All stories relating to Margaret Atwood
First there was the LongPen. Next, the LongPen went digital as iDoLVine LiveSign. Now, Margaret Atwood and a team of techies are looking to bring fans and artists even closer with the rollout of Fanado mobile.
Last month, Fanado (formerly iDoLVine), launched its Fanado Goes Mobile campaign on crowdfunding site Indiegogo. Fanado — which combines LongPen’s remote signature technology with video conferencing and social media — is aiming to raise $85,000 to develop two apps for a range of mobile devices. In a press release, Fanado says that with the apps “every iPad, iPhone, and Android device will become the stage door – providing access behind the scenes, on the tour bus, in the recording studio, and wherever artists are creating.”
The press release goes on to describe Fanado events as “built around a backstage environment where fans with common interests can hang out, take part in public text chats, hold private video chats, discover new artists, learn about upcoming events, and make new friends.” This differs from On Stage events, in which participants meet the artist and receive a video clip of the experience, which can be shared via social media. True to its LongPen roots, participants also receive personalized collectibles with the author’s authenticated signature.
To date, Fanado has raised more than $54,000. Among the perks offered to funders are a subscription to an Atwood-penned comic strip series ($1), a three-pack of Byliner original stories ($50), a signed limited edition of a section of Atwood’s forthcoming novel, Maddaddam ($350), a personalized Fanado channel ($5,000), or a Maddaddam character named after you ($10,000). According to Fanado, organizations such as House of Anansi Press, Indigo Books & Music, Random House of Canada, and the Scotiabank Giller Prize have ponied up thousands of dollars each to support the venture and own a Fanado channel.
According to research conducted by Publishers Weekly, crowdsourcing website Kickstarter is now one of the top revenue-generating graphic-novel publishers in the U.S.
From February to April of this year, graphic novelists and comic artists who used the Kickstarter platform to raise funds for their projects brought in $2.2 million. By comparison, Marvel Comics brought in $6.9 million in gross revenue and DC Comics made $4.3 million. When PW compared the profits each publisher actually received, Kickstarter moved into second place with $1.9 million.
The comparison might seem like a head-scratcher, but PW calculated the amounts by multiplying Kickstarter’s pledges by 90 per cent (the website gives 90–92 per cent back to creators) and the other publishers’ sales by 40 per cent (most publishers keep that amount of a book’s list price).
Whatever this equation really means, there’s no denying crowdsourcing websites are changing the ways artists cover their creation and marketing costs. Even high-profile author and entrepreneur Margaret Atwood has seen the potential, raising almost $55,ooo on Indiegogo for her new Long Pen and interactive fan-club platform, Fanado.
A first look at the season’s most anticipated books
Fiction: Susan Swan’s long-awaited prequel to The Wives of Bath; Alice Munro’s new collection; Matthew Tierney’s science-inspired poetry; and more
Non-fiction: Neil Young’s rock ’n’ roll memoir; Andrew Nikiforuk’s oil-industry polemic; Julie Devaney’s unique medical memoir; and more
Books for young people: Orca’s adventure series debut; Margaret Atwood’s latest alliterative picture book; Susan Juby’s dystopian vision; and more
International books: Chinua Achebe’s civil war memoir; Ian McEwan’s literary spy novel; Zadie Smith’s new fictional direction; and more
FROM THE EDITOR
For Literary Press Group: the good news came just in time
The delicate art of the author photo
How metadata improves online visibility
Emily Schultz’s blonde ambition
Northern retailer Chat Noir Books’ community-oriented approach
Snapshot: Black Bond Books co-owner Cathy Jesson
Cover to cover: Fran Kimmel’s The Shore Girl
Inside by Alix Ohlin
Signs and Wonders by Alix Ohlin
People Park by Pasha Malla
Gay Dwarves of America by Ann Fleming
Y by Marjorie Celona
Mr. Churchill’s Profession: The Statesman as Author and the Book that Defined the “Special Relationship” by Peter Clarke
PLUS more fiction, non-fiction, and poetry
BOOKS FOR YOUNG PEOPLE
Uncle Wally’s Old Brown Shoe by Wallace Edwards
Old MacDonald Had Her Farm by JonArno Lawson; Tina Holdcroft, illus.
Hemlock by Kathleen Peacock
PLUS more fiction, non-fiction, and picture books
THE Q&Q/BOOKNET CANADA BESTSELLERS
THE LAST WORD Pasha Malla on why the most affecting literature thumbs its nose at the rules
Margaret Atwood will spend the next year mentoring U.K. novelist Naomi Alderman. The partnership is a product of the Rolex Arts Initiative, which pairs masters with emerging arts professionals in the areas of literature, theatre, film, dance, music, and visual arts.
Oxford-educated Alderman, 37, is the author of three novels — Disobedience, which won the 2006 Orange Award for New Writers, The Lessons (2010), and The Liars’ Gospel (forthcoming in August). She was named The Sunday Times Young Writer of the Year in 2007, and is also credited with writing a number of computer games and mobile apps. Alderman says she turned to writing full-time after the terrorist attacks on the World Trade Centre prompted her to leave an unfulfilling job in Manhattan and through the mentorship she hopes to figure out “how to shape the next 20 years.”
Alderman will spend a minimum of six weeks working with her mentor, and will receive US$25,000 for expenses and another US$25,000 to finance a larger project. Atwood hand-picked the British writer after interviewing a pool of candidates.
Toronto’s Ryerson University is confering honorary doctorates on three CanLit heavyweights at the school’s spring convocation ceremony.
This morning, Rohinton Mistry received an honorary Doctor of Letters degree from the Faculty of Communication and Design, and treated soon-to-be Ryerson grads to a speech that bordered on a “brilliant, political fairy tale,” according to one tweeter in the audience. Mistry has previously received honorary doctorates from the University of Toronto, York University, and the University of Ottawa.
Margaret Atwood and partner Graeme Gibson will be presented with their Doctor of Letters degrees from the Faculty of Arts at convocation events on Tuesday afternoon. Atwood is no stranger to honorary doctorates, having received recognition from U of T, Trent University, and the National University of Ireland Galway, among others.
The Canadian Booksellers Association has revealed the shortlists for this year’s Libris Awards, which recognize literary achievement as well as behind-the-scenes contributions in the book industry, as voted on by independent booksellers.
This year’s awards ceremony takes place on Sunday, June 3, at the Toronto Congress Centre. The event kicks off the CBA’s annual conference, which is being held in conjunction with the Retail Council of Canada’s Store 2012 conference. Bookseller-oriented programming includes presentations and panels devoted to sidelines and ebooks, and a “moderated member forum.”
Margaret Atwood will be on hand to accept a lifetime achievement award.
The nominees are:
The Sisters Brothers by Patrick deWitt (House of Anansi Press)
Half-Blood Blues by Esi Edugyan (Thomas Allen Publishers)
The Virgin Cure by Ami McKay (Knopf Canada)
Into the Silence: The Great War, Mallory and the Conquest of Everest by Wade Davis (Knopf Canada)
Eating Dirt: Deep Forests, Big Timber and Life with the Tree-Planting Tribe by Charlotte Gill (Greystone Books)
The Chimps of Fauna Sanctuary: A Canadian Story of Resilience and Recovery by Andrew Westoll (HarperCollins Canada)
I Am Canada: Deadly Voyage by Hugh Brewster (Scholastic Canada)
This Dark Endeavour by Kenneth Oppel (HarperCollins Canada)
The Dragon Turn by Shane Peacock (Tundra Books)
I Want My Hat Back by Jon Klassen (Candlewick/Random House)
Picture a Tree by Barbara Reid (Scholastic Canada)
Ten Birds by Cybèle Young (Kids Can Press)
Blue Heron Books (Uxbridge, ON)
Bryan Prince Bookseller (Hamilton, ON)
Mabel’s Fables (Toronto, ON)
Queen’s University Campus Bookstore (Kingston, ON)
King’s Bookstore Co-operative (Halifax, NS)
York University Bookstore (Toronto, ON)
Louise Dennys, Knopf Random House Canada
Jim Gifford, HarperCollins Canada
Lynne Missen, Penguin Canada
Penny Mason, Penguin Canada
Dot Middlemass, Ampersand Inc.
Michael Reynolds, Michael Reynolds & Associates
North 49 Books
Arsenal Pulp Press
Coach House Books
Margaret Atwood and Graeme Gibson met with the editorial board at the Windsor Star on Thursday to talk ferries, farming, and living anonymously on Pelee Island.
The couple stopped in at the newspaper’s offices on their way to Springsong, an annual event held on Pelee Island, about 100 kilometres southeast of Windsor, Ontario, on Lake Erie. Now in its 11th year, the fundraiser is put on by the Pelee Island Heritage Centre in celebration of local bird populations and Canadian literature. Atwood and Gibson,who have owned property on the island since 1987, regularly take part in the festivities. They will be joined this year by authors Wayne Grady and Merilyn Simonds.
In a video posted to the Star‘s website, Atwood discusses how the lack of transportation to the island (the area’s ferries have been out of service since April) has had devastating effects on the community. “The people who are really being hard hit at the moment are the farmers, because they cannot get their seed onto the island so they can’t plant anything,” Atwood says. Gibson adds: “And no one seems prepared to do anything realistic for them.”
Later in the interview, Atwood explains the island’s appeal to a CanLit icon: “Tourists go over and say, ‘You’re Margaret Atwood.’ … People on the island say, ‘Margaret who? … When people say, ‘Come and do such-and-such,’ I say, ‘Well, I actually can’t because I’m on the island.”
- Margaret Atwood and Robert J. Sawyer sign on to Amazon’s new Audible Author Services to earn $1 for every e-audiobook sold
- Iran’s scrappy comic book scene finds its voice under strict censorship laws
- The Grindstone asks, do women have to be cutthroat to work in publishing?
- May the odds be ever in your favour: Hunger Games and Twilight theme weddings are trending
- Book igloo: the pillow fort for grown-ups
Atwood returns to her villainous character in “I Dream of Zenia with the Bright Red Teeth,” the first short story to be published by the Walrus Foundation’s new imprint, The Walrus Books.
Printed by Coach House Books, the limited-edition, 32-page story is available for $35 (and comes with a subscription to the magazine), exclusively to new and renewing subscribers of The Walrus magazine’s print, digital, and tablet editions. Atwood will sign and number the first 100 copies of the 2,000 being produced.
The story will also appear in the magazine’s Summer Reading issue, on newsstands June 11.
Yesterday, McArthur & Company announced that it has sold TV rights to Margaret Atwood’s Wandering Wenda and Friends children’s books to Breakthrough Entertainment. The deal comprises rights to the series’ previously published picture books — Wandering Wenda, Bashful Bob and Doleful Dorinda, Princess Prunella, and Rude Ramsay — as well as a forthcoming fifth fable, Silent Sam (all illustrated by Dušan Petričić).
Breakthrough, the Toronto TV production and distribution company behind HBO Canada’s Less Than Kind, and kids’ shows such as Crash Canyon and The Adventures of Dudley the Dragon, has confirmed that it’s developing the books into an animated series for preschoolers.
The news comes on the heels of another recent Atwood adaptation. Earlier this month, Payback, a documentary based on the author’s 2008 Massey lectures, came out to positive reviews.