The popular fest, founded in 1983, is under the new direction of Nick Barley, who invited four guest “selectors” – Guardian cartoonist Steve Bell, poet Don Paterson, literary editor Stuart Kelly, and Ruth Padel, the poet and great-great-granddaughter of Charles Darwin – to program this year’s event. From the Guardian:

Barley unveiled his first programme today, which features 750 authors. It includes a rare public appearance by Doonesbury cartoonist Garry Trudeau in conversation with Guardian cartoonist Steve Bell, three Nobel prize winners, including Joseph Stiglitz, the poet Seamus Heaney, the hairdresser Vidal Sassoon and an opening debate on Jesus between the atheist author Philip Pullman and former bishop of Oxford Richard Harries.

Other Canadians in attendance will include Emma Donoghue, Marina Endicott, Linden MacIntyre, Lisa Moore, Miguel Syjuco, Annabel Lyon, Doug Saunders, Jan Wong, Gwynne Dyer, and Leanne Shapton.

With the months between October and December accounting for anywhere from 30% to 40% of annual sales, publishers obviously have a lot invested in the books that will drop this week. But one wonders how anyone hopes to break out of the pack with so many titles appearing on store shelves simultaneously. From the Guardian:

“It’s nice to have a day that feels quite special, because it is a rare title that is truly big enough to be a publishing event in itself,” says Julia Kingsford, head of marketing at bookseller Foyles. “But the inevitablility, with 800 books coming out on this one day, is that there will be things that are missed. There are an awful lot of books published, and not everything can be number one.”

Of course, British publishers can breathe (somewhat) easier knowing that the behemoth blockbuster of the fall, Dan Brown’s The Lost Symbol, has already dropped, so they’ll only have the ripple effects of its publication to deal with. Still, with new books from Terry Pratchett, Kate Mosse, Ozzy Osborne, and Stieg Larsson among those set to appear on Thursday, it’s a tight field.

Meanwhile, publishers in both the U.S. and Britain are gearing up for that other fall ritual: the Frankfurt Book Fair. Publisher’s Weekly gives a rundown of some of the big titles that reps will be taking with them to the annual fair, and it’s another cornucopia of big names and potential blockbusters. Some highlights:

• Imperial Bedrooms, Bret Easton Ellis’s sequel to Less than Zero
• 1Q84, Haruki Murakami’s doorstopper of a novel
• The Living Dead, zombie maestro George A. Romero’s first novel
• Stones into Schools, Greg Mortenson’s follow-up to the best-selling Three Cups of Tea
• Insatiable, a modern-day sequel to Dracula by chick-lit mainstay Meg Cabot
• Horns, by best-selling Stephen King progeny Joe Hill
• The Memory, an adult novel from “Sisterpants” author Ann Brashares
• Committed, the new book from Elizabeth Gilbert, of Eat, Pray, Love fame
• The Good Man Jesus and the Scoundrel Christ, a typically uncontroversial novel from Philip Pullman
• Revenge, the fiction debut from Sharon Osbourne (what’s good for the goose…)

Now, more than ever, the freedom of the individual against the state needs all the gifted friends it can recruit. But, reading through these heartfelt and eloquent pieces, one assumption struck me hard. Almost everyone discussed the horrors of detention without charge from the point of view of the innocent accused. Fair enough. But the privilege of literature, I always thought, was that it could try to understand – not excuse, and not justify – the guilty as well.

[...]

All honour to the anti-42 days literati for their dramas of victimised virtue. Dostoevsky, I imagine, would insist that they take all these fine ideals, meet the gaze of contemporary terror – and then refuse to turn away.

It’s still too early for the Canadian candidates to get their hopes up, however, as there are 150 other nominees on the list. The winner, whose work “upholds the highest artistic quality and evokes the deeply humanistic spirit that Astrid Lindgren treasured,” will be announced in March, with an awards gala in May. Past winners include Philip Pullman, Maurice Sendak, and Sonya Hartnett.

The international prize was founded in 2002 after the death of Lindgren, creator of Pippi Longstocking.

Mr. Pullman told The Daily Telegraph: “I don’t mind anybody having an opinion about my books. I don’t mind a bookseller deciding they are for this age group or that, or a teacher giving one of my books to a child because they think it is appropriate.

“But I don’t want to see the book itself declaring officially, as if with my approval, that it is for readers of 11 and upwards or whatever. I write books for whoever is interested. When I write a book I don’t have an age group in mind.

“I have had letters from children of seven who say they have read all the way through His Dark Materials and they have an astonishing knowledge of it. But not every child is the same. A child of nine might be tentative and unsure about reading, and to give them a book that says 9+ will reinforce their sense of failure. The book should be suited to the individual child.”

Anyone unsure as to whether a particular book is appropriate should ask the bookseller, Mr Pullman said.

The 2005 picture book by Justin Richardson and Peter Parnell, And Tango Makes Three, is about a family of penguins… with two fathers. At least it’s in illustrious company – other titles on the ALA’s list of challenged books include Maya Angelou’s I Know Why the Caged Bird Sings, Mark Twain’s The Adventures of Huckleberry Finn, and Philip Pullman’s The Golden Compass.

From the Associated Press:

The ALA defines a “challenge” as a “formal, written complaint filed with a library or school requesting that materials be removed because of content or appropriateness.”

[...]

Overall, the number of reported library challenges dropped from 546 in 2006 to 420 last year, well below the mid-1990s, when complaints topped 750. For every challenge listed, about four to five go unreported, the library association estimates.

“The atmosphere is a little better than it used to be,” [Judith] Krug [director of the ALA's Office for Intellectual Freedom] says. “I think some of the pressure has been taken off of books by the Internet, because so much is happening on the Internet.”

According to the ALA, at least 65 challenges last year led to a book being pulled.

After a hiatus from library shelves, a controversial novel is being welcomed back into Calgary Catholic School District schools.

The Golden Compass, a decade-old novel by Philip Pullman, was pulled from local Catholic schools two months ago as a film adaptation of the story was released in theatres.

Following a review of the book – the first installment in Pullman’s His Dark Materials trilogy – school board officials have decided to use the novel’s counter-religious themes as a teaching opportunity for Catholic students.

“There is no doubt that the text is harsh in terms of its language about organized religion and that it presents a consistently negative view of church, clergy and faith-based institutions; however, there are glimpses of light with opportunities for positive reflection,” the review stated.

Interesting that the ban is reversed only after everyone has pretty much decided the movie version’s a dud.

Days after its publication, a largely positive review of the film version of The Golden Compass that appeared in Catholic newspapers across the country was retracted this week by the United States Conference of Catholic Bishops.

The bishops, who could not be reached for comment, offered no explanation for the decision. But Catholic groups, including the conservative Catholic League for Religious and Civil Rights, have urged moviegoers to boycott the film, saying the film and the book on which it is based are anti-Catholic.

“Certainly, there was all kinds of speculation from the day it went up [on the Web site] as to whether or not something like this would happen,” said Jim Lackey, general news editor for the Catholic News Service, a wire service run by the bishops’ conference. He was told Monday to remove the review from the service’s Web site.

However, it would appear that the USCCB – or “uscub” (we just made that up) – has as shaky an understanding of how the web works as they do of art. You see, nothing really disappears from the web, so if you’d like to read the Catholic News Service’s review, go here. You can also go to the main page here and watch the review appear and then disappear a few seconds later. Talk about a tease!

Ironically enough, it’s probably one of the few positive reviews the movie got anywhere.

Here is the money quote from the review:

To the extent, moreover, that Lyra and her allies are taking a stand on behalf of free will in opposition to the coercive force of the Magisterium, they are of course acting entirely in harmony with Catholic teaching. The heroism and self-sacrifice that they demonstrate provide appropriate moral lessons for viewers.

From The Globe and Mail:

The Roman Catholic school board in Calgary has followed the lead of a Catholic school board in Burlington, Ont., in pulling the children’s fantasy book The Golden Compass off school shelves.

Board officials said their decision followed concern voiced by parents and recent publicity surrounding the release of a movie version of the book, starring Oscar-winner Nicole Kidman.

“Our children are exposed to a wide range of information,” said board spokeswoman Judy Mackay. “One of our responsibilities is to help them understand how that fits with their belief system and to equip them with the skills so that they understand how they can fit that into their own belief system.”

It should be noted that, though these Catholic school boards seem to have the intestinal fortitude of a wounded llama, most Catholics are not quite so easily spooked. From the same article: “Calgary Bishop Fred Henry said there are more pressing issues facing Catholics than debating a children’s fantasy novel.”

In a similar vein, Toronto Star Books editor Dan Smith wrote a brief piece about the book in this past weekend’s edition (not online), stating that: “in our practising Catholic household, The Golden Compass remains a treasured read. It spurs kids to think and question. Good. That’s what great books are for.”

In what is looking like the most effective publicity campaign ignorance can buy, Pullman’s The Golden Compass has been pulled from the shelves of school libraries in two Catholic School Boards in Peterborough, Ontario.* According to the Peterborough Examiner, “all three books in the trilogy were taken from school libraries this month after two parents complained.”

This follows hard on the heels of similar action by the Halton Catholic School board. (More details here.) A boycott of the movie version of the book is being urged by the Catholic League in the U.S.

What’s the author’s take on all this? In an interview with CBC Radio’s Writers & Company this weekend, Pullman said that “the thing they should do if they don’t want people to read the book is to say nothing about it…. If you want people to read a book, then make a fuss about it, make it controversial. Tell your children they are not to read this book under any circumstances. What is more likely to make them go to the shelf and take it down and read it from there?”