$10,000 Alberta prize now open to books published out of province

Organizers of the Alberta Readers’ Choice Award, now in its third year, have taken steps to quiet a muted strain of controversy that has attached itself to the prize since its inception.

The $10,000 award, organized by the Edmonton Public Library and voted on by Alberta readers, had until now been open to all books published in Alberta, regardless of the author’s origin or city of residence. But Alberta authors who happened to be published outside the province – someone like, say, Scotiabank Giller Prize nominee Lynn Coady, who lives in Edmonton but is published by Toronto-based House of Anansi Press – would be ineligible for the award.

That is all going to change this year, judging by new criteria posted to the EPL website:

This year, works of fiction and narrative non-fiction (i.e., first edition full-length novels, short story collections or books of poetry) will be accepted by any author who has been a resident of Alberta for a minimum of 12 consecutive months immediately prior to the publication of the submitted work, and who currently resides in Alberta, no matter where the book was published. The change makes this truly an Alberta award and recognizes the exceptional writing talent in our province while encouraging readers to support Alberta authors.

As it turns out, both of the prize’s prior winners – Helen Waldstein Wilkes’ memoir Letters from the Lost (AU Press) and Michael Davie’s novel Fishing for Bacon (NeWest Press) – are by authors currently residing in B.C.

“Giller effect” boosts e-book sales of Half-Blood Blues

The so-called “Scotiabank Giller Prize effect”  is already helping e-book numbers for Esi Edugyan’s Half-Blood Blues (Thomas Allen Publishers).

Yesterday, Half-Blood Blues was listed 3,376 on Amazon’s bestsellers list for Kindle e-books. As of noon Wednesday, the book had risen to 360, a significant increase in sales overnight. In the Apple iBookstore, it is the third top-seller, just below the e-book and enhanced e-book versions of Stephen King’s 11/22/63. Patrick deWitt’s The Sisters Brothers (House of Anansi Press) is the only other Giller Prize finalist in the iBookstore’s top 10, at number five.

Giller finalist Michael Ondaatje’s The Cat’s Table (McClelland & Stewart) is the fifth best-selling e-book at Kobo, the only e-commerce site that is prominently merchandising Half-Blood Blues as the Giller winner.

Ondaatje’s book is also the top-seller in the new Canadian Google eBookstore, which launched last week. As part of its roll-out strategy, Google tailored the store for a Canadian audience, dedicating a section on its homepage for the Giller shortlist, however, Half-Blood Blues is conspicuously absent. According to David Glover, Thomas Allen’s marketing manager, the publisher is working with Google, and the title will be available soon.

Prices for the e-books also vary between websites. At the high end, Half-Blood Blues is available in the Apple iBookstore for $20.99. Kobo is carrying the e-book for $15.49, and Amazon, $9.60.

(Photo by Tom Sandler, courtesy of the Writers’ Trust)

Edugyan’s unpredictable year culminates in Giller win

A novel that, less than a year ago, was without a Canadian publisher has won the country’s most prestigious literary prize. Esi Edugyan’s Half-Blood Blues, about a jazz musician who disappears in Nazi-occupied France, was awarded the $50,000 Scotiabank Giller Prize Tuesday evening, capping an unlikely run that has seen the Calgary-born novelist rise from obscurity to become one of the season’s most buzzed about authors.

Edugyan’s sophomore novel was supposed to appear in the spring with the now bankrupt Key Porter Books. Half-Blood Blues eventually landed with Thomas Allen Publishers, which released the book this summer, months after it had appeared in the U.K. (with the venerable literary press Serpent’s Tail) and the U.S. (Picador).

Accepting the prize at a Toronto gala, Edugyan thanked Thomas Allen publisher Patrick Crean for rescuing the book from limbo. “Thomas Allen has been the most amazing publisher,” she said. “After Key Porter – that wonderful Canadian house – fell apart, he (Patrick) came in and believed in the book and purchased it, and I’m so, so thankful for that. It’s been a wonderful experience, Patrick.”

Edugyan also thanked her editors Jane Warren and John Williams (of Key Porter and Serpent’s Tail, respectively), as well as a trusted early reader, the author Jacqueline Baker. Finally, she acknowledged her husband, poet and novelist Steven Price, “without whom nothing gets written.”

In fact, Price, whose first novel, Into That Darkness, appeared this spring with Thomas Allen, had a hand in getting the book published, too. Crean said Price contacted him in April, “shortly after the problems with Key Porter,” and convinced him to take an advance reading copy to the London Book Fair. After reading the novel on the plane, Crean said he was “absolutely beguiled and amazed.” He signed the book not long after returning to Toronto.

This is the second time Thomas Allen has won the Giller, and only the third time in the prize’s 18-year history that a solely Canadian-owned firm has published the winning title. When Thomas Allen last won the Giller, in 2002, it was for Barbadian-born novelist Austin Clarke’s The Polished Hoe.

Crean described being in the winner’s circle for a second time as “an absolute thrill.” He added: “It’s also a thrill to see a young African-Canadian woman win it. I think we have a lot of wonderful writers of many different backgrounds, but we seem to have a dearth of young writers of that particular heritage.”

Edugyan is a second-generation Canadian whose father emigrated from Ghana in the 1970s.

There are currently 23,000 copies of Half-Blood Blues in print. “Tomorrow morning we’re going to be pushing the button again,” Crean said. “I don’t quite know what the number is going to be, but it’s going to be upwards of 20,000.” Thomas Allen has sold just 250 e-book copies of the novel, but Crean said “that may change very rapidly now.”

Following the controversy that erupted last year when winning publisher Gaspereau Press was unable to keep up with demand for Johanna Skibsrud’s The Sentimentalists, Crean reassured retailers that history isn’t about to repeat itself. “[Gaspereau is] an artisan publisher, and one has to respect that very much,” he said. “We’re a more commercial house, and we keep our eye on the sales figures and make sure there’s enough inventory.”

The Giller is just one among a full slate of literary prizes Edugyan was eligible for this fall. With Giller co-nominee Patrick deWitt she shares the peculiar distinction of having been nominated for all three of Canada’s major literary awards as well as the U.K.’s Man Booker Prize.

Last week, deWitt won the $25,000 Rogers Writers’ Trust Fiction Prize for his sophomore novel, The Sisters Brothers (House of Anansi Press). Along with Edugyan and deWitt, a third Giller nominee is eligible for the $25,000 Governor General’s Literary Award, which will be handed out next week: David Bezmozgis, nominated for his first novel, The Free World (HarperCollins Canada).

The other Giller nominees were Lynn Coady’s The Antagonist (Anansi), Michael Ondaatje’s The Cat’s Table (McClelland & Stewart), and Zsuzsi Gartner’s Better Living Through Plastic Explosives (Hamish Hamilton Canada).

Anansi, which has yet to win a Giller, has now been nominated 10 times, more than any other publisher save Random House of Canada and McClelland & Stewart.

Where to watch the Scotiabank Giller Prize gala

Tomorrow night’s Scotiabank Giller Prize awards ceremony will be broadcast live on CBC’s new cable channel Bold at 9 p.m. (EST), followed by a rebroadcast on the same channel at 11:05 p.m.

For viewers with digital cable subscriptions, Bold is free for the month of November. Online viewers can catch the livestream on CBC Books or follow the Twitter feed @cbcbooks.

If you prefer the thrill of watching in a crowd, there are Scotiabank Giller Light bashes in Toronto, Winnipeg, Calgary, and Vancouver, all of which support literacy programs at Frontier College. Halifax is hosting its own Giller Lite party, with proceeds going to the Atlantic Book Awards Society.

Photos: Pam Westoby

Slideshow: Scotiabank Giller Prize shortlist

For the first time since 2004, the Scotiabank Giller Prize shortlist includes six titles. Before you place your bet, here’s a quick look at this year’s nominees:

Edugyan, deWitt among fresh faces on Giller shortlist

In introducing the jury for the 2011 Scotiabank Giller Prize, founder Jack Rabinovitch told a crowd of media and publishing professionals assembled in Toronto that this year’s crop of nominees “dignifies world literature, not only Canadian literature.”

Indeed, the jurors for this year’s prize seemed to find common ground with their counterparts at the Man Booker Prize and the Rogers Writers’ Trust Fiction Prize in nominating Patrick deWitt’s The Sisters Brothers (House of Anansi Press) and Esi Edugyan’s Half-Blood Blues (Thomas Allen Publishers), a pair of novels cosmopolitan in spirit. Both writers are from the West Coast and have seemingly come out of nowhere to earn international acclaim for their sophomore novels about, respectively, the California gold rush and a jazz musician who disappears in Nazi-occupied Paris.

Most of this year’s finalists are relative newcomers: critical darling David Bezmozgis is nominated for his first novel, The Free World (HarperCollins Canada), Lynn Coady gets the nod for her fourth novel, The Antagonist (Anansi), and short story writer Zsuzsi Gartner has been singled out for her collection Better Living Through Plastic Explosives (Hamish Hamilton Canada).

For the first time since 2004, the shortlist includes six titles. It is rounded out by a heavy favourite: The Cat’s Table by Michael Ondaatje, who has twice been shortlisted for the prize and was a co-winner in 2000 for Anil’s Ghost (M&S). Absent from the list are other former finalists Wayne Johnston, Guy Vanderhaeghe, and Marina Endicott.

This year’s jury comprises former finalist Annabel Lyon, American author Howard Norman, and Scottish playwright and novelist Andrew O’Hagan. The winner will be announced Nov. 8 at a Toronto gala, which will be broadcast live on CBC’s Bold TV and live-streamed on the CBC Books website.

2011 Giller longlist a wide open field

A sure sign the fall literary season is underway, the Scotiabank Giller Prize has announced its first round of nominees for 2011. The 17-title longlist – the largest since the prize began announcing it in 2006 – pits newcomers (Edugyan, deWitt, Bezmozgis) against a past Giller winner (Ondaatje) and former nominees (Vanderhaeghe, Johnston, Endicott):

• David Bezmozgis, The Free World (HarperCollins Canada)
• Clarke Blaise, The Meagre Tarmac (Biblioasis)
• Lynn Coady, The Antagonist (House of Anansi Press)
• Michael Christie, The Beggar’s Garden (HarperCollins Canada)
• Patrick DeWitt, The Sisters Brothers (House of Anansi Press)
• Esi Edugyan, Half-Blood Blues (Thomas Allen Publishers)
• Marina Endicott, The Little Shadows (Doubleday Canada)
• Zsuzsi Gartner, Better Living Through Plastic Explosives (Hamish Hamilton Canada)
• Genni Gunn, Solitaria (Signature Editions)
• Pauline Holdstock, Into the Heart of the Country (HarperCollins Canada)
• Wayne Johnston, A World Elsewhere (Knopf Canada)
• Dany Laferrière, The Return (David Homel, trans.) (Douglas & McIntyre)
• Suzette Mayr, Monoceros (Coach House Books)
• Michael Ondaatje, The Cat’s Table (McClelland & Stewart)
• Guy Vanderhaeghe, A Good Man (McClelland & Stewart)
• Alexi Zentner, Touch (Knopf Canada)
• *CBC Books Readers’ Choice selection: Myrna Dey, Extensions (NeWest Press)

HarperCollins Canada and Random House of Canada lead the nominations with three apiece; House of Anansi Press and McClelland & Stewart each has multiple nominations as well.

Fall preview 2011: Canadian fiction

In the July/August issue, Q&Q looks ahead at the fall season’s biggest books.

NOVELS

One of the most anticipated releases of the fall season is surely the new novel from internationally acclaimed author Michael Ondaatje, his first since 2007 Governor General’s Literary Award winner Divisadero. Set in the early 1950s, The Cat’s Table (McClelland & Stewart, $32 cl., Sept.) tells the story of an 11-year-old boy crossing the Indian Ocean on a liner bound for England, and the mysterious prisoner shackled on board. • Also from M&S is Guy Vanderhaeghe’s first novel in eight years. Set in the late 19th-century Canadian and American West, A Good Man ($32.99 cl., Sept.) is the third book in a loose trilogy that also includes The Last Crossing (2003) and The Englishman’s Boy, which won the 1996 Governor General’s Literary Award. • A third GG winner has a new novel out this season: David Gilmour, who won in 2005 for his previous novel, A Perfect Night to Go to China. Gilmour returns with The Perfect Order of Things (Thomas Allen Publishers, $26.95 cl., Sept.), the story of a man who revisits traumatic and life-changing incidents from his past.

Marina Endicott follows up her Scotiabank Giller Prize–shortlisted 2008 novel Good to a Fault with The Little Shadows (Doubleday Canada, $32.95 cl., Sept.), about three sisters who become vaudeville singers following the death of their father. • Acclaimed novelist Helen Humphreys returns with an historical novel set in France during the Napoleonic period. The Reinvention of Love (HarperCollins Canada, $29.99 cl., Sept.) is about a French journalist whose affair with Victor Hugo’s wife causes a scandal (as it might be expected to do).

Brian Francis’s debut novel, Fruit, was a runner-up in the 2009 edition of CBC’s battle of the books, Canada Reads. His second novel, Natural Order (Doubleday Canada, $29.95 cl., Aug.), tells the story of a mother who is forced to confront the secrets she has kept about her son when her carefully constructed life is overturned by a startling revelation. • Kevin Chong returns to fiction with his first novel in a decade. Beauty Plus Pity (Arsenal Pulp Press, $17.95 pa., Sept.) follows an Asian-Canadian slacker in Vancouver whose incipient modelling career is derailed by the death of his father and the sudden departure of his fiancée.

Requiem (HarperCollins Canada, $32.95 cl., Sept.), the third novel from Frances Itani, is about a Japanese-Canadian who embarks upon a cross-country journey of discovery following the death of his wife. • Anita Rau Badami follows her best-selling novels Tamarind Mem and The Hero’s Walk with Tell It to the Trees (Knopf Canada, $32 cl., Sept.), about the Dharma family – the authoritarian Vikram, the gourmand Suman, and the old storyteller Akka. When the Dharmas’ tenant, Anu, turns up dead on their doorstep, the family’s long-buried secrets begin to boil over. • Gayla Reid returns with her first novel since 2002’s Closer Apart. Set during the Spanish Civil War, Come from Afar (Cormorant Books, $32 cl., Aug.) tells the story of an Australian nurse who falls into a relationship with a Canadian soldier from the International Brigade.

Haitian expat Dany Laferrière is back with his third novel in translation in three years. The Return (Douglas & McIntyre, $22.95 pa., Aug.) tells the story of a 23-year-old Haitian named Dany who flees Baby Doc Duvalier’s repressive regime and relocates to Montreal. Thirty-three years later, Dany learns of his father’s death in New York City, and plots a return to his native country. David Homel translates. • Another Montreal resident, poet Sina Queyras, has a novel out this fall, the author’s first. Autobiography of Childhood (Coach House Books, $20.95 pa., Oct.) is about one day in the lives of five siblings haunted by the death of a brother years before. • Infrared (McArthur & Company, $29.95 cl., Sept.), the new novel by Nancy Huston, is about a photographer who travels to Tuscany with her father and stepmother. Employing internal dialogues with the photographer’s mental doppelgänger, Huston opens up her hero for exposure and provides an intimate picture of her interior life.

CanLit mainstay David Helwig returns with a novella, his first since 2007’s Smuggling Donkeys. Killing McGee (Oberon, $38.95 cl., $18.95 pa., Oct.) tells the story of a professor’s dual obsessions with the assassination of D’Arcy McGee and the disappearance of one of his students. • Toronto-based poet Dani Couture returns with her first novel, a surreal and iconoclastic take on that perennial CanLit staple: the family drama. Algoma (Invisible Publishing, $19.95 pa., Oct.) tells the story of a family attempting to cope with the aftermath of a young child falling through the ice and drowning. • Shari Lapeña also has a novel about a perennial CanLit concern: raising money to allow one time to write poetry. Happiness Economics (Brindle & Glass, $19.95 pa., Sept.) tells the story of a stalled poet who takes a job writing advertising copy to start a poetry foundation.

Jamaican-born novelist, poet, and non-fiction author Olive Senior returns to long-form fiction with Dancing Lessons (Cormorant, $22 pa., Aug.), about a woman looking back on her life after a hurricane destroys her home. • Memoirist Frances Greenslade (A Pilgrim in Ireland, By the Secret Ladder) has a debut novel out this August. Shelter (Random House Canada, $29.95 cl.) is a coming of age story about two sisters searching for their mother, who abandoned them after their father was killed in a logging accident.

Not one, but two novels this season extend the burgeoning CanLit focus on towns that have been/are about to be flooded (after Johanna Skibsrud’s The Sentimentalists, Anne Michaels’ The Winter Vault, and Michael V. Smith’s Progress). Tristan Hughes’s Eye Lake (Coach House, $19.95 pa., Oct.) is about the town of Crooked River, Ontario. Named for a river that was diverted to make way for a mine, the town harbours secrets that surface when the river reclaims its original course. • And in September, Goose Lane Editions will publish Riel Nason’s The Town that Drowned ($19.95 pa.), about the suspicions, secrets, and emotions that flare up when the township of Haverton is scheduled to be flooded to allow for the construction of a massive dam.

Edward Riche follows up his Thomas Head Raddall Award winner The Nine Planets with Easy to Like (House of Anansi Press, $29.95 cl., Sept.), a satire about a screenwriter and oenophile who dreams of travelling to Paris, but is trapped in Canada by an expired passport and a growing Hollywood scandal. Relocating to Toronto, he bluffs his way into the upper echelons of the CBC. • Former president and CEO of Penguin Canada, David Davidar was forced out of his position under a cloud of scandal after accusations of sexual harassment. Davidar’s new novel, Ithaca (M&S, $29.99 cl., Oct.), is, perhaps not coincidentally, about the rise and fall of a publishing star.

Canadian literary icon Michel Tremblay returns with a new novel, the first in a trilogy. Set in 1913, Crossing the Continent (Talonbooks, $18.95 pa., Oct.) takes the author’s characters out of Quebec for the first time, to tell the backstory of the people who populate his Chroniques du Plateau-Mont-Royal series. Long-time Tremblay collaborator Sheila Fischman translates.

A resident of St. John’s, Newfoundland, lately one of the most fertile spots for Canadian writing, Michelle Butler Hallett crafts genre-busting stories and novels that frequently experiment with gender and perspective. Her new novel, Deluded Your Sailors (Creative Book Publishing, $21.95 pa., Sept.), focuses on the culture industry from the perspective of Nichole Wright, who makes a discovery that puts a government-funded tourism project in jeopardy, and a shape-shifting minister named Elias Winslow. • Another Newfoundland native, Kate Story, has a novel out with Creative this season. The follow-up to 2008’s Blasted, Wrecked Upon This Shore ($21.95 pa., Sept.) tells the story of Pearl Lewis, an emotionally damaged, charismatic woman who is seen at different stages in her life.

In 1972, Christina Parr returns to her hometown of Parr’s Landing, a place she fled years earlier. The dirty secret of Parr’s Landing? A 300-year-old vampire resides in the caves of the remote mining town. Christina learns why she should have stayed away in Michael Rowe’s Enter, Night (ChiZine Publications, $17.95 pa., Oct.). • English literature professor Janey Erlickson struggles to make headway in her academic career while caring for a tyrannical toddler in Sue Sorensen’s comic novel A Large Harmonium (Coteau Books, $21 pa., Sept.). • Paul Brenner, a Vancouver lawyer, dines with his son, Daniel, one Friday evening. The next day, Brenner receives word that his son has been murdered. Hold Me Now (Freehand Books, $21.95 pa., Oct.), the first novel from Stephen Gauer, examines a father’s grief and a lawyer’s faith in the legal system.

SHORT FICTION

Anyone who has ever wondered what might transpire if the author of Bigfoot’s autobiography were to illustrate a story collection by Canada’s reigning postmodern ironist can stop wondering. October sees the publication of Highly Inappropriate Tales for Young People (Random House Canada, $24 cl.), the first collaboration between author Douglas Coupland and well-known illustrator Graham Roumieu.

D.W. Wilson currently lives in London, England, but is a native of B.C.’s Kootenay Valley. The winner of the inaugural Man Booker Prize Scholarship from the University of East Anglia, Wilson’s debut collection, Once You Break a Knuckle (Hamish Hamilton Canada, $32 cl., Sept.), is a suite of stories about good people doing bad things.

Novelist Anne DeGrace has her first collection of short stories on tap for September. Flying with Amelia (McArthur & Company, $29.95 cl.) spans the 20th century and crosses vast swathes of territory. Wireless telegraphy, German POWs in Manitoba, the Great Depression, and the FLQ crisis all crop up in her stories. • David Whitton’s story “Twilight of the Gods” was included in the 2010 sci-fi anthology Darwin’s Bastards. The story also appears in Whitton’s first solo collection, The Reverse Cowgirl (Freehand, $21.95 pa., Oct.), which sports the most sexually suggestive title for a collection of CanLit stories since Pasha Malla’s The Withdrawal Method.

Toronto writer Rebecca Rosenblum follows up her Metcalf-Rooke Award–winning debut collection Once (a Q&Q book of the year for 2009) with The Big Dream (Biblioasis, $19.95 pa., Sept.), a collection of linked stories about the lives of workers at Dream, Inc., a lifestyle-magazine publisher. • The Maladjusted (Thistledown Press, $18.95 pa., Sept.), Toronto writer Derek Hayes’ debut collection, focuses on people who run afoul of the dictates of polite society. • Also from Thistledown, Britt Holmström’s Leaving Berlin ($18.95 pa., Sept.) examines contemporary women in both Canadian and European settings.

The fine print: Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2011. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have appeared in previous previews do not appear here.

Public to vote on Giller longlist: UPDATED

This year, the Scotiabank Giller Prize is moving from CTV, its official broadcast partner for the past five years, to CBC. In conjunction with the move, the CBC has announced a new Readers’ Choice contest, which will allow the public to nominate one book for inclusion on the longlist, to be announced on Sept. 6.

The details of the new contest are up on the CBC website:

This year you can make a difference by nominating a book for the Scotiabank Giller Prize longlist. Explore this year’s eligible books and let us know which one you believe deserves to be considered for the $50,000 award.

CBC Books will tally your nominations. The book that garners the most nominations will be added to the official longlist, which will be announced on Sept. 6, 2011. Submit your selection by filling out the CBC Books nomination form by midnight ET on Aug. 28.

A list of eligible books is available on the Scotiabank Giller Prize website.

The inclusion of a public participation aspect in this year’s Giller prize echoes the CBC’s approach with last year’s Canada Reads broadcast, which asked the public to nominate titles they considered to be the “essential” Canadian novel of the past 10 years. The Giller prize already has an official jury, made up of Canadian novelist Annabel Lyon, U.S. novelist Howard Norman, and U.K. novelist Andrew O’Hagan. There is no indication who will get credit should the public choose a book the jury already determined would be on the longlist. In addition, not all of the eligible books will be available by Aug. 28, so the public is in effect being asked to vote on books they may not have read.

UPDATE: Material in this post has been updated. Two of this year’s Giller jurors were listed incorrectly. Quillblog regrets the error.

Canada Day reading: eligible Giller Prize titles announced

Perhaps there’s a drinking game in here somewhere, to be played at your fantasy Canada Day barbecue with Margaret Atwood.

The Scotiabank Giller Prize has posted a list of all books eligible for the 2011 award. Over 200 titles are in the running for this year’s longlist, which will be announced on Sept. 6.