Spring preview 2012: Canadian non-fiction

In the January/February issue, Q&Q looks ahead at the spring season’s new books.

MEMOIR AND BIOGRAPHY

Revolutionary activity in the Middle East and North Africa has created an appetite for stories about life in these regions. Among them is the story of CBC News foreign correspondent Nahlah Ayed. In A Thousand Farewells: A Reporter’s Journey from Refugee Camp to the Arab Spring (Penguin Canada, $32 cl., April), the Winnipeg-born journalist traces her passion for reporting on the Middle East to her Palestinian roots and the time she spent in a Jordanian refugee camp as a child. • When Nazanin Afshin-Jam, a Vancouver-raised beauty queen, first heard of Nazanin Fatehi, a teen on death row in Tehran for the murder of her would-be rapist, the two young women had only a name and their Iranian heritage in common. The Tale of Two Nazanins (HarperCollins Canada, $31.99 cl., May), co-written with Susan McClelland, is the story of how the women found common ground in the struggle for Fatehi’s freedom.

While on a tour of duty in Afghanistan in 2006, reservist Trevor Greene had an axe plunged into his skull and lived to tell the tale. Read it for yourself in March Forth: The Inspiring True Story of a Canadian Soldier’s Journey of Love, Hope and Survival (HarperCollins Canada, $29.99 cl., Feb.), co-written with his wife, Debbie Greene.

A pair of memoirs out this spring feature sons coming to terms with their late fathers’ true identities. Deni Béchard follows his fictitious family saga, Vandal Love, with a personal story. Cures for Hunger (Goose Lane Editions, $29.95 cl., May) finds the novelist dealing with the fallout from discovering his dad’s criminal past. • In Cold Comfort: Growing Up Cold War (Talonbooks, $18.95 pa., May), poet Gil McElroy writes about discovering his father’s hidden past working on the controversial Distant Early Warning Line.

In The Many Voyages of Arthur Wellington Clah: A Tsimshian Man on the Pacific Northwest Coast (UBC Press, $29.95 pa., Jan.), historian Peggy Brock creates a portrait of Arthur Wellington Clah, a Hudson’s Bay Company employee who left one of the few first-hand accounts of colonization in Western Canada written from an aboriginal perspective. • In 2008, the Community Arts Council of Greater Victoria commissioned a chronicle of the globetrotting life and unconventional work of artist and printmaker Pat Martin Bates. The result is Balancing on a Thread (Frontenac House Media, $49.95 cl., April), a biography and critical analysis by Pat Bovey, former director of the Art Gallery of Greater Victoria.

Internationally renowned composer and music educator R. Murray Schafer recounts personal and artistic growth in My Life on Earth and Elsewhere (The Porcupine’s Quill, $27.95 pa., May), which follows his journey from aspiring painter to sailor to vagabond before deciding to dedicate his life to music. • As an octogenarian, Naomi Beth Wakan considers herself somewhere between old and “old-old,” and thus amply qualified to comment on retirement homes, elder abuse, death, and the disconnect between self-image and society’s perception of seniors. Liquorice and Lavender: Some Thoughts on Roller-coasting into Old Age (Wolsak & Wynn, $19 pa.) appears in April.

William Stevenson may be best known for his book A Man Called Intrepid, about the similarly named British spy William Stephenson, often considered the real-life model for James Bond. Stevenson tells his own life story, touching on his career as a war reporter, in Past to Present: A Reporter’s Story of War, Spies, People, and Politics (Lyons Press/Canadian Manda Group, $28.95 cl., June). • B.C. cowboy and rodeo regular Bruce Watt spins a few yarns about the good, the bad, and the ugly of ranching in Chilcotin Yarns (Heritage House, $16.95 pa., May).

POLITICS AND CURRENT AFFAIRS

As the Canadian government works toward repatriating child soldier Omar Khadr, McGill-Queen’s University Press is set to publish a timely anthology exploring the Canadian-born man’s background, his incarceration at Guantanamo Bay, his treatment at the hands of Canadian authorities, and the implications raised by his legal case. Omar Khadr, Oh Canada ($24.95 pa., May), edited by Janice Williamson, includes contributions from Sherene Razack, Roméo Dallaire, Charles Foran, Judith Thompson, George Elliott Clarke, and Maher Arar.

Nora Young, host of CBC Radio’s Spark, explores issues such as the real-world impact of online communities and why it’s essential to ensure digital privacy in The Virtual Self: How Our Digital Lives Are Altering the World Around Us (McClelland & Stewart, $29.99 cl., April). • Some form of monarchy has ruled Canada since the start of the nation’s recorded history. The Secret of the Crown: Canada’s Long Affair with Royalty (House of Anansi Press, $29.95 cl., March) by John Fraser is a witty look at our country’s enduring appetite for all things regal.

HISTORY

A number of titles this season take an unflinching look at Canada’s history of racism. In Orienting Canada: Race, Empire, and the Transpacific (UBC Press, $34.95 pa., Jan.), John Price, associate professor of history at the University of Victoria, exposes anti-Asian racism at home and in foreign policy through examples such as the 1907 Vancouver race riots and Canada’s early intervention in the Vietnam War. • Canada’s Forgotten Slaves: Two Centuries of Bondage (Véhicule Press, $27.95 pa., May), George Tombs’ English-language translation of the late Marcel Trudel’s groundbreaking work on the history of slavery in colonial Canada, identifies Canadian slave owners and reveals the extent to which national leaders tried to cover up this unsavoury past. • Bryan Prince looks at slavery in One More River to Cross (Dundurn Press, $24.99 pa., Jan.), which tells the real-life story of Isaac Brown, a slave who was falsely accused of murder and made a daring escape from New Orleans before coming to Canada.

Educator Paul Keery and illustrator Michael Wyatt borrow from the graphic novel tradition to make Canada’s military history accessible in Canada at War: An Illustrated History of Canada in the Second World War (Douglas & McIntyre, $24.95 pa., May). • Originally published in Italian in 2003, Pietro Corsi’s Halifax: The Other Door to America (Guernica Editions, $15 pa., March), translated by Antonio D’Alfonso, explores the city’s role in the immigrant experience through a first-hand account.

POP CULTURE

In The Weakerthans: Watermark ($12.95 pa., April), the second instalment in Invisible Publishing’s Bibliophonic music series, author Dave Jaffer makes the case that the Winnipeg indie rockers are among the country’s best musical acts.

SPORTS

Hockey-shmockey. This season’s ice sport of choice is Arctic aviation. Based on the Canadian TV series of the same name, The Ice Pilots: Flying with the Mavericks of the Great White North (Douglas & McIntyre, $21.95 pa., Jan.), by Survivorman series co-author Michael Vlessides, follows pilots at Buffalo Airways in Yellowknife as they haul supplies and passengers in their Second World War–era propeller planes to remote Arctic outposts. • Frontenac House Media is set to publish Yukon Wings ($59.95 cl., May), an illustrated history of the territory’s aviation sector by industry veteran Bob Cameron.

Much has been written about Leanne Shapton’s quirky style and seemingly charmed career. Swimming Studies (Penguin Canada, $26.50 cl., June) dives into new territory: the illustrator’s lifelong passion for swimming, and her former dream of making it to the Olympics. • Speaking of the Olympics, a former athlete and coach have authored a pair of books on leadership. In The Power of More: Achieving Your Goals in Sport and Life (Greystone Books, $22.95 pa., May), three-time Olympic gold-medal rower Marnie McBean explains how to break down big tasks, set goals, strive for more, and recognize success. • In Leave No Doubt: A Credo for Changing Your Dreams (McGill-Queen’s University Press, $19.95 cl., March), NHL coach Mike Babstock (with co-writer Rick Larsen) expands on a pep talk originally intended for Team Canada, whom he coached at the 2010 Winter Games. • Start your own journey from novice to Olympian with Paddle Your Own Kayak (Boston Mills Press/Firefly Books, $29.95 pa., March), a fully illustrated guide by longtime paddlers Gary and Joanie McGuffin.

Vancouver writer Kevin Chong recounts how he unexpectedly found a new life direction as part-owner of a horse in My Year of the Racehorse: Falling in Love With the Sport of Kings (Greystone, $22.95 pa., April), a look into the tradition and faded elegance of the horse-racing scene.

GARDENING

When friends Rachel Fisher, Heather Stretch, and Robin Tunnicliffe ventured into business together they came up with Saanich Organics, a co-operative of small organic farms around greater Victoria. They’ve teamed up again for All the Dirt: Reflections on Organic Farming (TouchWood Editions, $29.95 pa., Feb.), in part a personal reflection on food entrepreneurship, in part a how-to for small-scale organic farming. • Get growing with Canadian Gardener’s Guide (Dorling Kindersley/Tourmaline Editions, $30 cl., March), an illustrated handbook by prolific food writer and urban gardening guru Lorraine Johnson.

FOOD AND DRINK

In 2009, Lynn Crawford resigned as executive chef at Four Seasons New York to launch a restaurant in Toronto and kick off a new travel series for Canada’s Food Network. The spin-off book, Lynn Crawford’s Pitchin’ In: 100 Great Recipes from Simple Ingredients (Penguin Canada, $37 cl., Jan.), includes recipes the chef acquired in her travels across North America. • While Crawford peddles local foods, University of Toronto geography professor Pierre Desrochers and economist Hiroko Shimizu suggest a different approach in The Locavore’s Dilemma: In Praise of the 10,000-mile Diet (Public Affairs/Perseus Books Group, $30 cl., June). The duo argues the locavore ethos is little more than a well-meaning marketing strategy that distracts from global food problems.

A perfect counterpoint to last season’s roster of meat-heavy cookbooks, Eleanor Boyle’s High Steaks: Why and How to Eat Less Meat (New Society Publishers, $17.95 pa., June) investigates the ecological, health, and social problems caused by conventional meat production, and offers guidance on supporting sustainable livestock practices. • University of Toronto Press’s Edible Histories, Cultural Politics: Towards a Canadian Food History ($34.95 pa., May), edited by Franca Iacovetta, Valerie J. Korinek, and Marlene Epp, is a rare scholarly examination of food culture and traditions from a Canadian point of view. • For nearly three decades, Toronto’s FoodShare has fought to make healthy eating possible for everyone. Share: Delicious Dishes from FoodShare and Friends (Between the Lines, $24.95 pa., May), by Adrienne De Francesco with Marion Kane, brings together favourite recipes from the FoodShare community that emphasize healthy, affordable, culturally diverse, and seasonal meals.

BUSINESS, FINANCE, AND ECONOMICS

Economist Jeff Rubin follows up his bestselling Why Your World Is About to Get a Whole Lot Smaller with The End of Growth (Random House Canada, $29.95 cl., May). This time, Rubin posits that the tendency for governments to tie economic well-being to population growth will ultimately lead to disaster. • Michael Lewis and Pat Conaty tread similar territory but offer a solutions-based approach in The Resilience Imperative: Cooperative Transitions to a Steady-state Economy (New Society, $26.95 pa., June), about shifting from growth to a sustainable, low-carbon economy.

Rob Carrick, a columnist at The Globe and Mail, has written a personal finance guide for the Boomerang Generation. How Not to Move Back in with Your Parents: The Young Person’s Guide to Financial Empowerment (Doubleday Canada, $22.95 pa.) comes out in March, just in time for the end of the academic year. • Toronto ad man Rick Padulo – the brains behind the slogans “Leon’s Don’t Pay a Cent Event” and “Black’s Is Photography” – shares the story of his climb up the agency ladder, and spills a few trade secrets, in I Can Get It for You Retail: Down and Dirty Tales from a Canadian Ad Man (Dundurn, $29.99 cl., March).

HEALTH AND WELL-BEING

It seems a new health and fitness fad springs up every week. Timothy Caulfield, director at the Health Law and Science Policy Group at the University of Alberta, has tried some of them so the rest of us don’t have to. Through first-hand research and analysis, Caulfield’s The Cure for Everything! Untangling the Twisted Messages About Health, Fitness, and Happiness (Penguin, $32 cl., Jan.) exposes the special interests behind many scientific claims in the health industries, and suggests getting healthy is not as complicated as it seems. • In Thinking Women and Health Care Reform in Canada (Canadian Scholars’ Press, $39.95 pa., Feb.), the Women and Health Care Reform working group sets out its argument for why changes to Canada’s health care sector are women’s issues. Researchers raise the issue of gender in such areas as privatization, home care, medical insurance, access to treatment, and maternity care. • When a group of women in Parry Sound, Ontario, decided to raise money for a new mammogram machine at their local hospital, they opted for a fundraising project that was fun, creative, and cheeky. Compiled by the West Parry Sound Health Foundation, Support the Girls: Bra Art for Breast Health (Second Story Press, $21.95 pa., April) features the personal stories and bra-based artwork of breast cancer sufferers and survivors, their loved ones, and health-care workers. A portion of proceeds will go to breast cancer research.

Clinical psychologist and psychotherapist Nancy Reeves has travelled throughout North America facilitating workshops on grief, trauma, spirituality, and art therapy. A Path Through Loss: A Guide to Writing Your Healing and Growth (Woodlake Books, $19.95 pa., Feb.) contains self-guided journalling exercises Reeves has employed and honed over the years.

ENVIRONMENT

David Suzuki is back with another collection of thoughts on the environment. The aptly titled Everything Under the Sun: Toward a Brighter Future on a Small Blue Planet (Greystone, $24.95 pa., June), co-written with Ian Hannington, broaches topics such as solar-energy dependence, the 2011 earthquake and tsunami in Japan, and the difference between human hunters and other predators. • Documentarian Amy Miller investigates the effects of carbon-emissions trading and carbon credit–funded projects in Carbon Rush (Red Deer Press, $24.95 pa., June), a scathing exposé of a system that bankrolls large-scale industrial operations and endangers all manner of life.

Cameron Dueck’s The New Northwest Passage: A Voyage to the Front Lines of Climate Change (Great Plains Publications, $24.95 pa., April) recalls the journalist’s trip through one of the least accessible places on the planet to encounter the effects of climate change on Arctic life. • In Save the Humans (Random House Canada, $29.95 cl., April), Rob Stewart, the filmmaker behind Sharkwater, turns his attention from marine life to the human cost of environmental carelessness. • Couched in tales of hard-living fishermen and the history of the West Coast fishing industry, Bluebacks and Silver Brights: A Lifetime in the B.C. Fisheries from Bounty to Plunder (ECW Press, $22.95 pa., May), by Norman and Allan Safarik, presents a dire ecological outlook for the Pacific Coast thanks to government mismanagement and overfishing. • In Nevermore: A Book of Hours ($20 pa., April), the third title published by Quattro Books’ non-fiction imprint, Fourfront Editions, David Day elegizes species that are long extinct, with illustrations by Maurice Wilson.

SCIENCE

Carolyn Abraham travels around the world, DNA kits at the ready, to probe the genetic background of her spotty family tree. Along the way, she struggles with the ethics behind using genetic tests to trace bloodlines. The Juggler’s Children: Family, Myth and a Tale of Two Chromosomes (Random House Canada, $32 cl.) lands on bookshelves in April. • In developing neurological exercises to overcome her own severe learning disabilities, Barbara Arrowsmith Young pioneered a cognitive training program that demonstrated the possibility for neuroplasticity – the notion that behaviour and training can alter brain function. The Woman Who Changed Her Brain: Stories of Transformation from the Frontier of Brain Science (Free Press/Simon & Schuster, $29.99 cl., May) recounts Arrowsmith’s story and sets out her methodology.

ESSAYS

Author and writing teacher Douglas Glover shares the finer points of the writing life, as well as a few exercises to get scribbling, in The Attack of the Copula Spiders and Other Essays on Writing (Biblioasis, $21.95 pa., April). • Thirty-three writers with ties to Vancouver’s Downtown Eastside, including Michael Turner, Madeleine Thien, and Wayde Compton, recast the maligned neighbourhood as a hub of creativity and humanity in V6A: Writing from Vancouver’s Downtown Eastside (Arsenal Pulp Press, $19.95 pa., April), edited by Elee Kraljii Gardiner and John Mikhail Asfour. • Edited by Kathy Page and Lynne Van Luven, In the Flesh: Twenty Writers Explore the Body (Brindle & Glass, $24.95 pa., April) contains essays by André Alexis, Trevor Cole, Lorna Crozier, Candace Fertile, Kate Pullinger, and Brian Brett that explore aging, illness, and insecurity through a specific body part.

FINE ART AND GRAPHICA

Canadian cities provide a rich source of inspiration for a number of fine art and non-fiction graphica titles this season. Dave Lapp combines new and previously published comics about encounters and conversations on the streets of Toronto in People Around Here (Conundrum Press, $17 pa., April), a follow-up to 2008’s Drop-in. • Toronto streets are brought to the fore in Full Frontal T.O. (Coach House Books, $24.95 pa., May), a chronicle of the Big Smoke’s ever-changing streetscapes by photographer Patrick Cummins and Stroll author Shawn Micallef. • Meanwhile, illustrator Michael Cho wanders Toronto’s backstreets for Back Alleys and Urban Landscapes (Drawn & Quarterly, $19.95 pa., May), a collection of vibrant illustrations of the city’s hidden streetscapes.

Heading West, Michael Kluckner’s Vanishing Vancouver: The Last 20 Years (Whitecap Books, $35 pa., April) updates the artist’s classic book of the same name two decades after its initial release. The new edition documents the city’s rapid development and features more than 200 images, including the author’s own watercolours and brush-and-ink drawings. • Rocky Mountain Books celebrates 100 years of the Calgary Stampede with Cowboy Wild ($39.95 cl., May), a photo book by David Campion chronicling a decade of the greatest show on earth, with text by Samantha Shields.

The latest from D&Q’s Petit Livre art book imprint is Idyll: Dream-filled Landscapes, Portraits, and Abstracts in Beautiful Detail ($19.95 cl., March) by Amber Albrecht. Inspired by the dreaminess of childhood, Albrecht’s paintings, screen prints, and drawings employ folklore and female iconography to address loneliness and loss.

HUMOUR

Just in time for summer break, Thomas Allen Publishers will release Almost There: The Family Vacation Then and Now ($24.95 pa., May), Curtis Gillespie’s take on family travel. • A “good mommy” is as real as a unicorn or Bigfoot, argues Willow Yamauchi in Bad Mommy (Insomniac Press, $19.95 pa., April), which celebrates the kind of parenting that falls somewhere between Joan Crawford and June Cleaver.

RELIGION

Conservative commentator and Sun News Network host Michael Coren’s latest book, Heresy: Ten Lies They Spread About Christianity (Signal/M&S, $29.99 cl., April) picks up where 2011’s Why Catholics Are Right left off, challenging popular assumptions about Christianity regarding issues such as homophobia, sexism, and racism. • To commemorate the 50th anniversary of the Second Vatican Council, in which the Roman Catholic Church updated its practices for an increasingly secular world, Novalis will publish Vatican II: Fifty Years of Evolution and Revolution in the Catholic Church ($18.95 pa., May) by Margaret Lavin, associate professor at the University of Toronto’s Regis College.

The fine print: Q&Q’s spring preview covers books published between Jan. 1 and June 30, 2012. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have been listed in previous previews do not appear here.

Booksellers’ picks of the year: LGBT

Booksellers contacted by Q&Q point to Taking My Life (Talonbooks) by Jane Rule as a top LGBT title of 2011. Rule, a member of the Order of Canada well known for her lesbian-interest fiction and non-fiction, died in 2007 but left behind a handwritten manuscript detailing her relationships and struggles with socio-cultural politics during the early years of her life. The manuscript, discovered by academic Linda M. Morra, who also edited the book, was published posthumously this summer.

Taking My Life is a sellout at Toronto Women’s Bookstore and has also been a hit at Little Sister’s Book & Art Emporium in Vancouver. “It was certainly a surprise that Jane wrote a book [about her life],” says Little Sister’s manager Janine Fuller. “It’s quite amazing for our culture.”

Both stores have also seen high sales of Persistence: All Ways Butch and Femme (Arsenal Pulp Press), a collection of personal essays on the butch/femme binary and life with an alternate gender identity, edited by Ivan E. Coyote and Zena Sharman.

At Little Sister’s, another popular 2011 title is Hold Me Now (Freehand Books), a novel by Stephen Gauer that explores the role homophobia played in a young man’s murder.

York University professor Sheila L. Cavanagh’s Queering Bathrooms: Gender, Sexuality, and the Hygienic Imagination (University of Toronto Press), a finalist for the 2011 Next Generation GLBT Indie Book Awards, has also garnered lots of positive attention, says Toronto Women’s Bookstore owner Victoria Moreno.

At Glad Day Bookshop in Toronto, manager Prodan Nedev says one of this year’s titles with buzz is Peter Knegt’s About Canada: Queer Rights (Fernwood Publishing). Another hit is Natural Order (Doubleday Canada), a novel about the relationship between a mother and her gay son by Brian Francis, whose YA debut Fruit: A Novel About a Boy and His Nipples (ECW Press) was the CBC Canada Reads runner-up in 2009.

UPDATE: Taking My Life was discovered and edited by Linda M. Morra.

Fall preview 2011: Canadian fiction

In the July/August issue, Q&Q looks ahead at the fall season’s biggest books.

NOVELS

One of the most anticipated releases of the fall season is surely the new novel from internationally acclaimed author Michael Ondaatje, his first since 2007 Governor General’s Literary Award winner Divisadero. Set in the early 1950s, The Cat’s Table (McClelland & Stewart, $32 cl., Sept.) tells the story of an 11-year-old boy crossing the Indian Ocean on a liner bound for England, and the mysterious prisoner shackled on board. • Also from M&S is Guy Vanderhaeghe’s first novel in eight years. Set in the late 19th-century Canadian and American West, A Good Man ($32.99 cl., Sept.) is the third book in a loose trilogy that also includes The Last Crossing (2003) and The Englishman’s Boy, which won the 1996 Governor General’s Literary Award. • A third GG winner has a new novel out this season: David Gilmour, who won in 2005 for his previous novel, A Perfect Night to Go to China. Gilmour returns with The Perfect Order of Things (Thomas Allen Publishers, $26.95 cl., Sept.), the story of a man who revisits traumatic and life-changing incidents from his past.

Marina Endicott follows up her Scotiabank Giller Prize–shortlisted 2008 novel Good to a Fault with The Little Shadows (Doubleday Canada, $32.95 cl., Sept.), about three sisters who become vaudeville singers following the death of their father. • Acclaimed novelist Helen Humphreys returns with an historical novel set in France during the Napoleonic period. The Reinvention of Love (HarperCollins Canada, $29.99 cl., Sept.) is about a French journalist whose affair with Victor Hugo’s wife causes a scandal (as it might be expected to do).

Brian Francis’s debut novel, Fruit, was a runner-up in the 2009 edition of CBC’s battle of the books, Canada Reads. His second novel, Natural Order (Doubleday Canada, $29.95 cl., Aug.), tells the story of a mother who is forced to confront the secrets she has kept about her son when her carefully constructed life is overturned by a startling revelation. • Kevin Chong returns to fiction with his first novel in a decade. Beauty Plus Pity (Arsenal Pulp Press, $17.95 pa., Sept.) follows an Asian-Canadian slacker in Vancouver whose incipient modelling career is derailed by the death of his father and the sudden departure of his fiancée.

Requiem (HarperCollins Canada, $32.95 cl., Sept.), the third novel from Frances Itani, is about a Japanese-Canadian who embarks upon a cross-country journey of discovery following the death of his wife. • Anita Rau Badami follows her best-selling novels Tamarind Mem and The Hero’s Walk with Tell It to the Trees (Knopf Canada, $32 cl., Sept.), about the Dharma family – the authoritarian Vikram, the gourmand Suman, and the old storyteller Akka. When the Dharmas’ tenant, Anu, turns up dead on their doorstep, the family’s long-buried secrets begin to boil over. • Gayla Reid returns with her first novel since 2002’s Closer Apart. Set during the Spanish Civil War, Come from Afar (Cormorant Books, $32 cl., Aug.) tells the story of an Australian nurse who falls into a relationship with a Canadian soldier from the International Brigade.

Haitian expat Dany Laferrière is back with his third novel in translation in three years. The Return (Douglas & McIntyre, $22.95 pa., Aug.) tells the story of a 23-year-old Haitian named Dany who flees Baby Doc Duvalier’s repressive regime and relocates to Montreal. Thirty-three years later, Dany learns of his father’s death in New York City, and plots a return to his native country. David Homel translates. • Another Montreal resident, poet Sina Queyras, has a novel out this fall, the author’s first. Autobiography of Childhood (Coach House Books, $20.95 pa., Oct.) is about one day in the lives of five siblings haunted by the death of a brother years before. • Infrared (McArthur & Company, $29.95 cl., Sept.), the new novel by Nancy Huston, is about a photographer who travels to Tuscany with her father and stepmother. Employing internal dialogues with the photographer’s mental doppelgänger, Huston opens up her hero for exposure and provides an intimate picture of her interior life.

CanLit mainstay David Helwig returns with a novella, his first since 2007’s Smuggling Donkeys. Killing McGee (Oberon, $38.95 cl., $18.95 pa., Oct.) tells the story of a professor’s dual obsessions with the assassination of D’Arcy McGee and the disappearance of one of his students. • Toronto-based poet Dani Couture returns with her first novel, a surreal and iconoclastic take on that perennial CanLit staple: the family drama. Algoma (Invisible Publishing, $19.95 pa., Oct.) tells the story of a family attempting to cope with the aftermath of a young child falling through the ice and drowning. • Shari Lapeña also has a novel about a perennial CanLit concern: raising money to allow one time to write poetry. Happiness Economics (Brindle & Glass, $19.95 pa., Sept.) tells the story of a stalled poet who takes a job writing advertising copy to start a poetry foundation.

Jamaican-born novelist, poet, and non-fiction author Olive Senior returns to long-form fiction with Dancing Lessons (Cormorant, $22 pa., Aug.), about a woman looking back on her life after a hurricane destroys her home. • Memoirist Frances Greenslade (A Pilgrim in Ireland, By the Secret Ladder) has a debut novel out this August. Shelter (Random House Canada, $29.95 cl.) is a coming of age story about two sisters searching for their mother, who abandoned them after their father was killed in a logging accident.

Not one, but two novels this season extend the burgeoning CanLit focus on towns that have been/are about to be flooded (after Johanna Skibsrud’s The Sentimentalists, Anne Michaels’ The Winter Vault, and Michael V. Smith’s Progress). Tristan Hughes’s Eye Lake (Coach House, $19.95 pa., Oct.) is about the town of Crooked River, Ontario. Named for a river that was diverted to make way for a mine, the town harbours secrets that surface when the river reclaims its original course. • And in September, Goose Lane Editions will publish Riel Nason’s The Town that Drowned ($19.95 pa.), about the suspicions, secrets, and emotions that flare up when the township of Haverton is scheduled to be flooded to allow for the construction of a massive dam.

Edward Riche follows up his Thomas Head Raddall Award winner The Nine Planets with Easy to Like (House of Anansi Press, $29.95 cl., Sept.), a satire about a screenwriter and oenophile who dreams of travelling to Paris, but is trapped in Canada by an expired passport and a growing Hollywood scandal. Relocating to Toronto, he bluffs his way into the upper echelons of the CBC. • Former president and CEO of Penguin Canada, David Davidar was forced out of his position under a cloud of scandal after accusations of sexual harassment. Davidar’s new novel, Ithaca (M&S, $29.99 cl., Oct.), is, perhaps not coincidentally, about the rise and fall of a publishing star.

Canadian literary icon Michel Tremblay returns with a new novel, the first in a trilogy. Set in 1913, Crossing the Continent (Talonbooks, $18.95 pa., Oct.) takes the author’s characters out of Quebec for the first time, to tell the backstory of the people who populate his Chroniques du Plateau-Mont-Royal series. Long-time Tremblay collaborator Sheila Fischman translates.

A resident of St. John’s, Newfoundland, lately one of the most fertile spots for Canadian writing, Michelle Butler Hallett crafts genre-busting stories and novels that frequently experiment with gender and perspective. Her new novel, Deluded Your Sailors (Creative Book Publishing, $21.95 pa., Sept.), focuses on the culture industry from the perspective of Nichole Wright, who makes a discovery that puts a government-funded tourism project in jeopardy, and a shape-shifting minister named Elias Winslow. • Another Newfoundland native, Kate Story, has a novel out with Creative this season. The follow-up to 2008’s Blasted, Wrecked Upon This Shore ($21.95 pa., Sept.) tells the story of Pearl Lewis, an emotionally damaged, charismatic woman who is seen at different stages in her life.

In 1972, Christina Parr returns to her hometown of Parr’s Landing, a place she fled years earlier. The dirty secret of Parr’s Landing? A 300-year-old vampire resides in the caves of the remote mining town. Christina learns why she should have stayed away in Michael Rowe’s Enter, Night (ChiZine Publications, $17.95 pa., Oct.). • English literature professor Janey Erlickson struggles to make headway in her academic career while caring for a tyrannical toddler in Sue Sorensen’s comic novel A Large Harmonium (Coteau Books, $21 pa., Sept.). • Paul Brenner, a Vancouver lawyer, dines with his son, Daniel, one Friday evening. The next day, Brenner receives word that his son has been murdered. Hold Me Now (Freehand Books, $21.95 pa., Oct.), the first novel from Stephen Gauer, examines a father’s grief and a lawyer’s faith in the legal system.

SHORT FICTION

Anyone who has ever wondered what might transpire if the author of Bigfoot’s autobiography were to illustrate a story collection by Canada’s reigning postmodern ironist can stop wondering. October sees the publication of Highly Inappropriate Tales for Young People (Random House Canada, $24 cl.), the first collaboration between author Douglas Coupland and well-known illustrator Graham Roumieu.

D.W. Wilson currently lives in London, England, but is a native of B.C.’s Kootenay Valley. The winner of the inaugural Man Booker Prize Scholarship from the University of East Anglia, Wilson’s debut collection, Once You Break a Knuckle (Hamish Hamilton Canada, $32 cl., Sept.), is a suite of stories about good people doing bad things.

Novelist Anne DeGrace has her first collection of short stories on tap for September. Flying with Amelia (McArthur & Company, $29.95 cl.) spans the 20th century and crosses vast swathes of territory. Wireless telegraphy, German POWs in Manitoba, the Great Depression, and the FLQ crisis all crop up in her stories. • David Whitton’s story “Twilight of the Gods” was included in the 2010 sci-fi anthology Darwin’s Bastards. The story also appears in Whitton’s first solo collection, The Reverse Cowgirl (Freehand, $21.95 pa., Oct.), which sports the most sexually suggestive title for a collection of CanLit stories since Pasha Malla’s The Withdrawal Method.

Toronto writer Rebecca Rosenblum follows up her Metcalf-Rooke Award–winning debut collection Once (a Q&Q book of the year for 2009) with The Big Dream (Biblioasis, $19.95 pa., Sept.), a collection of linked stories about the lives of workers at Dream, Inc., a lifestyle-magazine publisher. • The Maladjusted (Thistledown Press, $18.95 pa., Sept.), Toronto writer Derek Hayes’ debut collection, focuses on people who run afoul of the dictates of polite society. • Also from Thistledown, Britt Holmström’s Leaving Berlin ($18.95 pa., Sept.) examines contemporary women in both Canadian and European settings.

The fine print: Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2011. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have appeared in previous previews do not appear here.

Canadian authors celebrated at the Lambda Awards

Four Canadian authors took home awards last night at the 23rd Lambda Literary Awards in New York City. “The Lammies”  celebrate the best in lesbian, gay, bisexual, and transgender writing for books published the previous year.

First-time novelist Amber Dawn won the Lesbian Debut Fiction award for Sub Rosa (Arsenal Pulp Press). Zoe Whittall won in the new Transgender Fiction category for her novel Holding Still for as Long as Possible (House of Anansi Press). Anna Swanson took the Lesbian Poetry Award for her collection, The Nights Also (Tightrope Books). And S. Bear Bergman and Kate Bornstein took home the award for best LGBT Anthology for Gender Outlaws: The Next Generation (Seal Press).

Read the complete list of winners.

Book biz round-up: International Women’s Day

• Susanne Antonetta discusses gender and the act of making non-fiction
• Lucy, post-Narnia: Where are the daring heroines of adult literature?
• Five romance novels for “hard-headed women”
• Do two new editions of Elizabeth Bishop’s poems and prose suffer from “the new biographical fallacy?”

And as a special International Women’s Day gift, a visit to Portlandia’s feminist bookstore:

Free speech advocates defend anthology about teen homosexuality

Egypt is not the only place where authors run afoul of censorship. It also happens with distressing regularity in the so-called Land of the Free to Canada’s south. In the latest instance, the New Jersey chapter of conservative pundit Glenn Beck’s 9.12 Project has succeeded in getting an anthology of writing and art focusing on teen homosexuality removed from Rancocas Valley Regional High School. According to the Philadelphia Inquirer, 9.12 member and local grandmother Beverley Marinelli challenged the book Revolutionary Voices: A Multicultural Queer Youth Anthology for being “pervasively vulgar, obscene, and inappropriate.”

Marinelli might have a fight on her hands. An article in the Guardian claims the issue has galvanized free speech and pro-GLBT organizations, which are rallying in support of Revolutionary Voices and two other books Marinelli’s group is attempting to get banned:

“There are undoubtedly GLBTQ [gay, lesbian, bisexual, transgendered, and questioning] students at Rancocas Valley High School, regardless of whether they are openly recognised. Removing any of these titles would send a clear message to those students that they are the objects of social disapproval – different, vulnerable, and marginal – whose needs for information of particular relevance to their lives are not respected,” wrote the directors of a collection of organisations to the school’s board. The letter, the signatories to which include the National Coalition Against Censorship, the National Council of Teachers of English, American Booksellers Foundation for Free Expression, the Association of American Publishers, and PEN America, added that there was “no question that these books are not obscene.”

Marnielli, who insists that she “is not a homophobe,” is also trying to get Revolutionary Voices removed from the Lenape Regional High School District, New Jersey’s largest high school district.

When not trying to ban books, Marinelli spends her time protesting “indoctrination” of vulnerable American youth. The Philadelphia Inquirer points out that she recently participated in a demonstration at New Jersey’s B. Bernice Young Elementary School after seeing a video of schoolchildren singing a song praising U.S. president Barack Obama.

She told the Philadelphia Daily News: “We did it for the children.”

Best of lists take a beating – but what about critical honesty?

On Salon.com, Laura Miller talks about the controversy over PW’s best ten books of 2009 being 100% male:

What’s at issue isn’t sales or even access to readers; this is an argument about prestige and critical recognition, an argument best articulated by the novelist and critic Francine Prose in a 1998 article for Harper’s magazine. Prose detected a greater reverence for books by men among the nation’s literary and critical establishment, which includes reviewers, prize committees and the institutions that bestow grants. She blamed this on a widespread if seldom-stated assumption that “women writers will not write about anything important – anything truly serious or necessary, revelatory or wise.”

Miller goes on to admit that anyone who’s had to compile a list – will feel an “awkward sympathy for the PW team”:

But every year we do face a ticklish question: Is it the right thing to gerrymander your list in order to counteract real, long-standing cultural biases, even if that means lying to your readers? What is a 10-best list, after all, if not a record of the books we enjoyed most over the past 12 months? If you insist on a list that’s ideally representative of gender, race, class, nationality (i.e., including at least one translation), publisher size (small as well as large), fame, length (short story collections as well as novels), region, genre and so on, you can easily wind up with, say, a list of nine books you kinda like and maybe one you truly love. That’s a tepid dish to serve up to readers, and not likely to inspire much enthusiasm, either.

Empathy, wit, and rage towards Mr. Million Sales

To finish off Dan Brown Week – doesn’t have quite the ring of Shark Week does it? – here’s a roundup of some Lost Symbol brouhaha for your reading (dis?)pleasure.

CBC pop culture columnist Sarah Liss reads The Lost Symbol in a single twelve-hour sitting:

Sometimes, Dan Brown, loosely adapting Anthropology 101 texts for fiction just doesn’t work. Also, why do I get the sense you’ve never been tattooed – or met a gender-variant person? Also: “transgendering” is not a verb.

The National Post blog gives us a quote-fest of big names talking about Dan Brown’s success, including this one from Salman Rushdie:

“Do not start me on The Da Vinci Code, a novel so bad that it gives bad novels a bad name.”

Guardian blogger Jean Hannah Edelstein confesses that she doesn’t hate Dan Brown – she feels empathy:

I would thus be willing to wager all of the income I have ever made from writing fiction (nothing, but the sentiment is there) that sometimes, even as he wallows in his piles of money, Dan Brown wonders why he’ll never be able to write exactly as well as he wishes he could; why while being one of the world’s most financially successful writers, literary acclaim eludes him; why no one ever says, “actually, there’s a sentence on page 344 when Langdon says something rather profound and eloquent”. Sometimes, despite our best intentions, we just cannot help the way that we write, and sometimes, it is just a bit crap.

Might our communal antipathy towards Brown in fact be a displacement of the energy that fuels the oft-unspoken but pervasive anxiety that the even attainment of longed-for commercial success is no guarantee that we are actually any good at writing? And yet would we keep writing at all if we didn’t still have a shred of hope, deep down, that it might be possible that we might be brilliant? We are all Dan Brown. Except for the staggering wealth.

Ruth Padel resigns, but the “gender war” rages on

Book blogs all across the interwebs are abuzz with news of Ruth Padel’s resignation from the post of Oxford professor of poetry only nine days after she was elected. Her resignation came yesterday after claims that she was the anonymous source that tipped off journalists about allegations that her rival, Derek Walcott, had sexually harassed students.

An article from the Guardian quotes Padel’s statement last night, upon her resignation:

I genuinely believe that I did nothing intentional that led to Derek Walcott’s withdrawal from the election. I wish he had not pulled out. I did not engage in a smear campaign against him, but, as a result of student concern, I naively – and with hindsight unwisely – passed on to two journalists, whom I believed to be covering the whole election responsibly, information that was already in the public domain.

The New Yorker‘s Book Bench blog comments on the supposed gender war that many academics and writers believe is driving this drama:

The accusations from both camps (and, yes, that would be Men v. Women) have been pointed. A male Oxford professor called for Padel’s resignation by saying, “We now have proof” of a smear campaign against Walcott “led by a gender-based faction determined to have a woman in the post.” The poet Clive James defended Walcott thus: “What male teacher is going to escape a sexual harassment case? All you’ve got to do is stand there, and you’re sexually harassing them.” After Padel resigned, the novelist Jeannette Winterson opined that “Oxford is a sexist little dump.” The poet Jackie Kay didn’t mince words: “The old boys have closed in on her. It would not have happened to a man, and I am very sad.”

Man Booker also-ran Sebastian Barry “entitled to be disappointed” … says Booker juror

Horse-trading, you say? Compromise? The acceptable third choice? This would appear to be what adjudicating a major literary prize comes down to. Little more than a month after the Guardian published its exposé covering 40 years of Booker deliberations, Michael Portillo, the chair of this year’s five-member jury, explains on the Man Booker website that the eventual winner, Aravind Adiga’s The White Tiger, was not a unanimous choice to take the prize.

Two other books appeared closer to certain jurors’ hearts, according to Portillo. Steve Toltz’s comic novel A Fraction of the Whole apparently split the jury along gender lines, with the men being moved to tears by one passage that was read aloud to them, while the women remained stoic. Portillo himself calls Sebastian Barry’s novel The Secret Scripture “the most beautiful book” on the list, and calls it “a glorious piece of writing with not a word misplaced.” Why, then, did Barry not win? Portillo claims that there were concerns about the book’s plot.

The final decision saw the jury presenting a united front, but Portillo still seems to feel that Barry got the shaft:

The judges made it through without “blood on the floor” (to the media’s disappointment) but we were not unanimous, except in the sense that everyone accepted the choice once made. I am entirely happy with our decision, but Barry is entitled to be disappointed.

In the end, Portillo says that “Adiga won out too because his angle seemed so fresh.” Not everyone agrees with this assessment, however. Writing in the Telegraph, Sameer Rahim says the book “reads like the first draft of a Bollywood screenplay (no romance or songs sadly),” and blogger Nilanjana Roy takes issue with the freshness of Adiga’s novel, saying that “as anyone in India who reads widely enough knows, he’s not ‘the first to go where no other Indian author has gone before’ as reviews in the west have proclaimed.”