Fall preview 2011: Canadian fiction

In the July/August issue, Q&Q looks ahead at the fall season’s biggest books.

NOVELS

One of the most anticipated releases of the fall season is surely the new novel from internationally acclaimed author Michael Ondaatje, his first since 2007 Governor General’s Literary Award winner Divisadero. Set in the early 1950s, The Cat’s Table (McClelland & Stewart, $32 cl., Sept.) tells the story of an 11-year-old boy crossing the Indian Ocean on a liner bound for England, and the mysterious prisoner shackled on board. • Also from M&S is Guy Vanderhaeghe’s first novel in eight years. Set in the late 19th-century Canadian and American West, A Good Man ($32.99 cl., Sept.) is the third book in a loose trilogy that also includes The Last Crossing (2003) and The Englishman’s Boy, which won the 1996 Governor General’s Literary Award. • A third GG winner has a new novel out this season: David Gilmour, who won in 2005 for his previous novel, A Perfect Night to Go to China. Gilmour returns with The Perfect Order of Things (Thomas Allen Publishers, $26.95 cl., Sept.), the story of a man who revisits traumatic and life-changing incidents from his past.

Marina Endicott follows up her Scotiabank Giller Prize–shortlisted 2008 novel Good to a Fault with The Little Shadows (Doubleday Canada, $32.95 cl., Sept.), about three sisters who become vaudeville singers following the death of their father. • Acclaimed novelist Helen Humphreys returns with an historical novel set in France during the Napoleonic period. The Reinvention of Love (HarperCollins Canada, $29.99 cl., Sept.) is about a French journalist whose affair with Victor Hugo’s wife causes a scandal (as it might be expected to do).

Brian Francis’s debut novel, Fruit, was a runner-up in the 2009 edition of CBC’s battle of the books, Canada Reads. His second novel, Natural Order (Doubleday Canada, $29.95 cl., Aug.), tells the story of a mother who is forced to confront the secrets she has kept about her son when her carefully constructed life is overturned by a startling revelation. • Kevin Chong returns to fiction with his first novel in a decade. Beauty Plus Pity (Arsenal Pulp Press, $17.95 pa., Sept.) follows an Asian-Canadian slacker in Vancouver whose incipient modelling career is derailed by the death of his father and the sudden departure of his fiancée.

Requiem (HarperCollins Canada, $32.95 cl., Sept.), the third novel from Frances Itani, is about a Japanese-Canadian who embarks upon a cross-country journey of discovery following the death of his wife. • Anita Rau Badami follows her best-selling novels Tamarind Mem and The Hero’s Walk with Tell It to the Trees (Knopf Canada, $32 cl., Sept.), about the Dharma family – the authoritarian Vikram, the gourmand Suman, and the old storyteller Akka. When the Dharmas’ tenant, Anu, turns up dead on their doorstep, the family’s long-buried secrets begin to boil over. • Gayla Reid returns with her first novel since 2002’s Closer Apart. Set during the Spanish Civil War, Come from Afar (Cormorant Books, $32 cl., Aug.) tells the story of an Australian nurse who falls into a relationship with a Canadian soldier from the International Brigade.

Haitian expat Dany Laferrière is back with his third novel in translation in three years. The Return (Douglas & McIntyre, $22.95 pa., Aug.) tells the story of a 23-year-old Haitian named Dany who flees Baby Doc Duvalier’s repressive regime and relocates to Montreal. Thirty-three years later, Dany learns of his father’s death in New York City, and plots a return to his native country. David Homel translates. • Another Montreal resident, poet Sina Queyras, has a novel out this fall, the author’s first. Autobiography of Childhood (Coach House Books, $20.95 pa., Oct.) is about one day in the lives of five siblings haunted by the death of a brother years before. • Infrared (McArthur & Company, $29.95 cl., Sept.), the new novel by Nancy Huston, is about a photographer who travels to Tuscany with her father and stepmother. Employing internal dialogues with the photographer’s mental doppelgänger, Huston opens up her hero for exposure and provides an intimate picture of her interior life.

CanLit mainstay David Helwig returns with a novella, his first since 2007’s Smuggling Donkeys. Killing McGee (Oberon, $38.95 cl., $18.95 pa., Oct.) tells the story of a professor’s dual obsessions with the assassination of D’Arcy McGee and the disappearance of one of his students. • Toronto-based poet Dani Couture returns with her first novel, a surreal and iconoclastic take on that perennial CanLit staple: the family drama. Algoma (Invisible Publishing, $19.95 pa., Oct.) tells the story of a family attempting to cope with the aftermath of a young child falling through the ice and drowning. • Shari Lapeña also has a novel about a perennial CanLit concern: raising money to allow one time to write poetry. Happiness Economics (Brindle & Glass, $19.95 pa., Sept.) tells the story of a stalled poet who takes a job writing advertising copy to start a poetry foundation.

Jamaican-born novelist, poet, and non-fiction author Olive Senior returns to long-form fiction with Dancing Lessons (Cormorant, $22 pa., Aug.), about a woman looking back on her life after a hurricane destroys her home. • Memoirist Frances Greenslade (A Pilgrim in Ireland, By the Secret Ladder) has a debut novel out this August. Shelter (Random House Canada, $29.95 cl.) is a coming of age story about two sisters searching for their mother, who abandoned them after their father was killed in a logging accident.

Not one, but two novels this season extend the burgeoning CanLit focus on towns that have been/are about to be flooded (after Johanna Skibsrud’s The Sentimentalists, Anne Michaels’ The Winter Vault, and Michael V. Smith’s Progress). Tristan Hughes’s Eye Lake (Coach House, $19.95 pa., Oct.) is about the town of Crooked River, Ontario. Named for a river that was diverted to make way for a mine, the town harbours secrets that surface when the river reclaims its original course. • And in September, Goose Lane Editions will publish Riel Nason’s The Town that Drowned ($19.95 pa.), about the suspicions, secrets, and emotions that flare up when the township of Haverton is scheduled to be flooded to allow for the construction of a massive dam.

Edward Riche follows up his Thomas Head Raddall Award winner The Nine Planets with Easy to Like (House of Anansi Press, $29.95 cl., Sept.), a satire about a screenwriter and oenophile who dreams of travelling to Paris, but is trapped in Canada by an expired passport and a growing Hollywood scandal. Relocating to Toronto, he bluffs his way into the upper echelons of the CBC. • Former president and CEO of Penguin Canada, David Davidar was forced out of his position under a cloud of scandal after accusations of sexual harassment. Davidar’s new novel, Ithaca (M&S, $29.99 cl., Oct.), is, perhaps not coincidentally, about the rise and fall of a publishing star.

Canadian literary icon Michel Tremblay returns with a new novel, the first in a trilogy. Set in 1913, Crossing the Continent (Talonbooks, $18.95 pa., Oct.) takes the author’s characters out of Quebec for the first time, to tell the backstory of the people who populate his Chroniques du Plateau-Mont-Royal series. Long-time Tremblay collaborator Sheila Fischman translates.

A resident of St. John’s, Newfoundland, lately one of the most fertile spots for Canadian writing, Michelle Butler Hallett crafts genre-busting stories and novels that frequently experiment with gender and perspective. Her new novel, Deluded Your Sailors (Creative Book Publishing, $21.95 pa., Sept.), focuses on the culture industry from the perspective of Nichole Wright, who makes a discovery that puts a government-funded tourism project in jeopardy, and a shape-shifting minister named Elias Winslow. • Another Newfoundland native, Kate Story, has a novel out with Creative this season. The follow-up to 2008’s Blasted, Wrecked Upon This Shore ($21.95 pa., Sept.) tells the story of Pearl Lewis, an emotionally damaged, charismatic woman who is seen at different stages in her life.

In 1972, Christina Parr returns to her hometown of Parr’s Landing, a place she fled years earlier. The dirty secret of Parr’s Landing? A 300-year-old vampire resides in the caves of the remote mining town. Christina learns why she should have stayed away in Michael Rowe’s Enter, Night (ChiZine Publications, $17.95 pa., Oct.). • English literature professor Janey Erlickson struggles to make headway in her academic career while caring for a tyrannical toddler in Sue Sorensen’s comic novel A Large Harmonium (Coteau Books, $21 pa., Sept.). • Paul Brenner, a Vancouver lawyer, dines with his son, Daniel, one Friday evening. The next day, Brenner receives word that his son has been murdered. Hold Me Now (Freehand Books, $21.95 pa., Oct.), the first novel from Stephen Gauer, examines a father’s grief and a lawyer’s faith in the legal system.

SHORT FICTION

Anyone who has ever wondered what might transpire if the author of Bigfoot’s autobiography were to illustrate a story collection by Canada’s reigning postmodern ironist can stop wondering. October sees the publication of Highly Inappropriate Tales for Young People (Random House Canada, $24 cl.), the first collaboration between author Douglas Coupland and well-known illustrator Graham Roumieu.

D.W. Wilson currently lives in London, England, but is a native of B.C.’s Kootenay Valley. The winner of the inaugural Man Booker Prize Scholarship from the University of East Anglia, Wilson’s debut collection, Once You Break a Knuckle (Hamish Hamilton Canada, $32 cl., Sept.), is a suite of stories about good people doing bad things.

Novelist Anne DeGrace has her first collection of short stories on tap for September. Flying with Amelia (McArthur & Company, $29.95 cl.) spans the 20th century and crosses vast swathes of territory. Wireless telegraphy, German POWs in Manitoba, the Great Depression, and the FLQ crisis all crop up in her stories. • David Whitton’s story “Twilight of the Gods” was included in the 2010 sci-fi anthology Darwin’s Bastards. The story also appears in Whitton’s first solo collection, The Reverse Cowgirl (Freehand, $21.95 pa., Oct.), which sports the most sexually suggestive title for a collection of CanLit stories since Pasha Malla’s The Withdrawal Method.

Toronto writer Rebecca Rosenblum follows up her Metcalf-Rooke Award–winning debut collection Once (a Q&Q book of the year for 2009) with The Big Dream (Biblioasis, $19.95 pa., Sept.), a collection of linked stories about the lives of workers at Dream, Inc., a lifestyle-magazine publisher. • The Maladjusted (Thistledown Press, $18.95 pa., Sept.), Toronto writer Derek Hayes’ debut collection, focuses on people who run afoul of the dictates of polite society. • Also from Thistledown, Britt Holmström’s Leaving Berlin ($18.95 pa., Sept.) examines contemporary women in both Canadian and European settings.

The fine print: Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2011. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have appeared in previous previews do not appear here.

2011 ReLit longlist revealed

The very long list of nominees for the 2011 ReLit Awards, which celebrates novels, poetry, and short fiction titles published by Canadian independent presses, has been announced. ECW Press leads this year’s longlist with nine nominees.

NOVELS:

• Sandra Beck, John Lavery (House of Anansi Press)
• Étienne’s Alphabet, James King (Cormorant Books)
• Isobel & Emile, Alan Reed (Coach House Books)
• The Cube People, Christian McPherson (Nightwood Editions)
• Glenn Piano by Gladys Priddis, Jason Dickson (BookThug)
• The Obituary, Gail Scott (Coach House)
• How Should a Person Be? Sheila Heti (Anansi)
• A Thoroughly Wicked Woman, Betty Keller (Caitlin Press)
• When Fenelon Falls, Dorothy Ellen Palmer (Coach House)
• Lethal Rage, Brent Pilkey (ECW Press)
• Hope Burned, Brent LaPorte (ECW)
• The Matter of Sylvie, Lee Kvern (Brindle & Glass)
• A Likely Story, Eric Wright (Cormorant)
• Follow Me Down, Marc Strange (ECW)
• New Under the Sun, Kevin Major (Cormorant)
• The Bourgeois Empire, Evie Christie (ECW)
• One Bloody Thing After Another, Joey Comeau (ECW)
• Far to Go, Alison Pick (Anansi)
• Annabel, Kathleen Winter (Anansi)
• Baldur’s Song, David Arnason (Turnstone Press)
• In Plain Sight, Mike Knowles (ECW)
• Flight, Darren Hynes (Killick Press)
• Cupids, Paul Butler (Flanker Press)
• Book, Ken Sparling (Pedlar Press)
• Flyways, Devin Krukoff (Thistledown Press)
• Spaz, Bonnie Bowman (Anvil Press)
• Of Water and Rock, Thomas Armstrong (DC Books)
• Something Remains, Hassan Ghedi Santur (Dundurn Press)
• The Evolution of Inanimate Objects, Harry Karlinsky (Insomniac Press)
• Solitaria, Genni Gunn (Signature Editions)
• Waiting for Ricky Tantrum, Jules Lewis (Dundurn)
• Letters to Omar, Rachel Wyatt (Coteau Books)
• The Goon, Jerrod Edson (Oberon Press)
• Raising Orion, Lesley Choyce (Thistledown)
• The Master of Happy Endings, Jack Hodgins (Thomas Allen Publishers)
• In the Fabled East, Adam Lewis Schroeder (D&M Publishers)
• Blood Relatives, Craig Francis Power (Pedlar)
• The Glass Harmonica, Russell Wangersky (Thomas Allen)
• This Book Will Not Save Your Life, Michelle Berry (Enfield & Wizenty)
• Anderson, Michael Boyce (Pedlar)
• Revenge Fantasies of the Politically Dispossessed, Jacob Wren (Pedlar)
• Drive-by Saviours, Chris Benjamin (Roseway Publishing)
• Gaze, Keith Cadieux (Quattro Books)
• Sheilagh’s Brush, Maura Hanrahan (Inanna Publications)
• Combat Camera, A.J. Somerset (Biblioasis)
• Victim Rights, Norah McClintock (Red Deer)
• Good Evening, Central Laundromat, Jason Heroux (Quattro)
• Black Alley, Dawn M. Cornelio (Biblioasis)
• Krakow Melt, Daniel Allen Cox (Arsenal Pulp Press)
• The Hungry Mirror, Lisa de Nikolits (Inanna)
• Firmament, Bruce Johnson (Gaspereau Press)
• Pitouie, Derek Winkler (The Workhorsery)
• The Lucky Child, Marianne Apostolides (Mansfield Press)
• The Case of Owen Williams, Allan Donaldson (Vagrant Press)
• L (And Things Come Apart), Ian Orti (Invisible Publishing)
• Retina Green, Reinhard Filter (Quattro)
• Sweet England, Steve Weiner (New Star Books)
• Real Gone, Jim Christy (Quattro)
• The Find, Kathy Page (McArthur & Company)
• Confessions of a Reluctant Cougar, Myna Wallin (Tightrope Books)
• Tobacco Wars, Paul Seesequasis (Quattro)

POETRY:

• Floating Bodies, Julie Roorda (Guernica Editions)
• Cold Sleep Permanent Afternoon, Ray Hsu (Nightwood)
• Children of Ararat, Keith Garebian (Frontenac House)
• Indexical Elegies, Jon Paul Fiorentino (Coach House)
• Falling Blues, Jannie Edwards (Frontenac)
• Marimba Forever, Jim Christy (Guernica)
• The Porcupinity of the Stars, Gary Barwin (Coach House)
• Patient Frame, Steven Heighton (Anansi)
• Seeing Lessons, Catherine Owen (Wolsak and Wynn)
• Against the Hard Angle, Matt Robinson (ECW)
• You Know Who You Are, Ian Williams (Wolsak and Wynn)
• Fieldnotes, Kate Eichhorn (BookThug)
• Watermelon Kindness, David Donnell (ECW)
• The Inquisition Years, Jen Currin (Coach House)
• O Resplandor, Erin Mouré (Anansi)
• Light and Time, Michael Mirolla (Guernica)
• Bloom, Michael Lista (Anansi)
• Nature, Mark Truscott (BookThug)
• Casanova in Venice, Kildare Dobbs (The Porcupine’s Quill)
• Update, Bill Kennedy and Darren Wershler (Snare Books)
• Living Under Plastic, Evelyn Lau (Oolichan Books)
• The Little Seamstress, Phil Hall (Pedlar)
• Winterkill, Catherine Graham (Insomniac)
• Tiny, Frantic, Stronger, Jeff Latosik (Insomniac)
• The Walnut-Cracking Machine, Julie Berry (BuschekBooks)
• Ghost Music, Mark D. Dunn (BuschekBooks)
• Return from Erebus, Julia McCarthy (Brick Books)
• The Scare in the Crow, Tammy Armstrong (Goose Lane Editions)
• The Emperor’s Sofa, Greg Santos (DC Books)
• Why Are You So Long and Sweet? David W. McFadden (Insomniac)
• Mammoth, Larissa Andrusyshyn (DC Books)
• A Pirouette and Gone, E.D. Blodgett (BuschekBooks)
• Swimming Ginger, Gary Geddes (Goose Lane)
• Sweet, Dani Couture (Pedlar)
• Here Is Where We Disembark, Clea Roberts (Freehand Books)
• Every Day in the Morning (Slow), Adam Seelig (New Star)
• Hump, Ariel Gordon (Palimpsest Press)
• The Unsettled, Mona Fertig (Kalamalka Press)
• Soul on Standby, Antony Di Nardo (Exile Press)
• Hold the Note, Domenico Capilongo (Quattro)
• Traumatology, Priscila Uppal (Exile)
• Sew Him Up, Beatriz Hausner (Quattro)
• Hard Feelings, Sheryda Warrener (Snare)
• A Good Time Had By All, Meaghan Strimas (Exile)
• The Lateral, Jake Kennedy (Snare)
• The Sylvia Hotel Poems, George Fetherling (Quattro)
• The Good News About Armageddon, Steve McOrmond (Brick)
• Psychic Geographies and Other Topics, Gregory Betts (Quattro)
• Alien, Correspondent, Antony Di Nardo (Brick)
• The Stream Exposed with All its Stones, D.G. Jones (Signal Editions)
• An Open Door in the Landscape, Elisabeth Harvor (Palimpsest)
• The Philosophy of as if, Fraser Sutherland (Bookland Press)
• Circus, Michael Harris (Signal)
• Syrinx and Systole, Matthew Remski (Quattro)
• The Day Is a Cold Grey Stone, Allan Safarik (Hagios Press)
• The Crow’s Vow, Susan Briscoe (Signal)
• The Mourner’s Book of Albums, Daniel Scott Tysdal (Tightrope)
• The Nights Also, Anna Swanson (Tightrope)
• Don’t Get Lonely Don’t Get Lost, Elisabeth Belliveau (Conundrum Press)
• Fallout, Sandra Ridley (Hagios)
• Stray Dog Embassy, Natasha Nuhanovic (Mansfield Press)
• At the Gates of the Theme Park, Peter Norman (Mansfield)
• Cathedral, Pamela Porter (Ronsdale Press)
• Goodbye, Ukulele, Leigh Nash (Mansfield)
• Come Closer, Leanne Averbach (Tightrope)
• The Stonehaven Poems, R.D. Patrick (Your Scrivener Press)
• I Do Not Think That I Could Love a Human Being, Johanna Skibsrud (Gaspereau)
• Welling, Margaret Christakos (Your Scrivener)
• The Annotated Bee & Me, Tim Bowling (Gaspereau)
• The Art of Breathing Underwater, Cathy Ford (Mother Tongue Publishing)

SHORT FICTION:

• Ravenna Gets, Tony Burgess (Anvil)
• Ronald Reagan, My Father, Brian Joseph Davis (ECW)
• This Ramshackle Tabernacle, Samuel Thomas Martin (Breakwater Books)
• All Those Drawn to Me, Christian Peterson (Caitlin)
• World News Story, Michael Woods (Book Thug)
• Three Deaths, Josip Novakovich (Snare)
• I Still Don’t Even Know You, Michelle Berry (Turnstone)
• Recipes From the Red Planet, Meredith Quartermain (BookThug)
• Punishing Ugly Children, Darryl Joel Berger (Killick)
• Mystery Stories, David Helwig (Porcupine’s Quill)
• The Mountie at Niagara Falls, Salvatore Difalco (Anvil)
• I’m a Registered Nurse Not a Whore, Anne Perdue (Insomniac)
• The Devil You Know, Jenn Farrell (Anvil)
• Mennonites Don’t Dance, Darcie Friesen Hossack (Thistledown)
• Sex in Russia, Kenneth Radu (DC)
• The Young in their Country, Richard Cumyn (Enfield & Wizenty)
• High Speed Crow, Sheila McClarty (Oberon)
• Bird Eat Bird, Katrina Best (Insomniac)
• The Doctrine of Affections, Paul Headrick (Freehand)
• The Meaning of Children, Beverly Akerman (Exile)
• Faded Love, Robert N. Friedland (Libros Libertad)
• Bats or Swallows, Teri Vlassopoulos (Invisible)
• There is No Other, Jonathan Papernick (Exile)
• Missed Her, Ivan E. Coyote (Arsenal Pulp)
• Light Lifting, Alexander MacLeod (Biblioasis)
• Icebreaker/Auricle, Alisha Piercy (Conundrum)

Books of the Year 2010: Fiction and Poetry

There’s no formula for choosing the books of the year. Some break ground, some tackle familiar themes with new energy. Some represent the best work from established authors, some introduce us to important new voices. And some are simply in-house favourites we feel deserve a little more attention. Here are the Fiction and Poetry books that made the most impact in 2010.
(more…)

Daily book biz round-up, May 19

Your mid-week round-up:

• Amazon launches imprint to publish translated works
• You’re in the jungle, baby, and you’ve got a vook?
• “The Situation” of TV offshoot publishing is so much more dire
• Fans will love Robert Munsch forever
• Short fiction website Joyland launches e-book imprint

New Yorker cans short fiction issue

On December 4, Douglas Hunter published an opinion piece in The Globe and Mail suggesting that the annual CBC literary smackdown known as Canada Reads is biased against non-fiction:

I think it’s super that Canadian novelists and short-story writers are getting another annual boost from the Mother Corp. I just find it discouraging that we seem to think serious, memorable reading only involves fiction. Canada Reads has not once in nine years included a non-fiction title. Were a celebrity participant to defend Ken McGoogan’s Lady Franklin’s Revenge or Ken Dryden’s The Game, I’d keel over in a dead faint.

The CBC is not alone in its bias. Non-fiction remains a second-class literary citizen in the Great White North.

Whether this ingrained national bias actually exists is open to debate (Quillblog would like to point out that non-fiction consistently outsells fiction in this country); the same is apparently not true south of the 49th parallel. WWDMedia today reports that The New Yorker has decided to pull the plug on its second fiction issue of the year (the first one appeared in the early summer) and instead publish a “world changers” issue, which hits stands this week.

“I think one is enough for the time being,” said editor David Remnick of dropping a fiction issue. “We’ll still continue to publish fiction every week. I think we’re one of the last magazines that does.”

And apparently the decision to replace the fiction issue sits well with advertisers:

Ad pages rose more than 50 percent for the issue, making it the biggest of the year. Chanel, Prada, and Louis Vuitton are among the fashion advertisers and the automotive category has seven more pages than last year, thanks to BMW, Acura, Ford, Cadillac, and Toyota. Total ad pages for “world changers” is almost 69, compared with 45 for last year’s winter fiction issue.

The Atlantic kindles a new relationship with Amazon

Edna O’Brien, Curtis Sittenfeld, and Paul Theroux are among the writers who will be making their short fiction available exclusively to Kindle users thanks to a new deal between online retailer Amazon.com and the general interest magazine The Atlantic. The first two of these stories, O’Brien’s “Shovel Kings” and Christopher Buckley’s “Cynara,” are available today. From the press release:

As outlets publishing fiction rapidly dwindle, The Atlantic asserts its historic commitment to the form by introducing two new short stories each month via Amazon’s Kindle – becoming the first magazine to deliver fiction exclusively to Kindle readers…. These works will also be available for purchase and reading with the Kindle for iPhone and Kindle for PC apps, as well as planned Kindle platform expansions for Mac and Blackberry.

At the risk of sounding snarky, this Quillblogger would like to point out the irony in the first clause of that opening sentence, given the magazine’s decision in 2005 to cease publishing short fiction on a monthly basis and to group fiction into a kind of annual gulag in their summer issue.

Moreover, The New York Times points out that authors who have their work published as part of this agreement will have access to a rather exclusive audience:

For authors who sign with The Atlantic for the Kindle deal, their contracted work is limited to that one format, since those who don’t own a Kindle – or an iPhone, on which readers can install a Kindle app – won’t be able to read it.

Participating authors, who have been paid what the NYT refers to as “a four-figure fee,” may at some future time reprint their stories in collections or other periodicals, but they are prohibited from allowing them to appear on competing e-readers.

A new home for short stories

Toronto-based authors Emily Schultz and Brian Joseph Davis have come together and launched a new website for short fiction, called Joyland. In a mass e-mail sent to Q&Q, they explain the impetus for the site:

Current literary publishing wisdom has it that the short story is dead. We think otherwise. We think the form is at its stylistic peak. It’s just that the traditional venues for short stories – commercial print magazines – have changed dramatically and jettisoned the once prominent short story.

Joyland is dedicated to finding a new way to publish short fiction, and rather than just start a web magazine we’ve wedded a strict mandate (only short fiction) to some principles of social networking sites.

The message goes on to list the initial contributors, and it looks like a pretty respectable line-up: Canadian authors Lynn Coady and Nathan Sellyn, and U.S. authors Ed Park and Harold Abramowitz. (Another aim of the site, apparently, is to get readers from both sides of the border reading authors they may never have encountered before.) They’ve also got an international assortment of contributing editors, including Schultz herself, Vancouver author Kevin Chong, and U.S. authors Janine Armin (New York) and Matthew Timmons (Los Angeles).

You can check it out for yourself here.

The Canadian short story

The Danforth Review has a brief interview with Sara Jamieson, an academic who’s currently studying Alice Munro’s work and who teaches a University of Calgary course called “The Short Story in Canada.” Interviewer Michael Bryson takes the chance to ask her about a few common knocks against our short-fiction purveyors: that they’re overinfluenced by Munro, fond of nostalgia, and leery of experimentation. “[I]t seems to me that, as you say, there are plenty of writers out there experimenting with short fiction. They just never seem to get included in those anthologies of Canadian short fiction that are not expressly devoted to experimental writing,” says Jamieson. “I’m not sure why this has to be the case, and it is an issue for me in the class I’m teaching. The students really liked P.K. Page’s ‘Ex Libris,’ one of a few non-realist inclusions in the anthology I’m using. (Incidentally, it’s interesting, in view of your association of the experimental with ‘younger Canadian writers’ that Page is the oldest living writer on my course!)”

Related links:
Click here for the Jamieson interview

The 22-cent solution

Bert Archer reports on an author who has found a way of bypassing traditional publishing methods — and receiving an infusion of much-needed cash — by setting up a subscription service for his short fiction. Primarily a science fiction author, Bruce Holland Rogers e-mails three stories a month to subscribers for the low cost of $8 per year, which works out to 22 cents a story. The stories range from 200 to 2,000 words, and though most contain elements of the fantastic, their appeal extends far beyond hardcore sci-fi fans. So far, Rogers is earning almost $250 a month for his subscriber-only fiction.

Related links:
Read the article in the Toronto Star
Read samples of Roger’s work

Cheap shorts

The Book Standard takes a look at Amazon.com’s new Amazon Shorts program, which kicked off in July. Readers can download digital versions of short fiction by big-name authors for under 50 cents a shot, or have the files dropped off in their e-mail inbox. Some of the files are first chapters of upcoming books, while others are original short stories. According to the Book Standard piece, Amazon hopes the move will spur interest in short fiction: “‘We hope that by making short-form literature widely and easily available, Amazon.com can help to fuel a revival of this kind of work,’ says Steve Kessel, Amazon.com’s vice-president of Digital Media.

Related links:
Click here for the full story from The Book Standard