The exchange started after Kong visited Kaufman on Tuesday and tweeted a picture of the author’s office to some of his international publishers. Kong says the Twitter offer that followed from publisher Pia Printz, with whom he had discussed the book previously, “was something serendipitous that came from bantering.”

This isn’t the first time Kong has used Twitter to sell foreign rights. In 2010, Kong made a deal with France’s Éditions Leduc.s for rights to Why Mr. Right Can’t Find You by J.M. Kearns (Wiley), although he says he mostly uses the site for information and entertainment.

See below for today’s exchange. Kong says all other details were settled via e-mail.

Screenshot courtesy of Kelvin Kong

What’s most notable about these drawings, which demonstrate a variety of cartoonish styles, is that Atwood is the artist. The preview also includes a drawing of a superhero character named Blue Bunny the author did as a child.

Last year, Atwood surprised two fans by drawing superhero versions of their Twitter aliases, Kidney Boy and Dr. Snit.

NOW magazine reports that Thom Vernon, author of The Drifts (Coach House Press) told the room, “We are not for sale … The KPMG report is a work plan to transfer public wealth to the private sector.”

Children’s author Vikki VanSickle expressed her concerns about the budget at around 4:30 a.m. After being asked the title of her book, Words That Start with B (Scholastic Canada), mayor Rob Ford is heard on video muttering, “I can think of another B word for her.”

This morning, the Twitterverse was filled with support for VanSickle, who tweeted, “Rob Ford thinks I’m a bitch, but I think he’s a bully.” There’s no response yet from the mayor, although joke account Hulkmayor tweeted, “WAIT! HULKMAYOR NO CALL LADY B-WORD! IS MISUNDERSTANDING.”

The report recommended Toronto, “rationalize the footprint of libraries to reduce service levels, closing some branches” in order to save $13.3-million. The consultants also suggested trimming library outreach and programming. …While the report didn’t suggest outsourcing as a way to cut costs, [library workers' union president Maureen] O’Reilly insists it’s “still in play.”

…

As part of the campaign, the union set up a website and a petition last week responding to councillor Doug Ford’s comments in February that the city is going to be “outsourcing everything that is not nailed down.” Mr. Ford fuelled the campaign by carping on CFRB radio recently that his neighbourhood has more libraries than Tim Hortons – Etobicoke has 13 libraries and 39 Tim Hortons.

The story goes on to report that TPL has already outsourced the selection of its paperback collections, as well as its custodial and maintenance positions.

The report, written by external consultant KPMG, is the result of the group’s audit of approximately 105 of Toronto’s public works services to sniff out possible savings, in response to a $774-million deficit in the city’s 2012 budget. The report released Thursday was the final of eight parts released over the past few weeks and, according to the Toronto Star, it also suggested eliminating public health programs for low-income children, AIDS prevention, drug diversion, and dental hygiene.

Once the petition website was brought back online Friday, Atwood tweeted “The site’s back up!! :) M: TX Help protect most-used library system per cap. in N. America: http://t.co/JIiwfeA.”

Now, we don’t need another American TV sitcom to point out the differences between our two cultures, but here’s an interesting article about the financial health of U.S. West Coast literary journals. Turns out, boutique publishers like The Threepenny Review, Zoetrope, and McSweeney’s Quarterly are doing just fine these days, but not for the reasons you might think. According to The New York Times:

If literary journals “are poised to do well,” as Laura Cogan, editor of San Francisco-based ZYZZYVA, said, it may be because they share qualities with many successful online ventures: skeletal staffs, low overhead and specialized audiences.

The article suggests journals associated with academic institutions have financially suffered the most over the last couple of years. Not that the successful print publishers are sitting around counting their money bags — they’ve been investing in the online side of their businesses by overhauling websites and promoting online subscriptions. McSweeney’s even hired a digital media director.

But, as the article concludes — and here’s where Canadians can nod in agreement — if these publishers are doing well, it is relative to their notions of success:

“No one has ever been able to make a good living writing or publishing literary fiction,” Stephen Elliott, a writer and founder of The Rumpus, said. “It doesn’t matter that there are exceptions. The rule stands.”

Anansi’s director of publicity Laura Repas says the idea originated with one of Ford’s own quotes: “If you get stuck behind a streetcar you’re stuck! Enough with the streetcars!” Originally Anansi wanted to do a vinyl advertising wrap that would cover the entire car, but with a price tag of more than $20,000, the bold idea was cost-prohibitive. Repas says that poster ad on the side of the TTC streetcar was “an amazing deal,” especially considering the “happy accident” timing of Ford’s new transit plan announced on Thursday.

The book, conceived a day after Ford was elected and released on Feb. 16, does not have a huge marketing budget outside of the streetcar ad, which runs on the Queen Street line: “It goes by City Hall and it’s such a great, long route,” says Repas. Anansi also organized direct outreach to unconventional bookretailers like bike stores and “edgy, fun giftshops,” and set up a Tumblr page to promote the book. Anansi’s Twitter and Facebook followers are encouraged to send in their photos of the TTC ad for a chance to win a package of spring 2011 titles.

There are some odd inclusions, though: The Waiting Dog, a 2003 picture book by Carolyn and Andrea Beck published by Kids Can Press, is said to contain “obscene content, language, and pictures.” (For the record, Q&Q’s review of The Waiting Dog says that “this book is inappropriate for squeamish kids and those afraid of dogs. On the other hand, if you’re on for some exuberant grotesquerie, it’s a very fine specimen of its kind.”)

The best complaint is the one directed at D.E. Athkins’ 2006 YA novel Swans in the Mist: not only does it contain “sadistic scenes,” it “might give teens violent ideas.” (Really, what doesn’t give teens violent ideas?)

While some of the materials were re-categorized (that volume of Tintin was moved to the adult graphic novel section), Chaleff-Freudenthaler notes in his tweet that only one of the nine books was actually removed: an error-ridden volume purporting to help would-be bean counters prepare for their Chartered Financial Analyst exams.