All stories relating to CES
- Film director Werner Herzog to adapt DBC Pierre’s Vernon God Little
- Twitter to host its first fiction festival in November
- Short list for Dylan Thomas Prize announced
- The fourth Self-Publishing Book Expo to take place Oct. 27 in New York City
- James Tait Black Prize announces shortlist for Britain’s oldest literary award
- Cookbooks reach zenith in popularity
Shelagh Rogers’ multimedia Northwords project brings city-dwelling authors out of their comfort zone
Led by CBC Radio’s Shelagh Rogers, five urban Canadian authors spent a week writing and observing life in Northern Labrador. Northwords, a documentary that captures their experiences, is screening at IFOA, Oct. 20 at 2 p.m. The film will make its television debut Oct. 25, 10 p.m. ET on CBC’s documentary channel, and the radio documentary is available here.
This article appears in the November issue of Q&Q.
Many authors find the familiarity of daily rituals a necessary part of their practice. Take away the comforts of home, and the writing process can become even more of a challenge.
“I think that writers can be quite obsessive about their routines,” says Toronto’s Alissa York, author of three novels including 2010’s Fauna (Random House Canada). “Sometimes [with] travel that you don’t necessarily plan for, or that’s outside of what you normally do, you think, ‘How am I going to fit that with my life?’”
York posed herself that question when she was approached to participate in Northwords, a multimedia project instigated by CBC Radio’s Shelagh Rogers, host of The Next Chapter.
In August 2011, Rogers invited five writers – York, Sarah Leavitt, Noah Richler, Joseph Boyden, and Rabindranath Maharaj – to join her on an expedition to Torngat Mountains National Park in Northern Labrador. For one week, the authors traded the coziness of their homes and offices for tents and vast, rugged landscapes lashed by inclement weather. They participated in helicopter rides, interacted with Inuit elders, and witnessed caribou hunts and polar bears.
Adding to the sense of disruption was the fact that Rogers brought along a film crew, which captured the writers’ reactions to their unfamiliar surroundings. The resulting Northwords documentary, which airs Oct. 25 on CBC TV and had its premiere screening at the Eden Mills Literary Festival, won the best documentary prize at the Banff International Pilots Competition. Accompanying the film is an interactive website, an ebook published by House of Anansi Press, and an episode of The Next Chapter.
For York, the Northwords project changed the way she looks at Canada’s North.
“I’m looking at it as wilderness, and right beside me there’s someone looking at it thinking, ‘I grew up here,’” says York, referring to an Inuit elder who guided the writers through an ancestral village from which her people had been forcibly evacuated. “It’s just a question of shifting away from where we’re told the centre of life is and understanding that there [are] as many centres as there are lives.”
Maharaj, who lives in the Toronto suburb of Ajax, Ontario, was likewise moved by his Northern experience. The Trinidad-born author of the Trillium Book Award–winning novel The Amazing Absorbing Boy (Knopf Canada) recalls studying the geography of Northern Canada in his youth and being motivated to visit a place he’d only encountered in books.
“There was that kind of romantic idea of seeing things that I’d heard about or read about in the distant past,” says Maharaj. “There are some places that are so different from your own experience in every single way that it takes a while to process that, and sometimes the true significance and importance [comes] gradually, rather than some grand moment of clarity while you’re at the place.”
Leavitt, an artist and author of the graphic novel Tangles: A Story About Alzheimer’s, My Mother and Me (Freehand Books), felt a sense of reverence not just for the landscape and its people, but for the seasoned, well-known writers whose company she kept.
“I had one book and some shorter publications, but those guys all have multiple books and they have much higher profiles than I do,” says Leavitt, who credits the experience with boosting her confidence as a writer. “It was intimidating, but they’re all just really, really nice people. Just meeting people who are so dedicated to their writing and working on their craft was inspiring.”
While in Torngat, the five authors were required to write original stories and read them out loud to the group. Leavitt produced a series of illustrated, one-page vignettes. Maharaj’s short story followed his Absorbing Boy protagonist on a new adventure, while York’s story was spurred by thoughts of her brother. Richler riffed on the daunting waiver the writers were asked to sign before embarking on the trip, and Boyden wrote from the point of view of a polar bear.
The stories are included in the Northwords ebook, the first publication produced by Anansi’s new digital division. According to president and publisher Sarah MacLachlan, the stories, available as a collection or as digital singles, put an exclamation point on the project.
“I think if you go to the interactive [website] or you watch the movie, you get an idea of each of these writers and their response to the North, but the fun is in reading what they actually wrote all the way through,” she says.
Though he thinks the stories are all unique, Maharaj identifies a common element throughout his fellow travellers’ work. “What we wrote reflected that sense of uncertainty,” he says. “That sense of awe, that sense … of being in a place that may possess secrets or answers.”
Canzine, the country’s largest festival dedicated to zines and independent culture, happens this Sunday in Toronto (the Vancouver edition is scheduled for Nov. 17). Following the success of last year’s event, writer Jason Spencer spoke to several independent publishers about the importance of zine fairs to building readership. This article appeared in the Jan./Feb. issue of Q&Q.
Last October, publisher Beth Follett decided to try a new method of connecting with readers: she signed up her company, Pedlar Press, as a vendor at Canzine Toronto, a daylong celebration of indie culture presented by Broken Pencil magazine. Not knowing what to expect, Follett carefully arranged a selection of Pedlar titles on her display table just inside the front doors of the 918 Bathurst Centre, including ReLit Award winners Sweet by Dani Couture and Blood Relatives by Craig Francis Power. As hundreds of misfits, hipsters, and readers began crossing the threshold, she realized she had come to the right place.
“It’s very difficult these days to find an audience and reach new customers,” says Follett, who understands the need to build new alliances as more independent bookstores close down. “It’s very important for me to be here and not in some ivory tower, where only a slice of the populace knows about Canadian literature.”
With nearly 200 vendors, 2010’s Canzine was one of the biggest in its 15-year-plus history. Likewise, thousands of people showed up at Montreal’s Expozine, a two-day event held in November that celebrated its 10th anniversary in 2011. “What does this mean for small presses? It’s a motivation to keep publishing,” says organizer Louis Rastelli. He adds that attending alternative gatherings can be eye-opening for people in the established book industry. “If the industry doesn’t get involved in what the new generation is doing, similar to the music [business], they [will] have some catching up to do.”
For some small presses, zine fairs perform a similar function to book launches. “You can do direct sales, so it’s a little cash boost, especially around the holidays when the [printer’s] bills are coming in,” says Nic Boshart, co-publisher of Invisible Publishing, which has had a presence at recent gatherings in Toronto, Halifax, and Montreal. But for many, such events are not so much about sales as they are about building relationships with new readers. Brett Savory, co-publisher of ChiZine Publications, says he attended Canzine Toronto in the hopes of accumulating social-media followers and promoting the press’s monthly Chiaroscuro reading series. Boshart adds that zine fairs are a good place to scout talent and network with presses one wouldn’t otherwise meet.
Not only do zine fairs bring scores of cultural artifacts to the public, they also provide a venue for interesting side events. In an effort to trump the previous year’s Puppet Slam, Canzine organized the Typewriter Orchestra Room, a cacophonous installation featuring a dozen poets attempting to channel Shakespeare. Canzine also hosted more conventional readings from authors such as Jonah Campbell, who read from his essay collection Food and Trembling (Invisible), and Expozine welcomed author Jonathan Goldstein, host of CBC Radio’s WireTap.
Such inventive programming can be an opportunity for authors who don’t fit in elsewhere. “If you can’t get a reading, make your own show,” says first-time Canzine Toronto vendor and seasoned attendee Liz Worth, author of Treat Me Like Dirt: An Oral History of Punk in Toronto and Beyond (Bongo Beat/ECW Press) and the poetry collection Amphetamine Heart (Guernica Editions). “You really have to get creative and you have to push really hard.”
Still, publishers who want to succeed at zine fairs need to adapt in order to stand out. Given the number of exhibitors at Expozine – more than 270 – Rastelli recommends that publishers avoid selling titles at list price. “A lot of customers would like a bit of everything instead of spending all their money at one table, so we encourage people to have inexpensive books,” he says. “Even a publisher of perfect-bound books can produce a small zine worth $2, and at least if someone doesn’t buy a $20 book, they can go home with a sampler.” For her part, Follett, who plans to attend Canzine Toronto again in 2012, says she doesn’t advertise prices, in order to encourage discussion with interested readers.
Follett suggests potential vendors should think twice before dismissing zine fairs as lowbrow. “[T]here is a lot of ignorance, some of it willful, about who is producing art in Canada,” she says. “This is the ground where seeds are being planted for future excellence.”
Joseph Boyden’s writing interweaves the multifarious spirit of Canadian experiences by drawing upon a wealth of northern narratives. His first novel, Three Day Road (Penguin Canada), examines the trauma of the First World War through the story of two young Cree men, while his 2008 Scotiabank Giller Prize–winning novel Through Black Spruce (Viking Canada) questions the death of tradition in First Nations communities. Now, Boyden’s new novel, The Orenda, to be published by Hamish Hamilton Canada, takes a further look back into Canada’s formative years.
The Orenda opens in the 1630s with the kidnapping of a gifted Iroquois child, and the arrival of a charming Jesuit missionary, who interposes himself into the native community, in order to lead them onto the path of Christ.
Boyden’s long-time editor Nicole Winstanley, president and publisher of Penguin Canada, acquired the book. In a press release she says:
History is often portrayed in fiction in soft-light and sepia-tones … With The Orenda, Joseph brings a vivid immediacy to the violent collision of social, political, and spiritual forces that forged the beginnings of our country.
Publication is planned for September 2013.
Less than 24 hours into a September business trip to New York City, three people had already asked Iris Tupholme the same question: how could they land an invitation to the International Visitors (IV) Programme? In truth, the guest list is chosen collectively by a committee, which Tupholme chairs, but that fact didn’t stop her peers from trying to wrangle a spot in what has become one of the industry’s most coveted networking events.
Launched in 2008, the five-day IV Programme runs in conjunction with the International Festival of Authors at Toronto’s Harbourfront Centre, which kicked off its 2012 edition on Oct. 18. Participants arrive on the first Sunday of the festival and spend the following week attending publisher-hosted breakfast and lunch meetings, touring bookstores and literary agencies, taking in festival readings, participating in pitch meetings, and attending presentations. It’s a fast-paced symposium that immerses visitors in the Canadian publishing industry and, ideally, sends them home with a list of promising Canadian authors and attractive foreign-rights opportunities.
“Five years ago, we started it with the goal of bringing a small group of editors and publishers and an occasional agent or literary scout to Toronto for a series of meetings with colleagues, and attending readings by our Canadian authors and others,” says Tupholme, the vice-president, publisher, and editor-in-chief at HarperCollins Canada. “It has blossomed from there.”
Tupholme first approached IFOA director Geoffrey Taylor about creating the IV Programme in 2005, after attending the Visiting International Publishers program in Sydney, Australia. Creating an IFOA-related networking event was already in the festival “job jar,” says Taylor, so the pair began developing a program designed for publishing professionals in mid-career who might not be able to attend major international book fairs in Frankfurt or London.
But right from the beginning, says Taylor, “everyone wanted to be a part of it at a much more senior level.” The program also fills the annual networking gap created when Reed Exhibitions announced the permanent cancellation of BookExpo Canada in 2009.
Funding for the IV Programme comes primarily from the Ontario Media Development Corporation, with the balance covered by the Department of Canadian Heritage, Authors at Harbourfront Centre, individual publishers (who might sponsor a party or event), and foreign arts councils or funding bodies affiliated with program participants. The program pays for airfare, accommodation, meals, and ground transportation for all “fellows,” while “distinguished guests” (such as agents) cover their own travel costs.
“The exact mechanics vary from year to year,” says Taylor, who emphasizes that the distinction is purely financial. All invited guests participate equally in the week’s events.
While organizers can’t quantify the number of deals and foreign-rights sales that have resulted directly from the program, most alumni confirm that they have, indeed, discovered Canadian talent in Toronto.
Ziv Lewis, foreign-rights manager for Israel’s Kinneret Zmora-Bitan Dvir Publishing, learned about Deborah Willis’s Vanishing and Other Stories (Penguin Canada) during the 2010 IV Programme and recently published a Hebrew translation. Lewis also met Andrew Kaufman in Toronto, and Kinneret will release an Israeli edition of Kaufman’s second novel, The Waterproof Bible (Random House Canada), in early 2013.
Likewise, London-based literary scout Rosalind Ramsay learned about Katrina Onstad’s novel Everybody Has Everything (McClelland & Stewart) during a 2011 visit to Westwood Creative Artists, and has since encouraged Netherlands publisher Artemis/Ambo Anthos to secure Dutch rights.
The cultural exchange can also happen in reverse. During the 2010 program, former Picador editor Sam Humphreys (now publisher at Penguin U.K. imprint Michael Joseph) introduced Coach House Books editorial director Alana Wilcox to Eye Lake, a novel by U.K.-based Canadian writer Tristan Hughes. After connecting with Humphreys in Toronto, Coach House bought Canadian rights and published the novel in October 2011.
Agent Gray Tan, president of the Grayhawk Agency in Taipei, sold The Man with the Compound Eyes by Taiwanese author Ming-Yi Wu to his fellow 2011 IV participant Lexy Bloom, a senior editor at the Knopf Doubleday Publishing Group in the U.S. Tan and Bloom became friends during the program, and two months later, Bloom bought Wu’s novel for the Vintage and Anchor imprints.
Perhaps most importantly, representatives from independent Canadian presses have a chance to rub shoulders with influential visitors during the IV Programme. Alumnus Aram Fox, a New York City literary scout, introduced Coach House’s Wilcox to more than a dozen publishers at the 2010 Frankfurt Book Fair after the pair connected in Toronto. “Scouts aren’t that excited to see smaller presses,” says Wilcox, “but [Fox] was open, has the greatest contacts, and arranged the meetings.”
Many alumni agree that running IV during the festival gives the event a cozy atmosphere often lacking on a trade-show floor. The intensive schedule also encourages long-lasting bonds. “It’s something completely different from meetings at book fairs,” says Tan, who represents The Cooke Agency, Random House of Canada, McClelland & Stewart, and the Beverley Slopen Literary Agency in the Chinese market. “Sure, we would still love to do business with each other, but the priority is simply to make friends and exchange ideas and experiences.”
“A huge amount of trust and goodwill is generated, and I imagine that many Canadian authors have benefited indirectly as a result of that goodwill,” says Nick Barley, director of the Edinburgh International Book Festival. In addition to Barley, directors from some of the world’s leading authors’ festivals – including the Melbourne Writers Festival, Beijing’s Bookworm International Literary Festival, and the International Literature Festival Berlin – have participated in the IV Programme, and in 2010, the five festivals formed a unique partnership known as the Word Alliance.
Organizers say they don’t plan to expand the number of fellowships available in future years. The current group size of roughly 20 participants – including both fellows and distinguished guests – ensures each visitor has a meaningful experience, says Taylor. The 2012 IV Programme, however, saw the addition of a Canadian editorial fellowship (awarded to Trena White, publisher of Douglas & McIntyre) and a new industry prize known as the Ivy Award. The committee also hopes to create events for the growing list of program alumni and institute a juried IV application form to replace what’s currently a more subjective selection process.
Alumni suggestions for improving the program are strikingly minimal. “I hope the ‘speed date’ part of quick meetings with Canadian publishers and agents can be modified according to the needs of each IV [participant],” says Tan. “Otherwise 10 minutes is just too short.” Barley says the focus on meetings and socializing comes somewhat at the expense of attending literary events, but he adds, “This is a very minor quibble. The organization of the IV Programme is 99 per cent right.”
Overall, past participants have nothing but praise for the event – including the annual field trip to Niagara Falls. Many souvenir photos are snapped while these literary VIPs sport the requisite yellow ponchos. Visiting the landmark site is also one of the most relaxed moments in an otherwise demanding week. “You make people get up really early in the morning, you pour them onto a bus when they’re barely awake, they suddenly arrive somewhere and they get soaking wet,” says Taylor. “What’s not to love about that?”
Canadian literary organization CODE has announced a new award for works of YA fiction by native authors in Canada.
Established in collaboration with philanthropist William Burt and the Literary Prizes Foundation, the Burt Award for First Nations, Métis and Inuit Literature is modelled after the Burt Award for African Literature, a YA prize that has been in existence since 2008.
The inaugural annual award will be presented to three English-language YA books, with a prize of $12,000 for the winning author (and translator, where applicable). Two runners-up will receive $8,000 and $5,000, respectively, and publishers of the winning titles will be awarded a guaranteed purchase of 2,500 copies to ensure communities have access to the books.
The Canada Council for the Arts will administer the Burt Award jury process. Submissions are now open and will be accepted until May 1, 2013.
In the July/August issue, Q&Q looks ahead at some of the fall season’s new books. Click on the slideshow to see some of Q&Q’s most-anticipated Canadian fiction, non-fiction, children’s books, and international titles.
Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2012. • All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have been listed in previous previews do not appear here.
Canadians can celebrate the fusion of fiction and poetry with history, science, and other art forms at events across the country this weekend, featured on Q&Q’s events calendar:
Experience 1912 – from vaudeville to horse-and-buggie rides – at the Sunshine City Festival from Aug. 17–19 in Orillia, Ontario. The city will commemorate the 100th anniversary of Stephen Leacock’s Sunshine Sketches of a Little Town at Couchiching Beach Park.
Speaking of sunshine, Canada’s longest-running summer literary gathering, the Sunshine Coast Festival of the Written Arts, takes place Aug. 16–19 in Sechelt, B.C. This year, the festival plays host to the world premiere of Northwords, a documentary about a literary expedition through Northern Labrador. Camilla Gibb, Ami McKay, and Douglas Gibson are set to appear.
For those who like poetry against the backdrop of nature, Marlene Creates’ Boreal Poetry Garden event on Aug. 18 may be time well spent. The artist gives a tour of her home in Portugal Cove-St. Philips, Newfoundland – complete with readings of site-specific poems, commentary by geologist Paul Dean, and a performance by Don McKay. Pre-registration is required.
The People’s Poetry Festival launches in Calgary this weekend, and there’s no shortage of poetry, spoken word, visual arts, and various other workshops on the itinerary. The free event begins Aug. 17 and runs until Aug. 19.
Artists from the Italian-Canadian community will gather in Sarnia, Ontario for a Book and Biscotti event on Aug. 19. Drop in to the Dante Club for readings, music, and discussion about Italian-Canadian internment, featuring Jim Zucchero, Delia De Santis, Venera Fazio, Norma West Linder, James Deahl, Di Cocco, and Elena Feick.
The Fish Quill Poetry Boat Tour makes several stops along the Grand River this weekend before coming to a halt on Aug. 19 at the Chiefswood Museum in Oshweken, Ontario. The closing ceremony features special guests Shelley Clark, Dawn, and Marra, who will help mark the end of a 10-day canoe tour comprised of poets Moez Surani, Kevin MacPherson Eckhoff, Leigh Kotsilidis, Linda Besner, and Darryl Whetter, and Toronto musician Jack Marks. Don’t miss out on the last chance to catch scheduled performances, outlined on the festival itinerary. Plus, check out Q&Q‘s events calendar for more of this weekend’s literary gatherings.
Want to add an event to Q&Q’s calendar? Send your literary event listings to Quill & Quire. Please include the event name, date, time, location, cost, and a brief description.
The season of high-profile literary awards and author festivals is on its way, and there’s no shortage of new releases from marquee names. In the July/August issue, Q&Q looks ahead at some of the fall’s biggest books.
In 2009, police discovered a car in the Rideau Canal just outside of Kingston, Ontario. The car contained the bodies of three sisters – Zainab, Sahar, and Geeti Shafia – and 50-year-old Rona Amir Mohammad. Authorities later arrested the girls’ father, brother, and mother, all of whom were convicted of first-degree murder for their roles in the honour killings. Paul Schliesmann’s Honour on Trial (Fitzhenry & Whiteside, $19.95 pa., Oct.) examines the facts behind the case that horrified Canadians.
BUSINESS & FINANCE
He’s been a dragon in his den and gone to prison for his reality-television show, Redemption Inc. Now, Kevin O’Leary, businessman, pundit, and author of the hybrid memoir/business guide Cold Hard Truth, returns with The Cold Hard Truth about Men, Women and Money (Doubleday Canada, $29.95 cl., Dec.), a guide to avoiding common financial mistakes. • O’Leary’s left-leaning opponent on CBC’s The Lang and O’Leary Exchange, Amanda Lang, has a leadership book out this season. The Power of Why: Simple Questions that Lead to Success (HarperCollins Canada, $33.99 cl., Oct.) postulates that asking the right questions leads to increased productivity.
SCIENCE & TECHNOLOGY
From the internal combustion engine and cold fusion to the Internet and the artificial heart, all scientific discoveries and technological advancements are the product of human ingenuity. In the 2012 CBC Massey Lectures, Neil Turok argues that science represents humanity’s best hope for progress and peace. The Universe Within: From Quantum to Cosmos (House of Anansi Press, $19.95 pa.) appears in September. • Terence Dickinson is editor of the Canadian astronomy magazine Sky News and author of the bestseller NightWatch: A Practical Guide to Viewing the Universe. His new book, Hubble’s Universe: Greatest Discoveries and Images (Firefly Books, $49.95 cl., Sept.), is a visually sumptuous compendium of images from the Hubble Space Telescope.
CULTURE & CRITICISM
Novelist and short-story writer Thomas King, who was also the first native person to deliver the prestigious CBC Massey Lectures, has long been a committed advocate for native rights. In The Inconvenient Indian: A Curious Account of Native People in North America (Doubleday Canada, $34.95 cl., Nov.), King examines the way European settlers and natives have viewed each other via pop culture, treaties, and legislation. • Poet and critic Kathleen McConnell explores the portrayal of women in pop culture through the ages in Pain, Porn and Complicity: Women Heroes from Pygmalion to Twilight (Wolsak & Wynn, $19 pa., Nov.).
In A Civil Tongue, philosophy professor and public intellectual Mark Kingwell predicted the devolution of political discourse into a schoolyard-like shouting match. His new collection, Unruly Voices: Essays on Democracy, Civility, and the Human Imagination (Biblioasis, $21.95 pa., Sept.), is about how incivility and bad behaviour prevent us from achieving the kind of society we desire.
Poet, publisher, and critic Carmine Starnino turns his incisive and cutting attention to CanLit in his new collection of essays, Lazy Bastardism (Gaspereau Press, Sept.). • James Pollock believes that Canadian poetry lacks an authentic relationship with poetry from the rest of the world. His new book, You Are Here: Essays on the Art of Poetry in Canada (The Porcupine’s Quill, $22.95 pa., Nov.), attempts to situate Canadian poetry in a global context, through examinations of the work of writers such as Anne Carson, Eric Ormsby, and Karen Solie.
A new anthology from Women’s Press brings together essays addressing specific concerns of LGBT communities and individuals across the country. Edited by Maureen FitzGerald and Scott Rayter, Queerly Canadian: An Introductory Reader in Sexuality Studies ($64.95 pa., Sept.) takes up issues of education, law, and religion, among others. • For a brief moment in the 1960s, Montreal became a hotbed of Civil Rights activism, radically challenging traditional conceptions of racial hierarchies. The 1968 Congress of Black Writers included activists and spokespeople such as Stokely Carmichael, C.L.R. James, and Harry Edwards. David Austin chronicles this important gathering in Fear of a Black Nation: Race, Sex, and Security in Sixties Montreal (Between the Lines, $24.95 pa., Nov.).
Belles Lettres (McArthur & Company, $29.95 pa., Nov.) is a collection of postcards from authors such as Baudelaire, Flaubert, Proust, and Charlotte Brontë, collated and annotated by Greg Gatenby, the founding artistic director of Toronto’s International
Festival of Authors. • In The Other Side of Midnight: Taxi Cab Stories (Creative Book Publishing, $19.95 pa., Oct.), writer and anthologist Mike Heffernan chronicles the experiences of St. John’s cab drivers and their clients.
In the years following Liz Worth’s Treat Me Like Dirt, the market for books about the Canadian punk music scene has been as frenzied as the audience at a Fucked Up concert. In Perfect Youth: The Birth of Canadian Punk, (ECW, $22.95 pa., Oct.), Sam Sutherland looks at the historical context for Canadian punk progenitors such as D.O.A., the Viletones, and Teenage Head. • One early Canadian punk band – Victoria’s NoMeansNo – is the subject of the latest book in the Bibliophonic series from Invisible Publishing. NoMeansNo: Going Nowhere ($12.95 pa.), by Halifax author Mark Black, is due out in October.
Marc Strange, who died in May, was known for mystery novels such as Body Blows and Follow Me Down. He was also the co-creator (with L.S. Strange) of the seminal Canadian television series The Beachcombers. Bruno and the Beach: The Beachcombers at 40 (Harbour Publishing, $26.95 pa., Sept.), co-written with Jackson Davies, the actor who played Constable John Constable in the series, chronicles the iconic show and its equally iconic lead actor.
Since its release in 1971, Ken Russell’s notoriously blasphemous film, The Devils, has been the subject of heavy censorship in both the U.S. and the U.K. Canadian film scholar Richard Crouse examines the history of this cult classic in Raising Hell: Ken Russell and the Unmaking of The Devils (ECW, $19.95 pa., Oct.), which includes an interview with the film’s director, who died in 2011.
Former model and current stay-at-home mom Kelly Oxford has found her largest measure of fame as a result of her sarcastic Twitter feed (@kellyoxford), which features such Oscar Wildean witticisms as “IDEA: ‘Bless This Mess’ novelty period panties” and “Some parents in China get their kids to work in factories and I can’t get my kid to pass me some Twizzlers.” The essays in Everything’s Perfect When You’re a Liar (HarperCollins Canada, $24.99 cl., Sept.) promise more of the same. • If you prefer your humour with a larger dollop of political satire, you’ll be pleased to know that Rick Mercer has a collection of brand new rants on the way. A Nation Worth Ranting About (Doubleday Canada, $29.95 cl., Oct.) includes the author’s description of bungee jumping with Rick Hansen, and a more serious piece about Jamie Hubley, a gay teen who committed suicide after being bullied.
If you want to know whether you might be a redneck, ask Jeff Foxworthy. If you want to know whether you might be a native of Saskatchewan, check your birth certificate or consult the new book from author Carson Demmans and illustrator Jason Sylvestre. You Might Be from Saskatchewan If … (MacIntyre Purcell/Canadian Manda Group, $12.95 pa.) appears in September.
FOOD & DRINK
Rob Feenie is the latest Food Network Canada celebrity chef with a new cookbook. The host of New Classics with Chef Rob Feenie, who famously defeated Masaharu Morimoto on Iron Chef America, offers innovative approaches to classic, family-friendly fare in Rob Feenie’s Casual Classics: Everyday Recipes for Family and Friends (D&M, $29.95 pa., Sept.). The recipes have undergone stringent quality control, each one having been approved by Feenie’s children, aged 3, 6, and 7.
Camilla V. Saulsbury’s 500 Best Quinoa Recipes: Using Nature’s Superfood for Gluten-free Breakfasts, Mains, Desserts and More (Robert Rose, $27.95 pa., Oct.) provides more healthy recipes based on the reigning superstar ingredient. • Aaron Ash, founder of Gorilla Food, a Vancouver restaurant that features vegan, organic, and raw cuisine, has achieved popularity among celebrity fans including Woody Harrelson and Katie Holmes. His new book, Gorilla Food: Living and Eating Organic, Vegan, and Raw (Arsenal Pulp, $24.95 pa., Oct.), collects 150 recipes, all of which are made without a heat source.
Rocker Dave Bidini returns to his other passion – hockey – in A Wild Stab for It: This Is Game Eight from Russia (ECW, $22.95 cl., Sept.), in which the author talks to various Canadians about the influence of the 1972 Canada-Russia Summit Series. The release of the book is timed to coincide with the 40th anniversary of the iconic series. • The man who made that series so memorable also has a book out this fall. Co-written with sports commentator Roger Lajoie, The Goal of My Life (Fenn/M&S, $32.99 cl., Sept.) traces Paul Henderson’s route through the OHL and the NHL, on his way to scoring “the goal of the century.”
To commemorate the 100th anniversary of the Grey Cup, ex–CFL quarterback and coach Frank Cosentino has penned the appropriately titled The Grey Cup 100th Anniversary (McArthur & Company, $29.95 pa., Oct.). • Crime fiction writer Michael Januska offers his own take on 100 years of Canadian football history in Grey Cup Century (Dundurn, $14.99 pa., Sept.).
Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2012. • All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have been listed in previous previews do not appear here.
For the third year in a row, Linda Besner and Leigh Kotsilidis will lead a group of poets and one musician on a canoe tour down the Grand River in Southwestern Ontario. The lineup for this year’s Fish Quill Poetry Boat Tour includes Kevin McPherson Eckhoff, Moez Surani, Darryl Whetter, and singer-songwriter Jack Marks.
The 10-day, three-canoe author tour launches on Aug. 9 in Toronto, with readings scheduled in Elora, West Montrose, Bridgeport, Cambridge, Paris, Brantford, and Ohsweken, plus a campfire poetry night at Brant Conservation Area.
Besner spoke with Quillblog about the challenges and rewards of marrying poetry with paddling.
What can people expect from your tour?
The towns we’ve chosen to go through often don’t get a lot of [author] tours going through. Like West Montrose, where we’ll read next to Kissing Bridge, the only remaining covered bridge in Ontario.
Because we’re coming by canoe there’s a kind of informal air to the proceedings. Once you get up there in your canoeing clothes and you’re sunburnt and mosquito-bitten, you’ve been paddling through people’s back yards, we’ve already got something to talk about with [the audience].
The people who come out for it aren’t always necessarily the kind of people who come to poetry readings. But because somebody is making the effort to come to them, and doing it in a way that has a connection to the place, people come out.
People come and talk to us after. Last year, this woman came up with her daughter and husband. She told us she had had a boyfriend who wrote her this poem. “I still have it memorized. Do you want to hear it?” she said. And of course I did want to hear this poem. She recited it by heart. Her daughter was like, “Mom, you never told me this story.” Her mom said, “Well, it never came up.”
What’s different this time around?
Last year, most people knew at least one other person on the trip well.
This year there are a couple of people I haven’t met at all – Darryl Whetter is coming up from Nova Scotia, and I haven’t met Kevin McPherson Eckhoff, or Jack Marks.
How did the trip go last year? Can you describe what it was like for you?
The organizing had been so stressful that I was actually surprised and pleased by how smoothly everything wound up going. Once you’re out on the water, once everybody’s together, I feel like it really brings out people’s teamwork skills. Everybody was nice to each other and took care of each other. On that river, because it’s so shallow and rocky, the person in front really has to call to the person in back to tell them what to do to find a channel through the rocks that won’t tip you.
For a lot of us, because we live in the city, it’s not often that we’re able to be out in the country for so long and spend days on the river. You spend day after day in the canoe and then when you’re going to sleep, you have this hallucinatory sense that you’re still moving from side to side and following the bends of the river. It really gets a physical grip on you.
What are some of the highlights of paddling through a community rather than embarking on a more traditional tour?
We link up with a lot of local organizations and try to incorporate local talent. We invite guest performers to join us at each location. Last year, we had Shelley Clark from the Six Nations of the Grand River community read with us, and she’ll read again this year.
One of the coolest places we’ll be going back to this year is our final stop at Chiefswood National Historic Site, which is the birth place of E. Pauline Johnson. She was sort of the first Mohawk poet in Canada to be taken seriously. Her house is still standing [as a museum] in the Six Nations’ territory. Going out there, learning about its history, getting to know the curator and the volunteers is amazing. You really do see how vibrant the culture is.
What kind of fundraising have you undertaken to cover the trip?
We do this trip on such a shoestring budget. We grocery shop and cook [at camp] as a group. We have gotten all of our camping sponsored by the Grand River Conservation Authority, which manages the campsites we’ll be staying on.
We have another really wonderful sponsor, Treks in the Wild. They’re a canoe company in Paris, Ontario, and they’re really who make this trip possible. They lend us the canoes and waterproof barrels for our merch for free, they shuttle us around, they come and get us when our campsite is too far from our reading venue for us to walk.
We’ve also been given some funding from our publishers: Véhicule Press, Coach House Books, Wolsak & Wynn, Palimpsest Press, and Brick Books.