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Have “social” updates ruined the Kobo app?

It’s no secret that Kobo, the e-reading company formerly owned by Indigo Books & Music, is betting big on the “social in-book e-reading experience” to set it apart from competitors such as Amazon’s Kindle and Apple’s iBookstore.

Kobo made this much clear with the September launch of Kobo Pulse, a package of updates that effectively integrated social media within the company’s e-reader. The new features permit users to connect with other readers online, comment on an ebook’s content, view statistics about a title’s popularity, and post reading updates and passages to Facebook, among other functions. The new capabilities are in addition to Kobo’s long-established Reading Life program.

It seems, though, for some Kobo diehards, the updates have gone too far.

Just a year after naming Kobo’s e-reading iPad app the best on the market, digital publishing and tech blogger Chris Walters has come out swinging against it. In a post on his website, Walters says that, while he used to believe the Kobo app “ahead of the curve,” he now avoids using it altogether. Noting that the changes came about in response to restrictions against in-app purchases Apple began implementing last year, Walters says Kobo’s unrelenting attempts to make e-reading fun and connected have missed the mark and made the app unpleasant to use.

Regardless of whether or not users find the social features cumbersome, Walters’ main complaint is levelled against Kobo’s increasingly aggressive sales tactics. Now when the app is launched, it opens to a page of recommended reads that takes up much of the display screen. Moreover, Walters points out that when you do opt to make a purchase, the process has become much more time consuming and involves multiple website redirections.

Walters ends his post by putting these changes in context. From Booksprung:

Part of me wonders if this is the first sign of the New Face of Kobo, now that it’s been bought up by Rakuten. Software updates don’t happen overnight, so this was likely something Kobo had in the works for a while. Rakuten surely had enough time to kill this update but chose to release it anyway, which is a good sign that this is the way things will work with Kobo from now on. Who knows? By the time summer comes around the Kobo iOS app may be nothing but an impenetrable billboard of book samples, Facebook alerts, infographics, help screens, pop-up windows, slide-out sheets, and “share this” badges.

Has Kobo’s e-reading app gone too far, or are we asking too much of retail-based companies? What can Kobo do to win back Walters and other disgruntled readers?

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Apple shakes up textbook publishing

Rumours of Apple’s entry into the digital textbook market were confirmed this morning with the announcement of iBooks 2.

The latest version of Apple’s e-reading platform focuses on media-rich, interactive digital textbooks designed for the iPad. Education publishers McGraw-Hill, Pearson, and Houghton Mifflin Harcourt – which comprise approximately 90 per cent of U.S. textbook market sales – have signed on as the first content partners.

But it’s not just international corporations that will have the capability to produce and sell e-textbook content. Apple also announced iBooks Author, a free DIY ebook app that has been compared to GarageBand, Apple’s audio-editing software that has made digital recording and sound engineering accessible to independent musicians and podcast producers.

“Education is deep in our DNA,” said Philip Schiller, Apple’s senior vice-president of world-wide marketing, at a launch event at the Guggenheim Museum in New York City. Schiller also noted that education institutions already use “more than 1.5 million iPads and have access to more than 20,000 education apps,” according to the Wall Street Journal.

Apple’s move into education isn’t all about the children. If a publisher wants to take advantage of the platform, it has to sign an exclusivity contract with Apple, and keep textbook prices at $14.99 or less (of which Apple takes its customary 30 per cent cut). While the lower price is great for students, there is the upfront cost of purchasing an iPad. And as tech website Engadget points out, with all the interactive graphics and video, the first released e-textbooks take up anywhere from 800MB to 2.77GB of memory, which means it won’t take much to fill a low-end 16GB tablet. Also, what happens when the classroom iPad breaks?

Reaction from Twitter users has been mixed:

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Is Apple studying the e-textbook market?

An Apple event scheduled for Jan. 19 has insiders speculating the technology giant will announce its entrance into the e-textbook market.

In advance of the education-themed event, tech website betanews.com compiled a list of Apple’s potential U.S. competitors, which includes Amazon’s e-textbook rental program and online distributor CourseSmart.

Condé Nast tech website Ars Technica suggests Apple isn’t interested in becoming a content provider, but will announce production tools that will allow anyone to publish interactive e-books for distribution on Apple devices like the iPhone and iPad.

Last week, eBound Canada, the digital arm of the Association of Canadian Publishers, announced a partnership with Follett Canada that would give elementary and secondary schools greater access to titles by independent Canadian publishers.

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Book links roundup: Apple to ship iPad 3 in March; rare Audubon to go for $10 million, and more

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Book links roundup: 2011 Canadian bestsellers, Apple self-publishing rumours, and more

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Booksellers’ picks of the year: international non-fiction

Canadian booksellers contacted by Q&Q say 2011 has been an especially strong year for international history and biography, with one book clearly taking the lead.

“The huge one would be the Steve Jobs title,” says Colin Holt, manager of Bolen Books in Victoria. Steve Jobs, Walter Isaacson’s biography of Apple’s late co-founder and CEO, had its publication date moved up from 2012 after Jobs’s death in October. Indigo, Chapters, and Coles stores opened early on Oct. 24, the book’s release date, so Canadians could get their hands on a copy right away. Steve Jobs has since become a #1 bestseller.

In Toronto, Book City branches have already seen high sales of U.K.-born historian Niall Ferguson’s latest title, Civilization: The West and the Rest, a follow-up to Ferguson’s 2009 bestseller, The Ascent of Money: A Financial History of the World.

At Nicholas Hoare’s Toronto location, books with buzz include Rome: A Cultural, Visual, and Personal History by Australian art critic Robert Hughes and Jerusalem: The Biography by British writer Simon Sebag Montefiore. Fiona McCarthy’s The Last Pre-Raphaelite, a biography of artist Edward Burne-Jones, and Franny Moyle’s Constance, chronicling the “tragic and scandalous” life of Oscar Wilde’s wife, are also top sellers.

Outside of history and biography, booksellers also pointed to Gully Wells’s memoir, The House in France, and Arguably, an essay collection by British-American writer Christopher Hitchens.

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“Giller effect” boosts e-book sales of Half-Blood Blues

The so-called “Scotiabank Giller Prize effect”  is already helping e-book numbers for Esi Edugyan’s Half-Blood Blues (Thomas Allen Publishers).

Yesterday, Half-Blood Blues was listed 3,376 on Amazon’s bestsellers list for Kindle e-books. As of noon Wednesday, the book had risen to 360, a significant increase in sales overnight. In the Apple iBookstore, it is the third top-seller, just below the e-book and enhanced e-book versions of Stephen King’s 11/22/63. Patrick deWitt’s The Sisters Brothers (House of Anansi Press) is the only other Giller Prize finalist in the iBookstore’s top 10, at number five.

Giller finalist Michael Ondaatje’s The Cat’s Table (McClelland & Stewart) is the fifth best-selling e-book at Kobo, the only e-commerce site that is prominently merchandising Half-Blood Blues as the Giller winner.

Ondaatje’s book is also the top-seller in the new Canadian Google eBookstore, which launched last week. As part of its roll-out strategy, Google tailored the store for a Canadian audience, dedicating a section on its homepage for the Giller shortlist, however, Half-Blood Blues is conspicuously absent. According to David Glover, Thomas Allen’s marketing manager, the publisher is working with Google, and the title will be available soon.

Prices for the e-books also vary between websites. At the high end, Half-Blood Blues is available in the Apple iBookstore for $20.99. Kobo is carrying the e-book for $15.49, and Amazon, $9.60.

(Photo by Tom Sandler, courtesy of the Writers’ Trust)

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Ontario Library Association announces Forest of Reading award shortlists

The Ontario Library Association has announced its shortlists for its 2012 Forest of Reading program. The winners, as chosen by Ontario school children, will be announced during the Forest of Reading Festival, May 15–16, 2012.

Here are the English-language nominees:

Blue Spruce (Grades K–2)

  • A Flock of Shoes, Sarah Tsiang; Qin Leng, illus. (Annick Press)
  • Giraffe and Bird, Rebecca Bender (Dancing Cat Books)
  • Kiss Me! (I’m a Prince!), Heather McLeod; Brooke Kerrigan, illus. (Fitzhenry & Whiteside)
  • The Little Hummingbird, Michael Nicoll Yahgulanaas (Greystone Books)
  • Making the Moose Out of Life, Nicholas Oldland (Kids Can Press)
  • Noni Says No, Heather Hartt-Sussman; Geneviève Côté, illus. (Tundra Books)
  • One Hockey Night, David Ward; Brian Deines, illus. (North Winds Press)
  • Rosyln Rutabaga and the Biggest Hole on Earth!, Marie-Louise Gay (Groundwood Books)
  • Small Saul, Ashley Spires (Kids Can)
  • Stanley’s Little Sister, Linda Bailey and Bill Slavin, illus. (Kids Can)

Silver Birch Fiction (Grades 3–6)

  • Better Than Weird, Anna Kerz (Orca Book Publishers)
  • Crossing to Freedom, Virginia Frances Schwartz (Scholastic Canada)
  • Ghost Messages, Jacqueline Guest (Coteau Books)
  • Ghosts of the Titanic, Julie Lawson (Scholastic Canada)
  • The Glory Wind, Valerie Sherrard (Fitzhenry & Whiteside)
  • The McGuillicuddy Book of Personal Records, Colleen Sydor (Red Deer Press)
  • Milo: Sticky Notes and Brain Freeze, Alan Silberberg (Simon & Schuster)
  • Neil Flambé and the Aztec Abduction, Kevin Sylvester (Simon and Schuster/HarperCollins Canada)
  • That Boy Red, Rachna Gilmore (Simon and Schuster/HarperCollins Canada)
  • Undergrounders, David Skuy (Scholastic Canada)

Silver Birch Non-fiction (Grades 3–6)

  • 50 Poisonous Questions: A Book With Bite, Tanya Lloyd Kyi; Ross Kinnaird, illus. (Annick)
  • Africans Thought of It: Amazing Innovations, Bathseba Opini; Richard B. Lee (Annick)
  • Animals That Changed the World, Keltie Thomas (Annick)
  • Case Closed? Nine Mysteries Unlocked by Modern Science, Susan Hughes; Michael Wandelmaier, illus. (Kids Can)
  • Don’t Touch That Toad & Other Strange Things Adults Tell You, Catherine Rondina; Kevin Sylvester, illus. (Kids Can)
  • Game Day: Meet the People Who Make It Happen, Kevin Sylvester (Annick)
  • Highway of Heroes, Kathy Stinson (Fitzhenry & Whiteside)
  • Mathemagic! Number Tricks, Lynda Colgan; Jane Kurisu, illus. (Kids Can)
  • Totally Human: Why We Look and Act the Way We Do, Cynthia Pratt Nicolson;Dianne Eastman, illus. (Kids Can)
  • Who Wants Pizza? The Kids’ Guide to the History, Science & Culture of Food, Jan Thornhill (Maple Tree Press)

Silver Birch Express (Grades 3–6)

  • All Aboard! Elijah McCoy’s Steam Engine, Monica Kulling; Bill Slavin, illus. (Tundra)
  • Banjo of Destiny, Cary Fagan; Selçuk Demirel, illus. (Groundwood)
  • Canadian Railroad Trilogy, Gordon Lightfoot; Ian Wallace, illus. (Groundwood)
  • The Gargoyle Overhead, Philippa Dowding (Napoleon & Company)
  • The Last Loon, Rebecca Upjohn (Orca)
  • Our Earth: How Kids are Saving the Planet, Janet Wilson (Second Story Press)
  • Saving Arm Pit, Natalie Hyde (Fitzhenry & Whiteside)
  • The Time Time Stopped, Don Gillmor (Scholastic Canada)
  • Uumajut: Learn About Arctic Wildlife! Simon Awa; Anna Ziegler; Stephanie McDonald; Leah Otak, trans.; Romi Caron, illus. (Inhabit Media)
  • When Apples Grew Noses and White Horses Flew: Tales of Ti-Jean, Jan Andrews; Dušan Petričić, illus. (Groundwood)

Red Maple (Grades 7-8)

  • Dear George Clooney: Please Marry My Mom, Susin Nielsen (Tundra)
  • Dust City, Robert Paul Weston (Puffin Canada)
  • Fanatics, William Bell (Doubleday Canada)
  • Fly Boy, Eric Walters (Puffin canada)
  • Half Brother, Kenneth Oppel (HarperCollins Canada)
  • Haunting Violet, Alyxandra Harvey (Bloomsbury)
  • Home Truths, Jill MacLean (Dancing Cat)
  • No Safe Place, Deborah Ellis (Groundwood)
  • Thunder Over Kandahar, Sharon E. McKay; Rafal Gerszak, photog. (Annick)
  • Torn from Troy, Patrick Bowman (Ronsdale Press)

White Pine Fiction (Grades 9–12)

  • Ashes, Ashes, Jo Treggiari (Scholastic Canada)
  • Beat the Band, Don Calame (Candlewick Press)
  • Blood Red Road, Moira Young (Doubleday)
  • Chance to Dance for You, Gail Sidonie Sobat (Great Plains Publications)
  • Death Benefits, Sarah N. Harvey (Orca)
  • The Fifth Rule, Don Aker (HarperCollins Canada)
  • The Gathering, Kelley Armstrong (Doubleday Canada)
  • Motorcycles & Sweetgrass, Drew Hayden Taylor (Vintage Canada)
  • Something Wicked, Lesley Anne Cowan (Puffin Canada)
  • The Way It Is, Donalda Reid (Second Story)

White Pine Non-fiction (Grades 9–12)

  • The Book of Awesome, Neil Pasricha (Penguin)
  • Call Me Russell, Russell Peters (Doubleday Canada)
  • Wars: An Illustrated History, Jonathan Webb; J.L. Granatstein, illus. (Scholastic)
  • Hockey Now! Mike Leonetti (Firefly Books)
  • I.D.: Stuff that Happens to Define Us, Kate Scowen; Peter Mitchell, illus. (Annick)
  • Kick the Fossil Fuel Habit: 10 Clean Technologies to Save Our World, Tom Rand; Dave Clark, eds. (Eco Ten Publishing)
  • Nice Recovery, Susan Juby (Viking)
  • Stick to Your Vision: How to Get Past the Hurdles and Haters to Get Where You Want to Be, Wes “Maestro” Williams  (McClelland & Stewart)
  • Two Generals, Scott Chantler (M&S)
  • Will to Live: Dispatches from the Edge of Survival, Les Stroud (Collins Canada)

Golden Oak (adult)

  • Canadian Railroad Trilogy, Gordon Lightfoot (Groundwood)
  • Fatty Legs: A True Story, Christy Jordan-Fendon and Margaret Pokiak-Fenton; Liz Amini-Holmes, illus. (Annick)
  • Highway of Heroes, Kathy Stinson (Fitzhenry & Whiteside)
  • No Safe Place, Deborah Ellis (Groundwood)
  • Our Earth: How Kids Are Saving the Planet, Janet Wilson (Second Story)
  • Out of Darkness: The Jeff Healey Story, Cindy Watson (Dundurn Press)
  • Second Wife, Brenda Chapman (Raven Books/Orca)
  • Viola Desmond Won’t Be Budged, Jody Nyasha Warner; Richard Rudnicki, illus. (Groundwood)

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E-book apps for Apple lose e-bookstore links

Big changes are underway in the e-book app world. Since Saturday, iOS (Apple’s operating system for mobile devices such as iPhone, iPod touch, and iPad) apps for Kobo, Barnes & Noble’s Nook, and Amazon’s Kindle have been updated to remove e-bookstore features and links to external online e-book stores such as kobobooks.com. The Google eBooks app, which has been available in the U.S. App Store since December 2010 (although unavailable in Canada) has been removed from Apple’s App Store and iTunes entirely.

The updates follow Apple’s weekend warning to Kobo regarding compliance with latest App Store rules. The Wall Street Journal (which will soon remove all purchasing options from its own app) reports:

Mike Serbinis, Kobo’s chief executive, said Apple told Kobo Saturday that it could no longer operate its digital bookstore from its Kobo apps and had to stop selling e-books directly through them. Kobo subsequently altered the apps so that they no longer sell digital titles.

Now Kobo customers who want to buy digital books via their Apple devices will have to visit www.kobobooks.com via Apple’s Safari browser to make their purchases, a potentially more laborious process for customers used to buying e-books directly through a Kobo app. Customers will continue to be able to access and read Kobo-purchased books from their library on various Apple devices.

Apple first announced the new App Store rules, which strictly forbid in-app links redirecting customers to online e-bookstores, in February and set a June 30 deadline for compliance. Apple’s enforcement of this policy comes as a surprise since the tech company dropped some of their original conditions last month, and the cutoff date came and went without much change to existing apps. From WSJ:

Apple in February laid out new terms for companies wanting to sell digital content via its devices. Apple said that companies selling digital media, including books, needed to make that content available for sale via an app, rather than through a link within the app to an outside website. As part of the change, which was aimed at giving Apple more control over the business, Apple said it would take 30 per cent of each sale.

In June, Apple appeared to relax those rules in content companies’ favour, giving them more freedom over pricing and selling their content. Apple dropped its requirement that any content sold outside the App Store also had to be available inside the store at the same price or less, with Apple taking its cut.

The updates to these e-reading/e-bookstore apps mean content providers maintain ownership over customer information and avoid cutting Apple into 30 per cent of a sale. Ultimately though, it makes purchasing e-books for Apple devices less user-friendly, which, unless Quillblog is mistaken, is a big part of the appeal of Apple devices and e-readers in the first place.

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Book links round-up: gospel according to Frey, Pulitzer punk, and more

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