All stories relating to CLA
U.S. author Nicholas Sparks is the lucky one, as his latest novel hits the top spot on this week’s bestsellers’ list, thanks to its upcoming film adaptation starring Zac Efron.
For the two weeks ending March 11:
1. The Lucky One, Nicholas Sparks
(Grand Central Publishing/Hachette, $16.50 pa, 9781455508969)
2. Love You More, Lisa Gardner
(Bantam/Random House, $9.99 mm, 9780553591927)
3. Lone Wolf, Jodi Picoult
(Simon & Schuster, $18 cl, 9781439102749)
4. The Jungle, Clive Cussler and Jack Du Brul
(Berkley/Penguin, $10.99 mm, 9780425246542)
5. The Sixth Man, David Baldacci
(Grand Central/Hachette, $10.99 mm, 9780446573092)
6. Only Time Will Tell, Jeffrey Archer
(St. Martin’s Press/Raincoast, $11.99 mm, 9780312539566)
7. I’ve Got Your Number, Sophie Kinsella
(Dial/Random House, $15.50 cl, 9780385342063)
8. The Help, Kathryn Stockett
(Berkley/Penguin, $18.50 pa, 9780425232200)
9. Devious, Lisa Jackson
(Kensington Publishing, $9.99 mm, 9781420102758)
10. 44 Charles Street, Danielle Steel
(Dell/Random House, $9.99 mm, 9780440245179)
11. Kill Me if You Can, James Patterson
(Grand Central/Hachette, $15.99 pa, 9780446571876)
12. The Lucky One (movie tie-in edition), Nicholas Sparks
(Grand Central/Hachette, $8.99 mm, 9781455508976)
13. Against All Enemies, Tom Clancy and Peter Telap
(Penguin, $11.50 mm, 9780425246061)
14. The Girl Who Kicked the Hornet’s Nest, Stieg Larsson
(Penguin, $18 pa, 9780143170112)
15. Live Wire, Harlan Coben
(Signet/Penguin, $10.99 mm, 9780451233936)
16. Sarah’s Key, Tatiana de Rosnay
(St. Martin’s/Raincoast, $15.50 pa, 9780312370848)
17. Flash and Bones, Kathy Reichs
(Pocket/Simon & Schuster, $17 pa, 9781451675290)
18. New York to Dallas, J.D. Robb
(Berkley/Penguin, $8.99 mm, 9780425246894)
19. The 9th Judgment, James Patterson and Maxine Paetro
(Grand Central/Hachette, $10.99 mm, 9780446565660)
20. The Thief, Clive Cussler and Justin Scott
(Putnam/Penguin, $29.50 cl, 9780399158612)
Book links roundup: U.S. threatens Apple and publishers with lawsuit, Audible hires A-list celebrities, and more
- Apple and five U.S. publishing houses may face antitrust lawsuit
- Nicole Kidman, Colin Firth, Dustin Hoffman, and other celebrities record book series for Audible
- Video: Can bookstores maintain the same loyalty as record shops?
- Torontoist reflects on Ernest Hemingway’s time in Toronto
- Gabriel García Márquez celebrates his 84th birthday
- *World’s oldest film of a Charles Dickens’ character discovered
*Clarification, March 8: The film is of a Dickens’ character, not of Charles Dickens
The CBC is reporting that arson investigators are looking into a suspicious fire that damaged the East Vancouver offices of New Star Books.
Sprinklers in the building contained the flames but the business suffered extensive smoke and water damage.
Vancouver Fire and Rescue Services Captain Gabe Roder said investigators have determined the fire was deliberately set and the Vancouver police arson squad has been called in to continue the investigation.
Details are sketchy at this point, although the Vancouver Sun indicates that the fire at the New Star offices, located on the 3400 block of Commercial Street, was one of four blazes Vancouver fire fighters fought overnight. None of the fires appear to have been connected; the Vancouver Sun claims that the other three resulted from carelessly discarded cigarettes.
There were no injuries as a result of any of the four fires.
Cybèle Young may have seemed like an overnight kidlit success when her most recent picture book, Ten Birds (Kids Can Press), won a Governor General’s Literary Award last fall, but the Toronto-based artist actually began working on it more than 15 years ago. Young first made her name in the art world, where her miniature paper sculptures have attracted galleries and collectors in Vancouver, London, and New York, and landed her a recent residency in Paris. In the March 2012 issue of Q&Q, she discusses how her art informs her literary work, the transporting power of story, and what readers can expect next.
It might surprise some to learn that you trained as a sculptor. How did you get into publishing?
From a very young age, there was no question in my mind that I was an artist. At the Ontario College of Art, I did all sculpture courses. But in my final year of school, when I was pregnant with my daughter, everything shifted. I took a book-arts class and discovered that books were sculptural, too, on a private yet accessible level. I found myself going to kids’ book sections a lot more than I would go to galleries. And I still do.
You started Ten Birds in 1996. How did it finally come to fruition?
I drew most of the pictures for Ten Birds right after my daughter was born. I went to Groundwood Books with it 15 years ago because co-publisher Patsy Aldana is a friend’s mother. Then I illustrated a bit for Groundwood while focusing mainly on art – I felt I could only have one focus in addition to parenting.
Three years ago, after Groundwood had agreed to publish another picture book of mine, A Few Blocks (2011), I thought, “Well, I already showed this to Patsy, and we’re working together on something else,” so I showed it to Kids Can publisher Karen Boersma, whom I’d met at Groundwood. It clicked. We added one or two pages at the beginning and one or two at the end, but other than that, we used only the original drawings.
Some of your illustrations look like your sculptures. How does your art affect your books, and vice versa?
They definitely inform each other – I’m really half a person without one or the other. I had to find my voice in art first, but one of the things I love about books is being able to reach a wide audience. My sculptures imply stories, and in my books there are definitely themes I explore in my art, like my interest in small day-to-day experiences. Another thing I learned in sculpture that I apply to everything else: if I don’t enjoy it, it’s going to suck.
Has being a mom affected your publishing career?
Certainly I fell in love with children’s books when I was pregnant. And as a parent, there’s nothing more heavenly than knowing your kid, who could be climbing the walls, will sit happily in your lap if you offer them a book, and you can both be transported to another world.
Click on the thumbnails to see examples of Young’s fine art and illustration work.
“It’s like trying to cook when there are little children around.” That’s the assessment of one David Myers, a 53-year-old system administrator in Atlanta, regarding the experience of reading a book on the Kindle Fire. Myers is quoted in a New York Times article about the qualitative aspects of reading on multimedia, Internet-enabled devices. The article finds, unsurprisingly, that devices such as the iPad or the Kindle Fire, which are capable of surfing the Internet or streaming video, promote heightened distractibility among readers.
People who read ebooks on tablets like the iPad are realizing that while a book in print or on a black-and-white Kindle is straightforward and immersive, a tablet offers a menu of distractions that can fragment the reading experience, or stop it in its tracks.
Email lurks tantalizingly within reach. Looking up a tricky word or unknown fact in the book is easily accomplished through a quick Google search. And if a book starts to drag, giving up on it to stream a movie over Netflix or scroll through your Twitter feed is only a few taps away.
The argument is not a new one, having been well rehearsed in volumes such as Nicholas Carr’s The Shallows and William Powers’s Hamlet’s Blackberry. Nor is it likely to gain much traction with technophiles who envision a not-so-distant future in which even dedicated e-readers will feature enhanced books that link to external multimedia content.
And there is something to be said for the devices’ insistence that a book hold a reader’s attention. As Erin Faulk says in the NYT piece: “Recently, I gravitate to books that make me forget I have a world of entertainment at my fingertips. If the book’s not good enough to do that, I guess my time is better spent.”
Still, what Cory Doctorow referred to as an “ecosystem of interruption technologies” embedded in devices such as the iPad may be partly to blame for the reason Carr is able to quote Clay Shirky as writing, “No one reads War and Peace.… It’s too long and not so interesting.” Or maybe the lure of YouTube is just too great.
This feature by Sarah Greene appeared in the November 2011 issue of Q&Q.
Robert Lepage’s impressive artistic career spans theatre, film, and opera, and includes stints as designer and director for Cirque du Soleil and a Peter Gabriel world tour. The prolific Quebec actor, writer, and director has now added graphic novelist to his list of achievements. The Blue Dragon, first published in French earlier this year by Quebec’s Éditions Alto, appears this month from House of Anansi Press.
Adapted from the play of the same name, the book reunites co-writers Lepage and Marie Michaud, both of whom performed in the original 2008 production. The idea for the graphic novel, first suggested by Lepage’s sister and assistant Lynda Beaulieu, seemed natural given the influence on the play of Hergé’s The Blue Lotus, about TinTin’s adventures in Shanghai; the use of Chinese calligraphy, video, and comic panel-like squares in the set design; and the fact that the central character, Pierre Lamontagne, is a graphic artist and calligrapher.
“We thought a graphic novel would be more faithful, do more justice to the piece,” says Lepage. “We saw it as an opportunity to extend the themes of The Blue Dragon.”
A follow-up to the mid-1980s production The Dragons’ Trilogy, the story is set in modern-day China and revolves around three characters in a love triangle: Lamontagne, a middle-aged Quebecois artist who lives in Shanghai and runs a contemporary art gallery; his ex-wife, a Montreal-based advertising executive hoping to adopt a baby; and Lamontagne’s younger Chinese lover. Just as there are three characters interacting in three languages (French, English, and Mandarin), there are three possible endings to the play and the book. Éditions Alto played on the number by printing a first run of 3,333 copies.
To adapt the highly visual play into print, Lepage and his production company, Ex Machina, imagined how they would present the story as a film. They auditioned a number of Quebecois artists for the project, eventually choosing Fred Jourdain, a young illustrator known for his portraits of rock stars and celebrities. Jourdain’s fluid, vivid illustrations of a rainy Shanghai are conveyed by mixing comic-book art with more painterly images. “He was very strong at expressing emotions on his characters’ faces,” says Lepage.
Anansi publisher Sarah MacLachlan fell in love with this combination of graphica and fine art. “I thought that was an extraordinary thing,” she says. The Blue Dragon is Anansi’s first graphic novel for the adult market (its children’s imprint, Groundwood Books, published the YA title Skim by Jillian and Mariko Tamaki in 2009). Canadian fiction editor Melanie Little met Éditions Alto president Antoine Tanguay last January, at the Canada Council for the Arts’ inaugural translation rights fair in Ottawa, and presented an offer within days.
The graphic novel has also had an effect on the theatrical version of The Blue Dragon, which will be remounted by Toronto’s Mirvish Productions in January. “Our work with Fred had a big influence on the piece,” Lepage says. “Both to make it stronger by simplifying some of the storylines, but also by complexifying some things that needed to be more [complex]. A lot of that came from some of the very rich, effervescent exchanges we had with Fred.”
Lepage says the adaptation was so successful it’s changed his approach to publishing: “Whatever play we come up with we should try to find a format – not necessarily another graphic novel – that is as faithful to our visual approach to the stage as it is [to] the written word.”
Éditions Alto and Ex Machina have continued their partnership, producing a limited-run souvenir book for Lepage’s production of Stravinsky’s opera The Nightingale and Other Short Fables and collaborating on a nine-volume box set for his epic nine-hour opera Lipsynch.
“[Lepage] is a central cultural figure in Quebec right now,” says Tanguay. “Everything he does turns to gold.”
Illustrations by Fred Jourdain, courtesy of Anansi
Stieg Larsson’s thrillers dominate this week’s list following the release of David Fincher’s U.S. remake of The Girl with the Dragon Tattoo. Canadians Esi Edugyan and Patrick deWitt also appear with Half-Blood Blues (#5) and The Sisters Brothers (#7).
For the two weeks ending Jan. 8:
1. The Help, Kathryn Stockett
(Penguin, $18.50 pa, 9780425232200)
2. The Jefferson Key, Steve Berry
(Ballantine/Random House, $11.99 mm, 9780345505521)
3. The Girl Who Kicked the Hornet’s Nest, Stieg Larsson
(Penguin, $18 pa, 9780143170112)
4. The Girl Who Played with Fire, Stieg Larsson
(Penguin, $18 pa, 9780143170136)
5. Half-Blood Blues, Esi Edugyan
(Thomas Allen Publishers, $24.95 pa, 9780887627415)
6. The Girl with the Dragon Tattoo, Stieg Larsson
(Penguin, $18 pa, 9780143170129)
7. The Sisters Brothers, Patrick deWitt
(House of Anansi Press, $22.95 pa, 9781770890329)
8. Toys, James Patterson and Neil McMahon
(Grand Central Publishing/Hachette, $10.99 mm, 9780446571746)
9. Before I Go to Sleep, S.J. Watson
(HarperCollins, $21.99 pa, 9781443404068)
10. The Girl with the Dragon Tattoo (movie tie-in edition), Stieg Larsson
(Penguin, $18 pa, 9780143186007)
11. Sarah’s Key, Tatiana de Rosnay
(St. Martin’s Griffin/Raincoast, $15.50 pa, 9780312370848)
12. Death Comes to Pemberley, P.D. James
(Knopf Canada, $32 cl, 9780307362032)
13. A Discovery of Witches, Deborah Harkness
(Penguin, $17 pa, 9780143119685)
14. Locked On, Tom Clancy
(Putnam/Penguin, $31 cl, 9780399157318)
15. The Book of Negroes: Illustrated Edition, Lawrence Hill
(HarperCollins Canada, $19.99 cl, 9781443412193)
16. The Next Always, Nora Roberts
(Berkley/Penguin, $18.50 pa, 9780425243213)
17. One Summer, David Baldacci
(Grand Central/Hachette, $14.99 pa, 9780446583152)
18. Moonlight in the Morning, Jude Deveraux
(Pocket Star/Simon & Schuster, $9.99 mm, 9781416509745)
19. Private: #1 Suspect, James Patterson and Maxine Paetro
(Little, Brown and Company/Hachette, $29.99 cl, 9780316097406)
20. Innocent, Scott Turow
(Grand Central/Hachette, $10.99 mm, 9780446562409)
In the January/February issue, Q&Q looks ahead at the spring season’s new books.
MEMOIR AND BIOGRAPHY
Revolutionary activity in the Middle East and North Africa has created an appetite for stories about life in these regions. Among them is the story of CBC News foreign correspondent Nahlah Ayed. In A Thousand Farewells: A Reporter’s Journey from Refugee Camp to the Arab Spring (Penguin Canada, $32 cl., April), the Winnipeg-born journalist traces her passion for reporting on the Middle East to her Palestinian roots and the time she spent in a Jordanian refugee camp as a child. • When Nazanin Afshin-Jam, a Vancouver-raised beauty queen, first heard of Nazanin Fatehi, a teen on death row in Tehran for the murder of her would-be rapist, the two young women had only a name and their Iranian heritage in common. The Tale of Two Nazanins (HarperCollins Canada, $31.99 cl., May), co-written with Susan McClelland, is the story of how the women found common ground in the struggle for Fatehi’s freedom.
While on a tour of duty in Afghanistan in 2006, reservist Trevor Greene had an axe plunged into his skull and lived to tell the tale. Read it for yourself in March Forth: The Inspiring True Story of a Canadian Soldier’s Journey of Love, Hope and Survival (HarperCollins Canada, $29.99 cl., Feb.), co-written with his wife, Debbie Greene.
A pair of memoirs out this spring feature sons coming to terms with their late fathers’ true identities. Deni Béchard follows his fictitious family saga, Vandal Love, with a personal story. Cures for Hunger (Goose Lane Editions, $29.95 cl., May) finds the novelist dealing with the fallout from discovering his dad’s criminal past. • In Cold Comfort: Growing Up Cold War (Talonbooks, $18.95 pa., May), poet Gil McElroy writes about discovering his father’s hidden past working on the controversial Distant Early Warning Line.
In The Many Voyages of Arthur Wellington Clah: A Tsimshian Man on the Pacific Northwest Coast (UBC Press, $29.95 pa., Jan.), historian Peggy Brock creates a portrait of Arthur Wellington Clah, a Hudson’s Bay Company employee who left one of the few first-hand accounts of colonization in Western Canada written from an aboriginal perspective. • In 2008, the Community Arts Council of Greater Victoria commissioned a chronicle of the globetrotting life and unconventional work of artist and printmaker Pat Martin Bates. The result is Balancing on a Thread (Frontenac House Media, $49.95 cl., April), a biography and critical analysis by Pat Bovey, former director of the Art Gallery of Greater Victoria.
Internationally renowned composer and music educator R. Murray Schafer recounts personal and artistic growth in My Life on Earth and Elsewhere (The Porcupine’s Quill, $27.95 pa., May), which follows his journey from aspiring painter to sailor to vagabond before deciding to dedicate his life to music. • As an octogenarian, Naomi Beth Wakan considers herself somewhere between old and “old-old,” and thus amply qualified to comment on retirement homes, elder abuse, death, and the disconnect between self-image and society’s perception of seniors. Liquorice and Lavender: Some Thoughts on Roller-coasting into Old Age (Wolsak & Wynn, $19 pa.) appears in April.
William Stevenson may be best known for his book A Man Called Intrepid, about the similarly named British spy William Stephenson, often considered the real-life model for James Bond. Stevenson tells his own life story, touching on his career as a war reporter, in Past to Present: A Reporter’s Story of War, Spies, People, and Politics (Lyons Press/Canadian Manda Group, $28.95 cl., June). • B.C. cowboy and rodeo regular Bruce Watt spins a few yarns about the good, the bad, and the ugly of ranching in Chilcotin Yarns (Heritage House, $16.95 pa., May).
POLITICS AND CURRENT AFFAIRS
As the Canadian government works toward repatriating child soldier Omar Khadr, McGill-Queen’s University Press is set to publish a timely anthology exploring the Canadian-born man’s background, his incarceration at Guantanamo Bay, his treatment at the hands of Canadian authorities, and the implications raised by his legal case. Omar Khadr, Oh Canada ($24.95 pa., May), edited by Janice Williamson, includes contributions from Sherene Razack, Roméo Dallaire, Charles Foran, Judith Thompson, George Elliott Clarke, and Maher Arar.
Nora Young, host of CBC Radio’s Spark, explores issues such as the real-world impact of online communities and why it’s essential to ensure digital privacy in The Virtual Self: How Our Digital Lives Are Altering the World Around Us (McClelland & Stewart, $29.99 cl., April). • Some form of monarchy has ruled Canada since the start of the nation’s recorded history. The Secret of the Crown: Canada’s Long Affair with Royalty (House of Anansi Press, $29.95 cl., March) by John Fraser is a witty look at our country’s enduring appetite for all things regal.
A number of titles this season take an unflinching look at Canada’s history of racism. In Orienting Canada: Race, Empire, and the Transpacific (UBC Press, $34.95 pa., Jan.), John Price, associate professor of history at the University of Victoria, exposes anti-Asian racism at home and in foreign policy through examples such as the 1907 Vancouver race riots and Canada’s early intervention in the Vietnam War. • Canada’s Forgotten Slaves: Two Centuries of Bondage (Véhicule Press, $27.95 pa., May), George Tombs’ English-language translation of the late Marcel Trudel’s groundbreaking work on the history of slavery in colonial Canada, identifies Canadian slave owners and reveals the extent to which national leaders tried to cover up this unsavoury past. • Bryan Prince looks at slavery in One More River to Cross (Dundurn Press, $24.99 pa., Jan.), which tells the real-life story of Isaac Brown, a slave who was falsely accused of murder and made a daring escape from New Orleans before coming to Canada.
Educator Paul Keery and illustrator Michael Wyatt borrow from the graphic novel tradition to make Canada’s military history accessible in Canada at War: An Illustrated History of Canada in the Second World War (Douglas & McIntyre, $24.95 pa., May). • Originally published in Italian in 2003, Pietro Corsi’s Halifax: The Other Door to America (Guernica Editions, $15 pa., March), translated by Antonio D’Alfonso, explores the city’s role in the immigrant experience through a first-hand account.
In The Weakerthans: Watermark ($12.95 pa., April), the second instalment in Invisible Publishing’s Bibliophonic music series, author Dave Jaffer makes the case that the Winnipeg indie rockers are among the country’s best musical acts.
Hockey-shmockey. This season’s ice sport of choice is Arctic aviation. Based on the Canadian TV series of the same name, The Ice Pilots: Flying with the Mavericks of the Great White North (Douglas & McIntyre, $21.95 pa., Jan.), by Survivorman series co-author Michael Vlessides, follows pilots at Buffalo Airways in Yellowknife as they haul supplies and passengers in their Second World War–era propeller planes to remote Arctic outposts. • Frontenac House Media is set to publish Yukon Wings ($59.95 cl., May), an illustrated history of the territory’s aviation sector by industry veteran Bob Cameron.
Much has been written about Leanne Shapton’s quirky style and seemingly charmed career. Swimming Studies (Penguin Canada, $26.50 cl., June) dives into new territory: the illustrator’s lifelong passion for swimming, and her former dream of making it to the Olympics. • Speaking of the Olympics, a former athlete and coach have authored a pair of books on leadership. In The Power of More: Achieving Your Goals in Sport and Life (Greystone Books, $22.95 pa., May), three-time Olympic gold-medal rower Marnie McBean explains how to break down big tasks, set goals, strive for more, and recognize success. • In Leave No Doubt: A Credo for Changing Your Dreams (McGill-Queen’s University Press, $19.95 cl., March), NHL coach Mike Babstock (with co-writer Rick Larsen) expands on a pep talk originally intended for Team Canada, whom he coached at the 2010 Winter Games. • Start your own journey from novice to Olympian with Paddle Your Own Kayak (Boston Mills Press/Firefly Books, $29.95 pa., March), a fully illustrated guide by longtime paddlers Gary and Joanie McGuffin.
Vancouver writer Kevin Chong recounts how he unexpectedly found a new life direction as part-owner of a horse in My Year of the Racehorse: Falling in Love With the Sport of Kings (Greystone, $22.95 pa., April), a look into the tradition and faded elegance of the horse-racing scene.
When friends Rachel Fisher, Heather Stretch, and Robin Tunnicliffe ventured into business together they came up with Saanich Organics, a co-operative of small organic farms around greater Victoria. They’ve teamed up again for All the Dirt: Reflections on Organic Farming (TouchWood Editions, $29.95 pa., Feb.), in part a personal reflection on food entrepreneurship, in part a how-to for small-scale organic farming. • Get growing with Canadian Gardener’s Guide (Dorling Kindersley/Tourmaline Editions, $30 cl., March), an illustrated handbook by prolific food writer and urban gardening guru Lorraine Johnson.
FOOD AND DRINK
In 2009, Lynn Crawford resigned as executive chef at Four Seasons New York to launch a restaurant in Toronto and kick off a new travel series for Canada’s Food Network. The spin-off book, Lynn Crawford’s Pitchin’ In: 100 Great Recipes from Simple Ingredients (Penguin Canada, $37 cl., Jan.), includes recipes the chef acquired in her travels across North America. • While Crawford peddles local foods, University of Toronto geography professor Pierre Desrochers and economist Hiroko Shimizu suggest a different approach in The Locavore’s Dilemma: In Praise of the 10,000-mile Diet (Public Affairs/Perseus Books Group, $30 cl., June). The duo argues the locavore ethos is little more than a well-meaning marketing strategy that distracts from global food problems.
A perfect counterpoint to last season’s roster of meat-heavy cookbooks, Eleanor Boyle’s High Steaks: Why and How to Eat Less Meat (New Society Publishers, $17.95 pa., June) investigates the ecological, health, and social problems caused by conventional meat production, and offers guidance on supporting sustainable livestock practices. • University of Toronto Press’s Edible Histories, Cultural Politics: Towards a Canadian Food History ($34.95 pa., May), edited by Franca Iacovetta, Valerie J. Korinek, and Marlene Epp, is a rare scholarly examination of food culture and traditions from a Canadian point of view. • For nearly three decades, Toronto’s FoodShare has fought to make healthy eating possible for everyone. Share: Delicious Dishes from FoodShare and Friends (Between the Lines, $24.95 pa., May), by Adrienne De Francesco with Marion Kane, brings together favourite recipes from the FoodShare community that emphasize healthy, affordable, culturally diverse, and seasonal meals.
BUSINESS, FINANCE, AND ECONOMICS
Economist Jeff Rubin follows up his bestselling Why Your World Is About to Get a Whole Lot Smaller with The End of Growth (Random House Canada, $29.95 cl., May). This time, Rubin posits that the tendency for governments to tie economic well-being to population growth will ultimately lead to disaster. • Michael Lewis and Pat Conaty tread similar territory but offer a solutions-based approach in The Resilience Imperative: Cooperative Transitions to a Steady-state Economy (New Society, $26.95 pa., June), about shifting from growth to a sustainable, low-carbon economy.
Rob Carrick, a columnist at The Globe and Mail, has written a personal finance guide for the Boomerang Generation. How Not to Move Back in with Your Parents: The Young Person’s Guide to Financial Empowerment (Doubleday Canada, $22.95 pa.) comes out in March, just in time for the end of the academic year. • Toronto ad man Rick Padulo – the brains behind the slogans “Leon’s Don’t Pay a Cent Event” and “Black’s Is Photography” – shares the story of his climb up the agency ladder, and spills a few trade secrets, in I Can Get It for You Retail: Down and Dirty Tales from a Canadian Ad Man (Dundurn, $29.99 cl., March).
HEALTH AND WELL-BEING
It seems a new health and fitness fad springs up every week. Timothy Caulfield, director at the Health Law and Science Policy Group at the University of Alberta, has tried some of them so the rest of us don’t have to. Through first-hand research and analysis, Caulfield’s The Cure for Everything! Untangling the Twisted Messages About Health, Fitness, and Happiness (Penguin, $32 cl., Jan.) exposes the special interests behind many scientific claims in the health industries, and suggests getting healthy is not as complicated as it seems. • In Thinking Women and Health Care Reform in Canada (Canadian Scholars’ Press, $39.95 pa., Feb.), the Women and Health Care Reform working group sets out its argument for why changes to Canada’s health care sector are women’s issues. Researchers raise the issue of gender in such areas as privatization, home care, medical insurance, access to treatment, and maternity care. • When a group of women in Parry Sound, Ontario, decided to raise money for a new mammogram machine at their local hospital, they opted for a fundraising project that was fun, creative, and cheeky. Compiled by the West Parry Sound Health Foundation, Support the Girls: Bra Art for Breast Health (Second Story Press, $21.95 pa., April) features the personal stories and bra-based artwork of breast cancer sufferers and survivors, their loved ones, and health-care workers. A portion of proceeds will go to breast cancer research.
Clinical psychologist and psychotherapist Nancy Reeves has travelled throughout North America facilitating workshops on grief, trauma, spirituality, and art therapy. A Path Through Loss: A Guide to Writing Your Healing and Growth (Woodlake Books, $19.95 pa., Feb.) contains self-guided journalling exercises Reeves has employed and honed over the years.
David Suzuki is back with another collection of thoughts on the environment. The aptly titled Everything Under the Sun: Toward a Brighter Future on a Small Blue Planet (Greystone, $24.95 pa., June), co-written with Ian Hannington, broaches topics such as solar-energy dependence, the 2011 earthquake and tsunami in Japan, and the difference between human hunters and other predators. • Documentarian Amy Miller investigates the effects of carbon-emissions trading and carbon credit–funded projects in Carbon Rush (Red Deer Press, $24.95 pa., June), a scathing exposé of a system that bankrolls large-scale industrial operations and endangers all manner of life.
Cameron Dueck’s The New Northwest Passage: A Voyage to the Front Lines of Climate Change (Great Plains Publications, $24.95 pa., April) recalls the journalist’s trip through one of the least accessible places on the planet to encounter the effects of climate change on Arctic life. • In Save the Humans (Random House Canada, $29.95 cl., April), Rob Stewart, the filmmaker behind Sharkwater, turns his attention from marine life to the human cost of environmental carelessness. • Couched in tales of hard-living fishermen and the history of the West Coast fishing industry, Bluebacks and Silver Brights: A Lifetime in the B.C. Fisheries from Bounty to Plunder (ECW Press, $22.95 pa., May), by Norman and Allan Safarik, presents a dire ecological outlook for the Pacific Coast thanks to government mismanagement and overfishing. • In Nevermore: A Book of Hours ($20 pa., April), the third title published by Quattro Books’ non-fiction imprint, Fourfront Editions, David Day elegizes species that are long extinct, with illustrations by Maurice Wilson.
Carolyn Abraham travels around the world, DNA kits at the ready, to probe the genetic background of her spotty family tree. Along the way, she struggles with the ethics behind using genetic tests to trace bloodlines. The Juggler’s Children: Family, Myth and a Tale of Two Chromosomes (Random House Canada, $32 cl.) lands on bookshelves in April. • In developing neurological exercises to overcome her own severe learning disabilities, Barbara Arrowsmith Young pioneered a cognitive training program that demonstrated the possibility for neuroplasticity – the notion that behaviour and training can alter brain function. The Woman Who Changed Her Brain: Stories of Transformation from the Frontier of Brain Science (Free Press/Simon & Schuster, $29.99 cl., May) recounts Arrowsmith’s story and sets out her methodology.
Author and writing teacher Douglas Glover shares the finer points of the writing life, as well as a few exercises to get scribbling, in The Attack of the Copula Spiders and Other Essays on Writing (Biblioasis, $21.95 pa., April). • Thirty-three writers with ties to Vancouver’s Downtown Eastside, including Michael Turner, Madeleine Thien, and Wayde Compton, recast the maligned neighbourhood as a hub of creativity and humanity in V6A: Writing from Vancouver’s Downtown Eastside (Arsenal Pulp Press, $19.95 pa., April), edited by Elee Kraljii Gardiner and John Mikhail Asfour. • Edited by Kathy Page and Lynne Van Luven, In the Flesh: Twenty Writers Explore the Body (Brindle & Glass, $24.95 pa., April) contains essays by André Alexis, Trevor Cole, Lorna Crozier, Candace Fertile, Kate Pullinger, and Brian Brett that explore aging, illness, and insecurity through a specific body part.
FINE ART AND GRAPHICA
Canadian cities provide a rich source of inspiration for a number of fine art and non-fiction graphica titles this season. Dave Lapp combines new and previously published comics about encounters and conversations on the streets of Toronto in People Around Here (Conundrum Press, $17 pa., April), a follow-up to 2008’s Drop-in. • Toronto streets are brought to the fore in Full Frontal T.O. (Coach House Books, $24.95 pa., May), a chronicle of the Big Smoke’s ever-changing streetscapes by photographer Patrick Cummins and Stroll author Shawn Micallef. • Meanwhile, illustrator Michael Cho wanders Toronto’s backstreets for Back Alleys and Urban Landscapes (Drawn & Quarterly, $19.95 pa., May), a collection of vibrant illustrations of the city’s hidden streetscapes.
Heading West, Michael Kluckner’s Vanishing Vancouver: The Last 20 Years (Whitecap Books, $35 pa., April) updates the artist’s classic book of the same name two decades after its initial release. The new edition documents the city’s rapid development and features more than 200 images, including the author’s own watercolours and brush-and-ink drawings. • Rocky Mountain Books celebrates 100 years of the Calgary Stampede with Cowboy Wild ($39.95 cl., May), a photo book by David Campion chronicling a decade of the greatest show on earth, with text by Samantha Shields.
The latest from D&Q’s Petit Livre art book imprint is Idyll: Dream-filled Landscapes, Portraits, and Abstracts in Beautiful Detail ($19.95 cl., March) by Amber Albrecht. Inspired by the dreaminess of childhood, Albrecht’s paintings, screen prints, and drawings employ folklore and female iconography to address loneliness and loss.
Just in time for summer break, Thomas Allen Publishers will release Almost There: The Family Vacation Then and Now ($24.95 pa., May), Curtis Gillespie’s take on family travel. • A “good mommy” is as real as a unicorn or Bigfoot, argues Willow Yamauchi in Bad Mommy (Insomniac Press, $19.95 pa., April), which celebrates the kind of parenting that falls somewhere between Joan Crawford and June Cleaver.
Conservative commentator and Sun News Network host Michael Coren’s latest book, Heresy: Ten Lies They Spread About Christianity (Signal/M&S, $29.99 cl., April) picks up where 2011’s Why Catholics Are Right left off, challenging popular assumptions about Christianity regarding issues such as homophobia, sexism, and racism. • To commemorate the 50th anniversary of the Second Vatican Council, in which the Roman Catholic Church updated its practices for an increasingly secular world, Novalis will publish Vatican II: Fifty Years of Evolution and Revolution in the Catholic Church ($18.95 pa., May) by Margaret Lavin, associate professor at the University of Toronto’s Regis College.
The fine print: Q&Q’s spring preview covers books published between Jan. 1 and June 30, 2012. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have been listed in previous previews do not appear here.
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