations with Gore Vidal, who had once nominated him a “successor, an inheritor, a dauphin or delphino.” But Hitchens’s opposition to what he called “fascism with an Islamic face” began long before 9/11, with the fatwa on his friend Salman Rushdie, imposed by the Ayatollah Khomeini, whom Hitchens accused of “using religion to mount a contract killing,” after the publication of The Satanic Verses.

He was also excoriated in many circles for a 2007 article in Vanity Fair entitled “Why Women Aren’t Funny,” which prompted outraged, and not unfounded, cries of misogyny. That essay is included in his 2011 collection, Arguably, which is one of the books in the inaugural season of McClelland & Stewart’s non-fiction imprint, Signal. Writing on Random House’s Book Lounge blog, M&S president and publisher Doug Pepper says:

Christopher dealt with his illness as he did his life leading up to it: with wit, insight, incredible intellectual productivity, and extreme courage. We are all terribly saddened by his passing – his was an incredible life cut short and we send his family our heart-felt regrets and sympathy. We are honoured to be his publishers, and in that role to have brought and continue to bring his work to Canadian readers. He will be missed but his great and inspiring legacy will live on.

Among the many tributes pouring in is one from Graydon Carter, the longtime editor of Vanity Fair, where Hitchens served as contributing editor and where much of his recent writing appeared:

He was a man of insatiable appetites – for cigarettes, for scotch, for company, for great writing, and, above all, for conversation. That he had an output to equal what he took in was the miracle in the man. You’d be hard-pressed to find a writer who could match the volume of exquisitely crafted columns, essays, articles, and books he produced over the past four decades. He wrote often – constantly, in fact, and right up to the end – and he wrote fast; frequently without the benefit of a second draft or even corrections.

Indeed, Hitchens went out as he likely would have wanted to: writing. As recently as this month, he published an essay about his cancer treatments interrogating, with clarity and an utter lack of sentimentality, Nietzsche’s famous bromide that what doesn’t kill us makes us stronger:

I am typing this having just had an injection to try to reduce the pain in my arms, hands, and fingers. The chief side effect of this pain is numbness in the extremities, filling me with the not irrational fear that I shall lose the ability to write. Without that ability, I feel sure in advance, my “will to live” would be hugely attenuated. I often grandly say that writing is not just my living and my livelihood but my very life, and it’s true. Almost like the threatened loss of my voice, which is currently being alleviated by some temporary injections into my vocal folds, I feel my personality and identity dissolving as I contemplate dead hands and the loss of the transmission belts that connect me to writing and thinking.

These are progressive weaknesses that in a more “normal” life might have taken decades to catch up with me. But, as with the normal life, one finds that every passing day represents more and more relentlessly subtracted from less and less. In other words, the process both etiolates you and moves you nearer toward death. How could it be otherwise? Just as I was beginning to reflect along these lines, I came across an article on the treatment of post-traumatic stress disorder. We now know, from dearly bought experience, much more about this malady than we used to. Apparently, one of the symptoms by which it is made known is that a tough veteran will say, seeking to make light of his experience, that “what didn’t kill me made me stronger.” This is one of the manifestations that “denial” takes.


Show Rob Ford and TPL some love this holiday season

Toronto Mayor Rob Ford has not been terribly successful on the literary front. From his under-the-breath insult to author Vikki VanSickle during this summer’s marathon executive committee hearing to his brother Doug’s very public spat with Margaret Atwood over cuts to library funding, Ford’s not been viewed as the most book-friendly mayor Toronto has ever known.

People feeling that the embattled mayor might need a bit of holiday cheer can now send him seasons greetings while also helping the Toronto Public Library retain its service levels in the face of calls for cutbacks from the city. A cheeky website called the Rob Ford Book Club has appeared, suggesting that users make a minimum $10 donation to TPL in the mayor’s name; they can then take advantage of an option to have a card sent to the person in whose name the donation has been made. “The effect is two-fold,” says the rubric on the Rob Ford Book Club. “[G]ive the library a hand, and have your voice heard.”

The site offers detailed instructions for making a donation to TPL on behalf of a third party, then instructs users on how to have a card or e-card forwarded to Mayor Ford. Users are also encouraged to include a personal message for the mayor, but are cautioned against any inappropriate commentary:

Use your real name or an alias such as “Toronto citizen,” but please keep the message respectful and do not make any slurs, attacks, or threats toward the Mayor. We want you to express your desire to see libraries remain an important part of the city in a constructive and peaceful way.

Quillblog applauds this clever approach to civic activism, and wonders whether one of the cards the mayor receives will be from Atwood.

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Room audiobook narrator Michal Friedman dies

Michal Friedman, a New York–based actor and singer whose career included vocal work for several audiobooks, died on Nov. 25, from complications related to a Cesarean section after giving birth to healthy twins.

Most recently, Friedman, who once lived in Halifax and still has family there, performed the voice of five-year-old Jack for Emma Donoghue’s bestseller Room. Friedman also co-narrated Alyxandra Harvey’s YA vampire thriller Hearts at Stake.

A website has been set up to help raise funds for the twins and Friedman’s husband, Jay Snyder, who is also an actor and audiobook narrator.

Listen to a clip of Friedman reading from Room.

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In the September 2011 issue of Q&Q: Guy Vanderhaeghe completes his iconic Western trilogy

Q&Q speaks to Governor General’s Literary Award–winning Saskatoon author Guy Vanderhaeghe about the final book in his Western trilogy, the ambitious A Good Man.

Also in September, rekindling interest in history with high-profile political biographies, a look at independent U.S. bookstore e-book sales, and touring the country with Doug Gibson. Plus reviews of new books by Brian Francis, David Gilmour, Marina Endicott, and more.

A good guy

After nearly two decades, Guy Vanderhaeghe has completed his iconic Western trilogy – and now he’s ready to move on

Raising the dead white men
Can a handful of high-profile political biographies rekindle interest in Canadian history?

E-reading’s awkward embrace
If the experience of U.S. indies is anything to go by, Canadian booksellers gearing up to begin selling e-books should expect some bumps along the road

Orphaned Key Porter authors take back control of their work
How digital technology has put audiobooks within reach of small presses
In memoriam: Robert Kroetsch
Montreal violin-maker Tom Wilder turns publisher
Snapshot: Knopf Random Canada executive vice-president and publisher Louise Dennys
Cover to cover: R.T. Naylor’s Crass Struggle
Touring the country with Doug Gibson
Guest opinion: Rolf Maurer on rethinking the role of the arts

Natural Order by Brian Francis
The Perfect Order of Things by David Gilmour
The Little Shadows
by Marina Endicott
Our Daily Bread by Lauren B. Davis
Eating Dirt by Charlotte Gill

PLUS more fiction, non-fiction, and poetry

Starfall by Diana Kolpak; Kathleen Finlay, photog.
No Ordinary Day by Deborah Ellis
First Descent by Pam Withers
The Busy Beaver by Nicholas Oldland
Once Every Never by Lesley Livingston

PLUS more fiction, non-fiction, and picture books


Greenpeace International’s Tzeporah Berman on finding a balance between her own voice and that of the organization she represents

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Borders gives up the fight: UPDATED

The embattled U.S. book chain Borders has run out of options in its attempts to find a buyer and will begin the process of liquidating, according to the Detroit Free Press. The liquidation plan, which was presented to the U.S. Bankruptcy Court last Thursday, is the only option left to the big-box bookstore chain after it failed to meet Sunday’s deadline for finding a buyer.

From the Free Press:

“Following the best efforts of all parties, we are saddened by this development,” said Borders Group President Mike Edwards, in a statement. “We were all working hard towards a different outcome, but the headwinds we have been facing for quite some time including the rapidly changing book industry, eReader revolution and turbulent economy have brought us to where we are now.”

An article on Paid states that Borders is closing all of its 399 remaining stores and laying off close to 11,000 employees. Paid Content includes Borders’ official statement, which reads in part:

Subject to the Court’s approval, under the proposal, liquidation is expected to commence for some stores and facilities as soon as Friday, July 22, with a phased rollout of the program which is expected to conclude by the end of September. Borders intends to liquidate under Chapter 11 of the Bankruptcy Code and, as a result, Borders expects to be able to pay vendors in the ordinary course for all expenses incurred during the bankruptcy cases.

UPDATE: In the face of Borders’ liquidation announcement, the Canadian e-book company Kobo has voiced objections to the procedure, according to Bloomberg. Creditors filed official objections in bankruptcy court in Manhattan on Monday.

From Bloomberg:

“The debtors are proposing a hurried and confusing sale process that leaves parties such as Kobo uninformed as to precisely what will be sold or how the debtors intend to proceed,” lawyers for Kobo wrote.

Kobo, a Toronto-based maker of electronic books, said it should have the right of first refusal for any transfer of Borders’ 11 percent stake in its equity, and Borders shouldn’t be allowed to sell information that Kobo has licensed to Borders.

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Eva Stachniak's Empress of the Night

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