Emma Donoghue’s Room wins Evergreen Award

Emma Donoghue’s novel Room (HarperCollins Canada) has won the 2011 Evergreen Award, to be presented on Feb. 3, 2012, in Toronto.

The Evergreen Award is administered by the Ontario Library Association as part of the Forest of Reading program, designed to expose adult library users to Canadian fiction and non-fiction. Library patrons are invited to vote for their favourite of 10 nominated titles.

“I am thrilled that with this award, Room will be part of such a valuable initiative to promote reading,” Donoghue said in a press release.

The other nominees for the prize were:

• The Night Shift, by Brian Goldman (HarperCollins Canada)
• Amphibian, by Carla Gunn (Coach House Books)
• Dahanu Road, by Anosh Irani (Doubleday Canada)
• Death Spiral, by James W. Nichol (McArthur & Company)
• Far to Go, by Alison Pick (House of Anansi Press)
• Still Missing, by Chevy Stevens (St. Martin’s Press)
• A Man in Uniform, by Kate Taylor (Doubleday Canada)
• The Tiger, by John Vaillant (Knopf Canada)
• Annabel, by Kathleen Winter (House of Anansi Press)

Fall preview 2011: Canadian fiction

In the July/August issue, Q&Q looks ahead at the fall season’s biggest books.

NOVELS

One of the most anticipated releases of the fall season is surely the new novel from internationally acclaimed author Michael Ondaatje, his first since 2007 Governor General’s Literary Award winner Divisadero. Set in the early 1950s, The Cat’s Table (McClelland & Stewart, $32 cl., Sept.) tells the story of an 11-year-old boy crossing the Indian Ocean on a liner bound for England, and the mysterious prisoner shackled on board. • Also from M&S is Guy Vanderhaeghe’s first novel in eight years. Set in the late 19th-century Canadian and American West, A Good Man ($32.99 cl., Sept.) is the third book in a loose trilogy that also includes The Last Crossing (2003) and The Englishman’s Boy, which won the 1996 Governor General’s Literary Award. • A third GG winner has a new novel out this season: David Gilmour, who won in 2005 for his previous novel, A Perfect Night to Go to China. Gilmour returns with The Perfect Order of Things (Thomas Allen Publishers, $26.95 cl., Sept.), the story of a man who revisits traumatic and life-changing incidents from his past.

Marina Endicott follows up her Scotiabank Giller Prize–shortlisted 2008 novel Good to a Fault with The Little Shadows (Doubleday Canada, $32.95 cl., Sept.), about three sisters who become vaudeville singers following the death of their father. • Acclaimed novelist Helen Humphreys returns with an historical novel set in France during the Napoleonic period. The Reinvention of Love (HarperCollins Canada, $29.99 cl., Sept.) is about a French journalist whose affair with Victor Hugo’s wife causes a scandal (as it might be expected to do).

Brian Francis’s debut novel, Fruit, was a runner-up in the 2009 edition of CBC’s battle of the books, Canada Reads. His second novel, Natural Order (Doubleday Canada, $29.95 cl., Aug.), tells the story of a mother who is forced to confront the secrets she has kept about her son when her carefully constructed life is overturned by a startling revelation. • Kevin Chong returns to fiction with his first novel in a decade. Beauty Plus Pity (Arsenal Pulp Press, $17.95 pa., Sept.) follows an Asian-Canadian slacker in Vancouver whose incipient modelling career is derailed by the death of his father and the sudden departure of his fiancée.

Requiem (HarperCollins Canada, $32.95 cl., Sept.), the third novel from Frances Itani, is about a Japanese-Canadian who embarks upon a cross-country journey of discovery following the death of his wife. • Anita Rau Badami follows her best-selling novels Tamarind Mem and The Hero’s Walk with Tell It to the Trees (Knopf Canada, $32 cl., Sept.), about the Dharma family – the authoritarian Vikram, the gourmand Suman, and the old storyteller Akka. When the Dharmas’ tenant, Anu, turns up dead on their doorstep, the family’s long-buried secrets begin to boil over. • Gayla Reid returns with her first novel since 2002’s Closer Apart. Set during the Spanish Civil War, Come from Afar (Cormorant Books, $32 cl., Aug.) tells the story of an Australian nurse who falls into a relationship with a Canadian soldier from the International Brigade.

Haitian expat Dany Laferrière is back with his third novel in translation in three years. The Return (Douglas & McIntyre, $22.95 pa., Aug.) tells the story of a 23-year-old Haitian named Dany who flees Baby Doc Duvalier’s repressive regime and relocates to Montreal. Thirty-three years later, Dany learns of his father’s death in New York City, and plots a return to his native country. David Homel translates. • Another Montreal resident, poet Sina Queyras, has a novel out this fall, the author’s first. Autobiography of Childhood (Coach House Books, $20.95 pa., Oct.) is about one day in the lives of five siblings haunted by the death of a brother years before. • Infrared (McArthur & Company, $29.95 cl., Sept.), the new novel by Nancy Huston, is about a photographer who travels to Tuscany with her father and stepmother. Employing internal dialogues with the photographer’s mental doppelgänger, Huston opens up her hero for exposure and provides an intimate picture of her interior life.

CanLit mainstay David Helwig returns with a novella, his first since 2007’s Smuggling Donkeys. Killing McGee (Oberon, $38.95 cl., $18.95 pa., Oct.) tells the story of a professor’s dual obsessions with the assassination of D’Arcy McGee and the disappearance of one of his students. • Toronto-based poet Dani Couture returns with her first novel, a surreal and iconoclastic take on that perennial CanLit staple: the family drama. Algoma (Invisible Publishing, $19.95 pa., Oct.) tells the story of a family attempting to cope with the aftermath of a young child falling through the ice and drowning. • Shari Lapeña also has a novel about a perennial CanLit concern: raising money to allow one time to write poetry. Happiness Economics (Brindle & Glass, $19.95 pa., Sept.) tells the story of a stalled poet who takes a job writing advertising copy to start a poetry foundation.

Jamaican-born novelist, poet, and non-fiction author Olive Senior returns to long-form fiction with Dancing Lessons (Cormorant, $22 pa., Aug.), about a woman looking back on her life after a hurricane destroys her home. • Memoirist Frances Greenslade (A Pilgrim in Ireland, By the Secret Ladder) has a debut novel out this August. Shelter (Random House Canada, $29.95 cl.) is a coming of age story about two sisters searching for their mother, who abandoned them after their father was killed in a logging accident.

Not one, but two novels this season extend the burgeoning CanLit focus on towns that have been/are about to be flooded (after Johanna Skibsrud’s The Sentimentalists, Anne Michaels’ The Winter Vault, and Michael V. Smith’s Progress). Tristan Hughes’s Eye Lake (Coach House, $19.95 pa., Oct.) is about the town of Crooked River, Ontario. Named for a river that was diverted to make way for a mine, the town harbours secrets that surface when the river reclaims its original course. • And in September, Goose Lane Editions will publish Riel Nason’s The Town that Drowned ($19.95 pa.), about the suspicions, secrets, and emotions that flare up when the township of Haverton is scheduled to be flooded to allow for the construction of a massive dam.

Edward Riche follows up his Thomas Head Raddall Award winner The Nine Planets with Easy to Like (House of Anansi Press, $29.95 cl., Sept.), a satire about a screenwriter and oenophile who dreams of travelling to Paris, but is trapped in Canada by an expired passport and a growing Hollywood scandal. Relocating to Toronto, he bluffs his way into the upper echelons of the CBC. • Former president and CEO of Penguin Canada, David Davidar was forced out of his position under a cloud of scandal after accusations of sexual harassment. Davidar’s new novel, Ithaca (M&S, $29.99 cl., Oct.), is, perhaps not coincidentally, about the rise and fall of a publishing star.

Canadian literary icon Michel Tremblay returns with a new novel, the first in a trilogy. Set in 1913, Crossing the Continent (Talonbooks, $18.95 pa., Oct.) takes the author’s characters out of Quebec for the first time, to tell the backstory of the people who populate his Chroniques du Plateau-Mont-Royal series. Long-time Tremblay collaborator Sheila Fischman translates.

A resident of St. John’s, Newfoundland, lately one of the most fertile spots for Canadian writing, Michelle Butler Hallett crafts genre-busting stories and novels that frequently experiment with gender and perspective. Her new novel, Deluded Your Sailors (Creative Book Publishing, $21.95 pa., Sept.), focuses on the culture industry from the perspective of Nichole Wright, who makes a discovery that puts a government-funded tourism project in jeopardy, and a shape-shifting minister named Elias Winslow. • Another Newfoundland native, Kate Story, has a novel out with Creative this season. The follow-up to 2008’s Blasted, Wrecked Upon This Shore ($21.95 pa., Sept.) tells the story of Pearl Lewis, an emotionally damaged, charismatic woman who is seen at different stages in her life.

In 1972, Christina Parr returns to her hometown of Parr’s Landing, a place she fled years earlier. The dirty secret of Parr’s Landing? A 300-year-old vampire resides in the caves of the remote mining town. Christina learns why she should have stayed away in Michael Rowe’s Enter, Night (ChiZine Publications, $17.95 pa., Oct.). • English literature professor Janey Erlickson struggles to make headway in her academic career while caring for a tyrannical toddler in Sue Sorensen’s comic novel A Large Harmonium (Coteau Books, $21 pa., Sept.). • Paul Brenner, a Vancouver lawyer, dines with his son, Daniel, one Friday evening. The next day, Brenner receives word that his son has been murdered. Hold Me Now (Freehand Books, $21.95 pa., Oct.), the first novel from Stephen Gauer, examines a father’s grief and a lawyer’s faith in the legal system.

SHORT FICTION

Anyone who has ever wondered what might transpire if the author of Bigfoot’s autobiography were to illustrate a story collection by Canada’s reigning postmodern ironist can stop wondering. October sees the publication of Highly Inappropriate Tales for Young People (Random House Canada, $24 cl.), the first collaboration between author Douglas Coupland and well-known illustrator Graham Roumieu.

D.W. Wilson currently lives in London, England, but is a native of B.C.’s Kootenay Valley. The winner of the inaugural Man Booker Prize Scholarship from the University of East Anglia, Wilson’s debut collection, Once You Break a Knuckle (Hamish Hamilton Canada, $32 cl., Sept.), is a suite of stories about good people doing bad things.

Novelist Anne DeGrace has her first collection of short stories on tap for September. Flying with Amelia (McArthur & Company, $29.95 cl.) spans the 20th century and crosses vast swathes of territory. Wireless telegraphy, German POWs in Manitoba, the Great Depression, and the FLQ crisis all crop up in her stories. • David Whitton’s story “Twilight of the Gods” was included in the 2010 sci-fi anthology Darwin’s Bastards. The story also appears in Whitton’s first solo collection, The Reverse Cowgirl (Freehand, $21.95 pa., Oct.), which sports the most sexually suggestive title for a collection of CanLit stories since Pasha Malla’s The Withdrawal Method.

Toronto writer Rebecca Rosenblum follows up her Metcalf-Rooke Award–winning debut collection Once (a Q&Q book of the year for 2009) with The Big Dream (Biblioasis, $19.95 pa., Sept.), a collection of linked stories about the lives of workers at Dream, Inc., a lifestyle-magazine publisher. • The Maladjusted (Thistledown Press, $18.95 pa., Sept.), Toronto writer Derek Hayes’ debut collection, focuses on people who run afoul of the dictates of polite society. • Also from Thistledown, Britt Holmström’s Leaving Berlin ($18.95 pa., Sept.) examines contemporary women in both Canadian and European settings.

The fine print: Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2011. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have appeared in previous previews do not appear here.

2011 ReLit longlist revealed

The very long list of nominees for the 2011 ReLit Awards, which celebrates novels, poetry, and short fiction titles published by Canadian independent presses, has been announced. ECW Press leads this year’s longlist with nine nominees.

NOVELS:

• Sandra Beck, John Lavery (House of Anansi Press)
• Étienne’s Alphabet, James King (Cormorant Books)
• Isobel & Emile, Alan Reed (Coach House Books)
• The Cube People, Christian McPherson (Nightwood Editions)
• Glenn Piano by Gladys Priddis, Jason Dickson (BookThug)
• The Obituary, Gail Scott (Coach House)
• How Should a Person Be? Sheila Heti (Anansi)
• A Thoroughly Wicked Woman, Betty Keller (Caitlin Press)
• When Fenelon Falls, Dorothy Ellen Palmer (Coach House)
• Lethal Rage, Brent Pilkey (ECW Press)
• Hope Burned, Brent LaPorte (ECW)
• The Matter of Sylvie, Lee Kvern (Brindle & Glass)
• A Likely Story, Eric Wright (Cormorant)
• Follow Me Down, Marc Strange (ECW)
• New Under the Sun, Kevin Major (Cormorant)
• The Bourgeois Empire, Evie Christie (ECW)
• One Bloody Thing After Another, Joey Comeau (ECW)
• Far to Go, Alison Pick (Anansi)
• Annabel, Kathleen Winter (Anansi)
• Baldur’s Song, David Arnason (Turnstone Press)
• In Plain Sight, Mike Knowles (ECW)
• Flight, Darren Hynes (Killick Press)
• Cupids, Paul Butler (Flanker Press)
• Book, Ken Sparling (Pedlar Press)
• Flyways, Devin Krukoff (Thistledown Press)
• Spaz, Bonnie Bowman (Anvil Press)
• Of Water and Rock, Thomas Armstrong (DC Books)
• Something Remains, Hassan Ghedi Santur (Dundurn Press)
• The Evolution of Inanimate Objects, Harry Karlinsky (Insomniac Press)
• Solitaria, Genni Gunn (Signature Editions)
• Waiting for Ricky Tantrum, Jules Lewis (Dundurn)
• Letters to Omar, Rachel Wyatt (Coteau Books)
• The Goon, Jerrod Edson (Oberon Press)
• Raising Orion, Lesley Choyce (Thistledown)
• The Master of Happy Endings, Jack Hodgins (Thomas Allen Publishers)
• In the Fabled East, Adam Lewis Schroeder (D&M Publishers)
• Blood Relatives, Craig Francis Power (Pedlar)
• The Glass Harmonica, Russell Wangersky (Thomas Allen)
• This Book Will Not Save Your Life, Michelle Berry (Enfield & Wizenty)
• Anderson, Michael Boyce (Pedlar)
• Revenge Fantasies of the Politically Dispossessed, Jacob Wren (Pedlar)
• Drive-by Saviours, Chris Benjamin (Roseway Publishing)
• Gaze, Keith Cadieux (Quattro Books)
• Sheilagh’s Brush, Maura Hanrahan (Inanna Publications)
• Combat Camera, A.J. Somerset (Biblioasis)
• Victim Rights, Norah McClintock (Red Deer)
• Good Evening, Central Laundromat, Jason Heroux (Quattro)
• Black Alley, Dawn M. Cornelio (Biblioasis)
• Krakow Melt, Daniel Allen Cox (Arsenal Pulp Press)
• The Hungry Mirror, Lisa de Nikolits (Inanna)
• Firmament, Bruce Johnson (Gaspereau Press)
• Pitouie, Derek Winkler (The Workhorsery)
• The Lucky Child, Marianne Apostolides (Mansfield Press)
• The Case of Owen Williams, Allan Donaldson (Vagrant Press)
• L (And Things Come Apart), Ian Orti (Invisible Publishing)
• Retina Green, Reinhard Filter (Quattro)
• Sweet England, Steve Weiner (New Star Books)
• Real Gone, Jim Christy (Quattro)
• The Find, Kathy Page (McArthur & Company)
• Confessions of a Reluctant Cougar, Myna Wallin (Tightrope Books)
• Tobacco Wars, Paul Seesequasis (Quattro)

POETRY:

• Floating Bodies, Julie Roorda (Guernica Editions)
• Cold Sleep Permanent Afternoon, Ray Hsu (Nightwood)
• Children of Ararat, Keith Garebian (Frontenac House)
• Indexical Elegies, Jon Paul Fiorentino (Coach House)
• Falling Blues, Jannie Edwards (Frontenac)
• Marimba Forever, Jim Christy (Guernica)
• The Porcupinity of the Stars, Gary Barwin (Coach House)
• Patient Frame, Steven Heighton (Anansi)
• Seeing Lessons, Catherine Owen (Wolsak and Wynn)
• Against the Hard Angle, Matt Robinson (ECW)
• You Know Who You Are, Ian Williams (Wolsak and Wynn)
• Fieldnotes, Kate Eichhorn (BookThug)
• Watermelon Kindness, David Donnell (ECW)
• The Inquisition Years, Jen Currin (Coach House)
• O Resplandor, Erin Mouré (Anansi)
• Light and Time, Michael Mirolla (Guernica)
• Bloom, Michael Lista (Anansi)
• Nature, Mark Truscott (BookThug)
• Casanova in Venice, Kildare Dobbs (The Porcupine’s Quill)
• Update, Bill Kennedy and Darren Wershler (Snare Books)
• Living Under Plastic, Evelyn Lau (Oolichan Books)
• The Little Seamstress, Phil Hall (Pedlar)
• Winterkill, Catherine Graham (Insomniac)
• Tiny, Frantic, Stronger, Jeff Latosik (Insomniac)
• The Walnut-Cracking Machine, Julie Berry (BuschekBooks)
• Ghost Music, Mark D. Dunn (BuschekBooks)
• Return from Erebus, Julia McCarthy (Brick Books)
• The Scare in the Crow, Tammy Armstrong (Goose Lane Editions)
• The Emperor’s Sofa, Greg Santos (DC Books)
• Why Are You So Long and Sweet? David W. McFadden (Insomniac)
• Mammoth, Larissa Andrusyshyn (DC Books)
• A Pirouette and Gone, E.D. Blodgett (BuschekBooks)
• Swimming Ginger, Gary Geddes (Goose Lane)
• Sweet, Dani Couture (Pedlar)
• Here Is Where We Disembark, Clea Roberts (Freehand Books)
• Every Day in the Morning (Slow), Adam Seelig (New Star)
• Hump, Ariel Gordon (Palimpsest Press)
• The Unsettled, Mona Fertig (Kalamalka Press)
• Soul on Standby, Antony Di Nardo (Exile Press)
• Hold the Note, Domenico Capilongo (Quattro)
• Traumatology, Priscila Uppal (Exile)
• Sew Him Up, Beatriz Hausner (Quattro)
• Hard Feelings, Sheryda Warrener (Snare)
• A Good Time Had By All, Meaghan Strimas (Exile)
• The Lateral, Jake Kennedy (Snare)
• The Sylvia Hotel Poems, George Fetherling (Quattro)
• The Good News About Armageddon, Steve McOrmond (Brick)
• Psychic Geographies and Other Topics, Gregory Betts (Quattro)
• Alien, Correspondent, Antony Di Nardo (Brick)
• The Stream Exposed with All its Stones, D.G. Jones (Signal Editions)
• An Open Door in the Landscape, Elisabeth Harvor (Palimpsest)
• The Philosophy of as if, Fraser Sutherland (Bookland Press)
• Circus, Michael Harris (Signal)
• Syrinx and Systole, Matthew Remski (Quattro)
• The Day Is a Cold Grey Stone, Allan Safarik (Hagios Press)
• The Crow’s Vow, Susan Briscoe (Signal)
• The Mourner’s Book of Albums, Daniel Scott Tysdal (Tightrope)
• The Nights Also, Anna Swanson (Tightrope)
• Don’t Get Lonely Don’t Get Lost, Elisabeth Belliveau (Conundrum Press)
• Fallout, Sandra Ridley (Hagios)
• Stray Dog Embassy, Natasha Nuhanovic (Mansfield Press)
• At the Gates of the Theme Park, Peter Norman (Mansfield)
• Cathedral, Pamela Porter (Ronsdale Press)
• Goodbye, Ukulele, Leigh Nash (Mansfield)
• Come Closer, Leanne Averbach (Tightrope)
• The Stonehaven Poems, R.D. Patrick (Your Scrivener Press)
• I Do Not Think That I Could Love a Human Being, Johanna Skibsrud (Gaspereau)
• Welling, Margaret Christakos (Your Scrivener)
• The Annotated Bee & Me, Tim Bowling (Gaspereau)
• The Art of Breathing Underwater, Cathy Ford (Mother Tongue Publishing)

SHORT FICTION:

• Ravenna Gets, Tony Burgess (Anvil)
• Ronald Reagan, My Father, Brian Joseph Davis (ECW)
• This Ramshackle Tabernacle, Samuel Thomas Martin (Breakwater Books)
• All Those Drawn to Me, Christian Peterson (Caitlin)
• World News Story, Michael Woods (Book Thug)
• Three Deaths, Josip Novakovich (Snare)
• I Still Don’t Even Know You, Michelle Berry (Turnstone)
• Recipes From the Red Planet, Meredith Quartermain (BookThug)
• Punishing Ugly Children, Darryl Joel Berger (Killick)
• Mystery Stories, David Helwig (Porcupine’s Quill)
• The Mountie at Niagara Falls, Salvatore Difalco (Anvil)
• I’m a Registered Nurse Not a Whore, Anne Perdue (Insomniac)
• The Devil You Know, Jenn Farrell (Anvil)
• Mennonites Don’t Dance, Darcie Friesen Hossack (Thistledown)
• Sex in Russia, Kenneth Radu (DC)
• The Young in their Country, Richard Cumyn (Enfield & Wizenty)
• High Speed Crow, Sheila McClarty (Oberon)
• Bird Eat Bird, Katrina Best (Insomniac)
• The Doctrine of Affections, Paul Headrick (Freehand)
• The Meaning of Children, Beverly Akerman (Exile)
• Faded Love, Robert N. Friedland (Libros Libertad)
• Bats or Swallows, Teri Vlassopoulos (Invisible)
• There is No Other, Jonathan Papernick (Exile)
• Missed Her, Ivan E. Coyote (Arsenal Pulp)
• Light Lifting, Alexander MacLeod (Biblioasis)
• Icebreaker/Auricle, Alisha Piercy (Conundrum)

Thursday’s links: Wylie bypasses publishers; McArthur scolds Alexis; and Cronenberg bares all

A smattering of links for you:

• Andrew Wylie launches imprint to sell digital books by Roth, Amis, Pamuk, and others directly through Amazon
• Gulf of Mexico oil spill creates publishing cottage industry
• Kim McArthur schools André Alexis
• Unpublished Kafka story found among secret cache of author’s papers
• Caitlin Cronenberg talks about her first book, and comes clean about her only vice

National Post reveals finalists for Canada Also Reads competition

The eight books and panelists for the National Post’s Canada Also Reads book competition – created to put a spotlight on lesser-known books ignored by CBC’s Canada Reads – were announced today. Two Q&Q staffers, Zoe Whittall and Steven W. Beattie, will be defending their choices on the panel, alongside six other authors, poets, and even one singer/songwriter.

The Post’s Mark Medley created anticipation for the event by live-tweeting in the moments leading up to the reveal, offering hints such as “one of the books is set near some famous falls” and “one of the finalists had two of her novels long-listed.” After announcing that the final post was being spell-checked, and admitting that they were milking this build-up for all it was worth, the results were finally posted on the Post’s Afterword book blog. Here’s the full list:

• Steven W. Beattie defends My White Planet by Mark Anthony Jarman (Thomas Allen Publishers)
• Author Tish Cohen (Inside Out Girl, Town House) defends The Day The Falls Stood Still by Cathy Marie Buchanan (HarperCollins Canada)
• Singer/songwriter Andy Maize (Skydiggers) defends Best Laid Plans by Terry Fallis (McClelland & Stewart)
• Poet Jacob McArthur Mooney (The New Layman’s Almanac) defends The Last Shot by Leon Rooke (Thomas Allen Publishers)
• Blogger John Mutford defends Yellowknife by Steve Zipp (Res Telluris)
• Author Lisa Pasold (Rats of Las Vegas) defends You and The Pirates by Jocelyne Allens (The Workhorsery)
• Author Neil Smith (Bang Crunch) defends Come, Thou Tortoise by Jessica Grant (Knopf Canada)
• Zoe Whittall (Holding Still for as Long as Possible) defends Fear of Fighting by Stacey May Fowles (Invisible Publishing)

According to the Afterword, while the blog is “a fan of what Canada Reads has done to promote CanLit, we figured this would be a great opportunity to help shine a light on some of the books sitting in the shadows.” Starting March 1, the Afterword will post two panelists’ defences of their chosen novels each day. On March 8, it will host a live chat with all the panelists and authors. The winner will be chosen via a public poll.

Echlin, Michaels among Giller picks

The Scotiabank Giller Prize shortlist was announced this morning, and it included a mix of “sure bets” and surprise nods. The biggest surprise, however, was the omission of Margaret Atwood’s The Year of the Flood (McClelland & Stewart), which was widely considered the frontrunner going into the announcement. The five shortlisted titles are:

• Kim Echlin, The Disappeared (Penguin Canada)
• Annabel Lyon, The Golden Mean (Random House Canada)
• Linden MacIntyre, The Bishop’s Man (Random House Canada)
• Colin McAdam, Fall (Penguin Canada)
• Anne Michaels, The Winter Vault (McClelland & Stewart)

The shortlist, selected by Canadian author Alistair MacLeod, U.S. author Russell Banks, and U.K. author Victoria “Muskoka Chair” Glendinning, included no independent publishing houses. It also included the only two male authors to make the 12-title longlist, Linden MacIntyre and Colin McAdam. Titles left off the list include the aforementioned The Year of the Flood, Martha Baillie’s The Incident Report (Pedlar Press), Claire Holden Rothman’s The Heart Specialist (Cormorant Books), Shani Mootoo’s Valmiki’s Daughter (House of Anansi Press), Kate Pullinger’s The Mistress of Nothing (McArthur & Company), Jeanette Lynes’ The Factory Voice (Coteau Books), and Paulette Jiles’ The Colour of Lightning (HarperCollins Canada).

The winner of the 2009 Scotiabank Giller Prize will be announced on Nov. 10.

McArthur to lose Hachette U.K. lines

Earlier today, the international publishing giant Hachette Book Group announced that it will be moving Canadian sales and distribution of its U.K. lines to its U.S. offices. The decision will have major ramifications for several players in the Canadian publishing scene, including HarperCollins Canada, Penguin Canada, and H.B. Fenn and Company.  No one, however, will be more affected than McArthur & Company, which currently represents the bulk of Hachette’s U.K. lines in Canada, including Orion, Hodder & Stoughton, Hodder Headline, John Murray, and Hachette Children’s Books. According to a press release sent out by Hachette, McArthur will continue representing those lines until Dec. 31, 2009, after which point Hachette will take over permanently. This will be a major blow to McArthur, as the lines make up approximately two thirds of its business.

Look for a more detailed report later today on Q&Q Omni.

Coveting thy neighbour’s sales

According to Ben Kaplan of the National Post, the Canadian publishing industry is crazed with envy, obsessively checking up on their rivals’ deals and sales numbers:

Resentment among authors has been around since the first cocktail party lauded the first published word. But in the age of the internet and publicized book deals on Booknet Canada, Publishers Marketplace and the deals section of the Quill & Quire website, first-time novelists now have more tools at their disposal to keep track of opponents – and there’s a certain amount of bloodletting in the Canadian authorship game.
…

Publishers, agents and authors all want to keep tabs on their industry. And certain watershed deals – such as the twin fortunes earned by first-time novelists Anne Michaels and Ann-Marie MacDonald in the mid-’90s, Michael Turner’s deal with Doubleday for The Pornographer’s Poem in 1999 or the bidding war that broke out over Tish Cohen’s debut novel last year – attract the industry’s attention and scorn.

“We don’t only go online to check our sales, but also to check everyone else’s sales,” says Kim McArthur, president of McArthur & Co., a publisher and distributor that has seen 63 of its releases become Canadian best-sellers and 21 of them reach No. 1 in Canadian sales. McArthur believes envy is good for publishing, and that deal trackers and sales figures bring moxie to the biz. “Now you can be envious of someone and then go check their figures,” she says. “Really make yourself sick.”

It seems that we here at Q & Q are enablers. We’re sorry, everybody. We had no idea.

Dream rocker bios for Canadian publishers

In the wake of the mammoth contract granted to Rolling Stones guitarist Keith Richards for the story of his life, The Globe and Mail‘s Matt Hartley asked three Canadian publishers which Canuck rockers’ memoirs they would most like to publish. McClelland & Stewart’s Doug Pepper thinks autobiographies by Neil Young or Rush singer Geddy Lee would be highly desirable; Kim McArthur of McArthur & Company, which has printed memoirs by Randy Bachman and Natalie MacMaster (to be released this fall), dreams of publishing Joni Mitchell; Jack David of ECW Press, which has already done three books by Rush drummer Neil Peart, would like to print Steven Page of the Barenaked Ladies.

No one seems to want to touch anything written by Nickelback lead singer Chad Kroeger, but surely it’s only a matter of time.

(Neil Young photo courtesy of CanadianContent.)

Bulte and sold

A number of bloggers who watch both politics and cultural matters closely have taken a keen interest in a fundraiser for Toronto Liberal MP Sarmite (Sam) Bulte, who has chaired the Standing Committee on Canadian Heritage and the Interim Report on Copyright Reform. The $250-per-person event (which features a performance by Cowboy Junkies singer Margo Timmins) at Toronto’s Drake Hotel on Jan. 19 is being sponsored by a group that includes Canadian Publishers’ Council executive director Jackie Hushion. (Many of the other names, like Doug Firth, who heads the Canadian Motion Pictures Distributors Association, are similarly involved in cultural industry associations.)

Not surprisingly, some people have taken exception to this rather blatant endorsement. On his blog, University of Ottawa professor Michael Geist, who has criticized Bulte before for accepting donations from groups with a keen interest in the copyright issue, points out that everyone is acting within the rules of the Election Act and then lets her have it: “[W]ith the public’s cynicism about elected officials at an all-time high and Canadians increasingly frustrated by a copyright policy process that is seemingly solely about satisfying rights holder demands, is it possible to send a worse signal about the impartiality of the copyright reform process? At $250 a person, I have my doubts that many of the artists that Ms. Bulte claims to represent will be present. Instead, it will lobbyists and lobby groups, eagerly handing over their money with the expectation that the real value of the evening will come long after Margo Timmins has finished her set.”

In 2004, as Geist points out, Bulte’s riding association received donations from the CPC, the Association of Canadian Publishers, and Access Copyright. A couple of publishers, McArthur & Company and McGraw-Hill Ryerson, also chipped in some cash. The riding association for the Conservative Party’s Canadian Heritage critic, Bev Oda, also shows donations from the likes of Ted Rogers and Leonard Asper.

None of this is surprising, but it’s still problematic. Jack Kapica, blogging for The Globe and Mail – one of an increasing number of mainstream outlets, including the Hollywood Reporter, of all things, to write about this – offers a solution: “Should the outcome of the election be favourable for the morally besieged Liberal Party, perhaps leader Paul Martin should consider rewarding Ms. Bulte’s hard work and loyalty with a different portfolio entirely, if only to show that Canadians won’t dance to every tune the Americans wish to play and charge us for.”

Related links:
Click here for all of Michael Geist’s posts on this topic
Click here for a brief on this issue in the Hollywood Reporter
Click here for Jack Kapica’s blog (scroll down for item)