Some of the stories are essentially just venting, but others display moments of solid inspiration. Virginia Winters’ untitled piece wins the prize for best opening line: “The [chalk] outline looked like his ego: bloated, empty, one accusing hand outstretched.” We also liked the basic idea behind Charles Schaeffer’s “Leaping to Conclusions,” which posits that John Wilkes Booth wasn’t actually aiming to shoot Lincoln, but a New York Times critic one box over.

Two of the strongest entries, however, belong to RW Morgan and Ken Duffin. From Morgan’s “Little Guys Don’t Count”:

“Why are you so upset with me?”

Was he dense? “You wouldn’t review the book! We can’t get into the stores now. She’s the best author we ever published – we put everything we had into it. I know we’re a small company, but you could have at least looked at it. We’re ruined!”

“It’s not just me. All reviewers do the same thing. A book needs to fit our standards [...] We look at the size of the publisher, the amount of money spent on promotions, the number of booked interviews, the scope of the campaign. We try to weigh the potential impact on the media. It’s a calculated strategy.”

I pulled out my tape measure. I was ready. Woody sounded concerned for the first time. I think he finally got it. “What are you measuring?”

“Your coffin.”

And from Duffin’s “The Tell-Tale Parts”:

“Byron Lunquist,” he called out. “I’m arresting you for the murder of Julius Pinkle.” Lunquist, clad only in pajama bottoms and tanning ointment, asked the sergeant what had given it away.

“Pinkle was sporting radioactive dye in his nether bits. He’d had a scan the day before. Your dog’s wearing the evidence,” he said. “Plus,” he noted, pointing to the nicely decorated spruce, “you’ve used Pinkle’s head as a tree topper.”

It was safe to say that the Sergeant could appreciate symbolism and irony as much as the next guy.

Pop goes the world
Richard Poplak bets that tawdry TV and banal bubblegum can bring cultures together

Print-on-demand: The dream and the reality
The bookstore of the future, and why POD machines are waiting for books in the present

Love wins out
While other major publishers are bleeding money, Harlequin Enterprises is raking it in. How the firm has managed to beat the odds

History, bit by bit
What’s the best way to put our national heritage online?
AND MORE IN THE LIBRARY SPECIAL REPORT: Coping with rising patron demand, and learning to LOL at the reference desk

FRONTMATTER

• Ninety minutes with Stuart Ross
• Comedy is easy, kidlit is hard
• The adventures of Pierre Turgeon: a timeline
• Cover to Cover: Lauren Kirshner’s Where We Have to Go
• Snapshot: Alexandra Moore of Word on the Street
• Breakwater unbroken
• David Bezmozgis moves from control to collaboration

REVIEWS

• Heaven Is Small by Emily Schultz
• Though You Were Dead by Terry Griggs
• The English Stories by Cynthia Flood
• Plus more fiction, non-fiction, and poetry

BOOKS FOR YOUNG PEOPLE

• Dance Baby Dance by Andrea Spalding
• Dracula Madness by Mary Labatt and Jo Rioux
• Soccer Sabotage by Liam O’Donnell and Mike Deas
• Swim the Fly by Don Calame
• Plus more fiction, non-fiction, and picture books

THE Q&Q/BOOKNET CANADA BESTSELLERS

THE LAST WORD
Lesley Choyce does the math on three decades in writing