Book links roundup: a guide to literary Tumblrs, unemployment literature, and more

• A guide to literary Tumblrs
• Grim economic times inspire unemployment literature
• Ken Kesey’s One Flew Over the Cuckoo’s Nest turns 50
• Cradling Charlotte Brontë’s teeny-tiny early work
• Torontoist peeks inside the new antiquarian bookshop, Sellers & Newel

Lady links

• The L.A. Times calls The War on Moms an “infuriating, galvanizing read” and a “page-turner for working moms”
• The National Post talks to comics artist Maryanna Hardy about her appearance at the Toronto Comic Arts Festival
• Canadian-born, Brooklyn-based writer Emily St. John Mandel, eulogizes her agent on The Millions
• Kristen Stewart cast in On the Road adaptation
• Becky Toyne writes on the evolution of an indie bookstore
• Popular lit blog Bookslut celebrates its eighth anniversary this month

The changing face of DIY

In a recent column in The Globe and Mail, Russell Smith makes an excellent case for dismantling the stereotype of traditional publishers as obstinate elitists resistant to change:

Of course, everyone wants to get into selling e-books. No one is resisting this idea. The problem is that not everyone wants to buy them yet. Furthermore, no one has yet agreed on who will be in control of these sales, and in particular of how much each of these books is going to cost. Both the publishers and the booksellers want to set the prices, and the booksellers will want to set the prices much lower than the publishers will.

Smith goes on to discuss how e-books are helping change the face of self-publishing; he thinks that, in the age of PayPal, vanity presses may not be considered inferior to traditional publishing, despite continued lack of support from arts councils and awards juries:

Some of the most popular writers on the Internet are unpaid and unpublished in print. Furthermore, even successful published authors are beginning to experiment with putting their own works up for sale online. In this case, it’s not a lack of renown that causes authors to self-publish, but the opposite: If an author is a really big name, she knows she already has the following to generate sales without the help of a publisher’s marketing and sales departments.

The National Post examined the phenomenon of DIY publishing in a recent article:

It’s a curiosity of modern culture that an indie CD or film is cool, while a self-published book still carries a whiff of stigma. Don’t believe it? Just try to get your indie book reviewed in most publications that habitually fawn over indie music and film.

Daily book biz round-up, March 25

Here’s today’s book news:

• Publishers Weekly takes temperature of Bologna Children’s Book Fair
• Will Random House ever be on the iPad?
• More conjecture on Apple’s book pricing plans
• Newbery-winner Sid Fleischman dies
• Harold W. McGraw Jr. (of McGraw-Hill fame) dies, too
• British spy novel geek to auction off private library
• Shane Koyczan performs “Swiftly” for the National Post

This week in quotes: rules for writers edition

A number of rules for writers pieces have popped up online recently, most notably in The Guardian and the National Post. On Salon, meanwhile, Laura Miller turns it around, offering a reader’s advice to writers. Here are some highlights from all three:

“Kafka wrote a perfectly fine beginning to The Castle, then threw it out for a better one.  So can you. Revise.” – Leon Rooke

“In the planning stage of a book, don’t plan the ending. It has to be earned by all that will go before it.” – Rose Tremain

“Writing fiction is not ‘self-­expression’ or ‘therapy’. Novels are for readers, and writing them means the crafty, patient, selfless construction of effects. I think of my novels as being something like fairground rides: my job is to strap the reader into their car at the start of chapter one, then trundle and whizz them through scenes and surprises, on a carefully planned route, and at a finely engineered pace.” – Sarah Waters

“Don’t confuse honours with achievement.” – Zadie Smith

“Never use a verb other than ‘said’ to carry dialogue. The line of dialogue belongs to the character; the verb is the writer sticking his nose in. But ‘said’ is far less intrusive than ‘grumbled’, ‘gasped’, ‘cautioned’, ‘lied’. I once noticed Mary McCarthy ending a line of dialogue with ‘she asseverated’ and had to stop reading and go to the dictionary.” – Elmore Leonard

“No sex unless it’s funny.” – Steve Zipp

“Read. I don’t know many great writers who aren’t also great readers. Although I do know lots of readers who aren’t writers. What was my point again? Oh yes. Reading is professional development for writers. In other careers, people go to conferences and take courses. Writers read.” – Terry Fallis

“Make your main character want something. Writers tend to be introverted observers who equate reflection with insight and depth, yet a fictional character who does nothing but witness and contemplate is at best annoying and at worst, dull. There’s a reason why Nick Carraway is the narrator of ‘The Great Gatsby’ while Gatsby himself is the protagonist. Desire is the engine that drives both life and narrative.” – Laura Miller

Bookmarks: tax advice from a poet, writing advice from Neil Gaiman, and more

Here is today’s crop of literary links:

• Vancouver poet laureate Brad Cran (who also happens to be an accountant) is offering a money-handling workshop for writers and freelancers
• The National Post profiles Andrew Kaufman, whose book The Waterproof Bible launches at Toronto’s Gladstone Hotel tonight
• Charles Pellegrino weaves a tangled web – the primary source for his book The Last Train from Hiroshima turns out to be a complete liar
• Neil Gaiman’s rules for writing: “1. Write. 2 Put one word after another. Find the right word, put it down.”
• 100 Stories for Haiti – the book that originated on Twitter and spans multiple continents

A new twist on the Canada Reads spin-off trend

If imitation is the sincerest form of flattery, the CBC must be feeling pretty good right now. Just in case you can’t get enough of the various spin-offs of the CBC’s Canada Reads competition – including the National Post’s Canada Also Reads and literary blog Pickle Me This’ Canada Reads Independently – the Keepin’ It Real Book Club has just announced their very own adaptation, called Civilians Read.

However, instead of offering yet another new booklist for readers to take on, Civilians Read uses the original CBC Canada Reads list, with lesser-known book lovers defending each title. The “civilian” panelists include:

• Erin Balser, senior editor for Books@Torontoist, defending Wayson Choy’s The Jade Peony
• Nic Boshart, digital projects co-ordinator for the Association of Canadian Publishers, defending Nicholas Dickner’s Nikolski
• Sarah Labrie, project co-ordinator for the Association of Canadian Publishers, defending Marina Endicott’s Good to a Fault
• Ashleigh Gardner, manager of digital development for Dundurn Press, defending Douglas Coupland’s Generation X
• Natalie St. Pierre, freelance editor and assistant to a literary agent, defending Ann-Marie Macdonald’s Fall On Your Knees

From the Keepin’ It Real Book Club:

We don’t have any training on the radio. We don’t have professional equipment. It’s going to be a little rough and tumble — it’ll likely lack finesse, basic courtesy, and a catchy theme song. But hopefully we’ll also say some smart things, spark some interesting discussion, and determine how weighty the panelist-X factor is.

All discussions will be hosted by Jen Knoch, associate editor at ECW Press and the main blogger at the KIRBC website. The Civilians Read panelists will release one podcast per day starting March 1, leading up to the official Canada Reads debate itself, which runs March 8-12.

National Post reveals finalists for Canada Also Reads competition

The eight books and panelists for the National Post’s Canada Also Reads book competition – created to put a spotlight on lesser-known books ignored by CBC’s Canada Reads – were announced today. Two Q&Q staffers, Zoe Whittall and Steven W. Beattie, will be defending their choices on the panel, alongside six other authors, poets, and even one singer/songwriter.

The Post’s Mark Medley created anticipation for the event by live-tweeting in the moments leading up to the reveal, offering hints such as “one of the books is set near some famous falls” and “one of the finalists had two of her novels long-listed.” After announcing that the final post was being spell-checked, and admitting that they were milking this build-up for all it was worth, the results were finally posted on the Post’s Afterword book blog. Here’s the full list:

• Steven W. Beattie defends My White Planet by Mark Anthony Jarman (Thomas Allen Publishers)
• Author Tish Cohen (Inside Out Girl, Town House) defends The Day The Falls Stood Still by Cathy Marie Buchanan (HarperCollins Canada)
• Singer/songwriter Andy Maize (Skydiggers) defends Best Laid Plans by Terry Fallis (McClelland & Stewart)
• Poet Jacob McArthur Mooney (The New Layman’s Almanac) defends The Last Shot by Leon Rooke (Thomas Allen Publishers)
• Blogger John Mutford defends Yellowknife by Steve Zipp (Res Telluris)
• Author Lisa Pasold (Rats of Las Vegas) defends You and The Pirates by Jocelyne Allens (The Workhorsery)
• Author Neil Smith (Bang Crunch) defends Come, Thou Tortoise by Jessica Grant (Knopf Canada)
• Zoe Whittall (Holding Still for as Long as Possible) defends Fear of Fighting by Stacey May Fowles (Invisible Publishing)

According to the Afterword, while the blog is “a fan of what Canada Reads has done to promote CanLit, we figured this would be a great opportunity to help shine a light on some of the books sitting in the shadows.” Starting March 1, the Afterword will post two panelists’ defences of their chosen novels each day. On March 8, it will host a live chat with all the panelists and authors. The winner will be chosen via a public poll.

Readers salivate over Salinger’s unpublished manuscripts

J.D. Salinger has been dead a scant five days, but already people are clamouring for his unpublished work to be made available. In a 1974 interview (one of the few the famously reclusive author ever gave), Salinger said, “Publishing is a terrible invasion of my privacy. I like to write. I love to write. But I write just for myself and my own pleasure.” And the prospect that the author was writing – and not publishing – has fans all a-twitter at the notion that there may be new work forthcoming once the vaults are thrown open.

Writing on the National Post‘s Afterword blog, novelist Andrew Kaufman suggests (with tongue firmly in cheek) that he and a group of “co-conspirators” are going to descend on New Hampshire for the purpose of “stealing J.D. Salinger’s filing cabinet.”

We just can’t wait any longer. Mr. Salinger may have only [just] passed on … but it’s been 16,296 days since he’s published anything. We’ve received no new family dramas from the Glasses, nothing about Holden dropping out of college or backpacking through India, not even a chuckle from the Laughing Man. But Salinger, so the legend goes, turned his back not on writing but publishing. Joyce Maynard who lived with Salinger after his self-imposed literary exile claims he’s completed at least two full novels. Margaret Salinger, his sister, stated that Salinger kept a detailed filing system, one that’s even colour coded to let future editors know what to publish and how to publish it.

In a more serious vein, entertainment lawyer Michael Levine tells the Toronto Star that Salinger’s unpublished work represents a potential “gold mine”:

“The interest and enthusiasm in the academic community and in the trade community remains profound. Sixty-five million copies of The Catcher in the Rye have sold. Whatever the quality of the subsequent manuscripts, there would be interest,” Levine said.

All of which may be true, but Quillblog would like to caution Salinger’s many fans about the dangers of being overly enthusiastic. Posthumously published work by renowned authors is not always everything it’s cracked up to be.

Daniel O’Thunder to kick off National Post’s online book club

Earlier today, the folks at the National Post‘s books blog unveiled the inaugural selection for their newly launched virtual book club, known as The Afterword Reading Society. The chosen work is first-time B.C. novelist Ian Weir’s Daniel O’Thunder (Douglas & McIntyre), an off-kilter historical novel set in Victorian London about an evangelical boxer who challenges the devil to a round of bare-knuckle boxing (see Q&Q‘s review of Daniel O’Thunder).

Beginning on Feb. 2, a panel comprising Post staffers, as well as novelist Craig Davidson (author of the boxing novel The Fighter) and books blogger Erin Balser, will host weekly online discussions and live chats with the author. These virtual discussions will culminate on March 9 with a Q&A session with Weir at Ben McNally books in Toronto.