Fall preview 2011: Canadian fiction

In the July/August issue, Q&Q looks ahead at the fall season’s biggest books.

NOVELS

One of the most anticipated releases of the fall season is surely the new novel from internationally acclaimed author Michael Ondaatje, his first since 2007 Governor General’s Literary Award winner Divisadero. Set in the early 1950s, The Cat’s Table (McClelland & Stewart, $32 cl., Sept.) tells the story of an 11-year-old boy crossing the Indian Ocean on a liner bound for England, and the mysterious prisoner shackled on board. • Also from M&S is Guy Vanderhaeghe’s first novel in eight years. Set in the late 19th-century Canadian and American West, A Good Man ($32.99 cl., Sept.) is the third book in a loose trilogy that also includes The Last Crossing (2003) and The Englishman’s Boy, which won the 1996 Governor General’s Literary Award. • A third GG winner has a new novel out this season: David Gilmour, who won in 2005 for his previous novel, A Perfect Night to Go to China. Gilmour returns with The Perfect Order of Things (Thomas Allen Publishers, $26.95 cl., Sept.), the story of a man who revisits traumatic and life-changing incidents from his past.

Marina Endicott follows up her Scotiabank Giller Prize–shortlisted 2008 novel Good to a Fault with The Little Shadows (Doubleday Canada, $32.95 cl., Sept.), about three sisters who become vaudeville singers following the death of their father. • Acclaimed novelist Helen Humphreys returns with an historical novel set in France during the Napoleonic period. The Reinvention of Love (HarperCollins Canada, $29.99 cl., Sept.) is about a French journalist whose affair with Victor Hugo’s wife causes a scandal (as it might be expected to do).

Brian Francis’s debut novel, Fruit, was a runner-up in the 2009 edition of CBC’s battle of the books, Canada Reads. His second novel, Natural Order (Doubleday Canada, $29.95 cl., Aug.), tells the story of a mother who is forced to confront the secrets she has kept about her son when her carefully constructed life is overturned by a startling revelation. • Kevin Chong returns to fiction with his first novel in a decade. Beauty Plus Pity (Arsenal Pulp Press, $17.95 pa., Sept.) follows an Asian-Canadian slacker in Vancouver whose incipient modelling career is derailed by the death of his father and the sudden departure of his fiancée.

Requiem (HarperCollins Canada, $32.95 cl., Sept.), the third novel from Frances Itani, is about a Japanese-Canadian who embarks upon a cross-country journey of discovery following the death of his wife. • Anita Rau Badami follows her best-selling novels Tamarind Mem and The Hero’s Walk with Tell It to the Trees (Knopf Canada, $32 cl., Sept.), about the Dharma family – the authoritarian Vikram, the gourmand Suman, and the old storyteller Akka. When the Dharmas’ tenant, Anu, turns up dead on their doorstep, the family’s long-buried secrets begin to boil over. • Gayla Reid returns with her first novel since 2002’s Closer Apart. Set during the Spanish Civil War, Come from Afar (Cormorant Books, $32 cl., Aug.) tells the story of an Australian nurse who falls into a relationship with a Canadian soldier from the International Brigade.

Haitian expat Dany Laferrière is back with his third novel in translation in three years. The Return (Douglas & McIntyre, $22.95 pa., Aug.) tells the story of a 23-year-old Haitian named Dany who flees Baby Doc Duvalier’s repressive regime and relocates to Montreal. Thirty-three years later, Dany learns of his father’s death in New York City, and plots a return to his native country. David Homel translates. • Another Montreal resident, poet Sina Queyras, has a novel out this fall, the author’s first. Autobiography of Childhood (Coach House Books, $20.95 pa., Oct.) is about one day in the lives of five siblings haunted by the death of a brother years before. • Infrared (McArthur & Company, $29.95 cl., Sept.), the new novel by Nancy Huston, is about a photographer who travels to Tuscany with her father and stepmother. Employing internal dialogues with the photographer’s mental doppelgänger, Huston opens up her hero for exposure and provides an intimate picture of her interior life.

CanLit mainstay David Helwig returns with a novella, his first since 2007’s Smuggling Donkeys. Killing McGee (Oberon, $38.95 cl., $18.95 pa., Oct.) tells the story of a professor’s dual obsessions with the assassination of D’Arcy McGee and the disappearance of one of his students. • Toronto-based poet Dani Couture returns with her first novel, a surreal and iconoclastic take on that perennial CanLit staple: the family drama. Algoma (Invisible Publishing, $19.95 pa., Oct.) tells the story of a family attempting to cope with the aftermath of a young child falling through the ice and drowning. • Shari Lapeña also has a novel about a perennial CanLit concern: raising money to allow one time to write poetry. Happiness Economics (Brindle & Glass, $19.95 pa., Sept.) tells the story of a stalled poet who takes a job writing advertising copy to start a poetry foundation.

Jamaican-born novelist, poet, and non-fiction author Olive Senior returns to long-form fiction with Dancing Lessons (Cormorant, $22 pa., Aug.), about a woman looking back on her life after a hurricane destroys her home. • Memoirist Frances Greenslade (A Pilgrim in Ireland, By the Secret Ladder) has a debut novel out this August. Shelter (Random House Canada, $29.95 cl.) is a coming of age story about two sisters searching for their mother, who abandoned them after their father was killed in a logging accident.

Not one, but two novels this season extend the burgeoning CanLit focus on towns that have been/are about to be flooded (after Johanna Skibsrud’s The Sentimentalists, Anne Michaels’ The Winter Vault, and Michael V. Smith’s Progress). Tristan Hughes’s Eye Lake (Coach House, $19.95 pa., Oct.) is about the town of Crooked River, Ontario. Named for a river that was diverted to make way for a mine, the town harbours secrets that surface when the river reclaims its original course. • And in September, Goose Lane Editions will publish Riel Nason’s The Town that Drowned ($19.95 pa.), about the suspicions, secrets, and emotions that flare up when the township of Haverton is scheduled to be flooded to allow for the construction of a massive dam.

Edward Riche follows up his Thomas Head Raddall Award winner The Nine Planets with Easy to Like (House of Anansi Press, $29.95 cl., Sept.), a satire about a screenwriter and oenophile who dreams of travelling to Paris, but is trapped in Canada by an expired passport and a growing Hollywood scandal. Relocating to Toronto, he bluffs his way into the upper echelons of the CBC. • Former president and CEO of Penguin Canada, David Davidar was forced out of his position under a cloud of scandal after accusations of sexual harassment. Davidar’s new novel, Ithaca (M&S, $29.99 cl., Oct.), is, perhaps not coincidentally, about the rise and fall of a publishing star.

Canadian literary icon Michel Tremblay returns with a new novel, the first in a trilogy. Set in 1913, Crossing the Continent (Talonbooks, $18.95 pa., Oct.) takes the author’s characters out of Quebec for the first time, to tell the backstory of the people who populate his Chroniques du Plateau-Mont-Royal series. Long-time Tremblay collaborator Sheila Fischman translates.

A resident of St. John’s, Newfoundland, lately one of the most fertile spots for Canadian writing, Michelle Butler Hallett crafts genre-busting stories and novels that frequently experiment with gender and perspective. Her new novel, Deluded Your Sailors (Creative Book Publishing, $21.95 pa., Sept.), focuses on the culture industry from the perspective of Nichole Wright, who makes a discovery that puts a government-funded tourism project in jeopardy, and a shape-shifting minister named Elias Winslow. • Another Newfoundland native, Kate Story, has a novel out with Creative this season. The follow-up to 2008’s Blasted, Wrecked Upon This Shore ($21.95 pa., Sept.) tells the story of Pearl Lewis, an emotionally damaged, charismatic woman who is seen at different stages in her life.

In 1972, Christina Parr returns to her hometown of Parr’s Landing, a place she fled years earlier. The dirty secret of Parr’s Landing? A 300-year-old vampire resides in the caves of the remote mining town. Christina learns why she should have stayed away in Michael Rowe’s Enter, Night (ChiZine Publications, $17.95 pa., Oct.). • English literature professor Janey Erlickson struggles to make headway in her academic career while caring for a tyrannical toddler in Sue Sorensen’s comic novel A Large Harmonium (Coteau Books, $21 pa., Sept.). • Paul Brenner, a Vancouver lawyer, dines with his son, Daniel, one Friday evening. The next day, Brenner receives word that his son has been murdered. Hold Me Now (Freehand Books, $21.95 pa., Oct.), the first novel from Stephen Gauer, examines a father’s grief and a lawyer’s faith in the legal system.

SHORT FICTION

Anyone who has ever wondered what might transpire if the author of Bigfoot’s autobiography were to illustrate a story collection by Canada’s reigning postmodern ironist can stop wondering. October sees the publication of Highly Inappropriate Tales for Young People (Random House Canada, $24 cl.), the first collaboration between author Douglas Coupland and well-known illustrator Graham Roumieu.

D.W. Wilson currently lives in London, England, but is a native of B.C.’s Kootenay Valley. The winner of the inaugural Man Booker Prize Scholarship from the University of East Anglia, Wilson’s debut collection, Once You Break a Knuckle (Hamish Hamilton Canada, $32 cl., Sept.), is a suite of stories about good people doing bad things.

Novelist Anne DeGrace has her first collection of short stories on tap for September. Flying with Amelia (McArthur & Company, $29.95 cl.) spans the 20th century and crosses vast swathes of territory. Wireless telegraphy, German POWs in Manitoba, the Great Depression, and the FLQ crisis all crop up in her stories. • David Whitton’s story “Twilight of the Gods” was included in the 2010 sci-fi anthology Darwin’s Bastards. The story also appears in Whitton’s first solo collection, The Reverse Cowgirl (Freehand, $21.95 pa., Oct.), which sports the most sexually suggestive title for a collection of CanLit stories since Pasha Malla’s The Withdrawal Method.

Toronto writer Rebecca Rosenblum follows up her Metcalf-Rooke Award–winning debut collection Once (a Q&Q book of the year for 2009) with The Big Dream (Biblioasis, $19.95 pa., Sept.), a collection of linked stories about the lives of workers at Dream, Inc., a lifestyle-magazine publisher. • The Maladjusted (Thistledown Press, $18.95 pa., Sept.), Toronto writer Derek Hayes’ debut collection, focuses on people who run afoul of the dictates of polite society. • Also from Thistledown, Britt Holmström’s Leaving Berlin ($18.95 pa., Sept.) examines contemporary women in both Canadian and European settings.

The fine print: Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2011. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have appeared in previous previews do not appear here.

Daily book biz round-up: Lionel Shriver lets it rip; 25 iconic book covers; and more

Lots to peruse today:

• The New York Observer posts an excellent article about outgoing S&S publisher David Rosenthal
• Lionel Shriver slams Orange Prize organizers, Bret Easton Ellis, and publishing in general
• Apparently, teenagers like Anne Michaels
• Swedish publishers get all silly over unpublished short stories by a 17-year-old Stieg Larsson
• eBookNewser launches ongoing spotlight on online writers
• AbeBooks looks at 25 iconic book covers

Faber & Faber to open Toronto writing school this fall

According to a report by The Globe and Mail‘s London-based columnist Leah McLaren, the independent British publishing house Faber & Faber is planning to launch a writing school in Toronto this fall. Set to open in October, the Faber Academy Toronto will employ at least one high-profile Canadian author: Miriam Toews, who is published by Faber in the U.K. and whom Academy head Patrick Keogh says will be “involved in an essential way” in the school.

From the Globe:

The Faber Academy, a successful offshoot of Faber’s core publishing business, was launched 18 months ago in Paris, with a course taught at the legendary English language bookstore Shakespeare and Company, by novelist Jeanette Winterson.

Since then, the school has expanded to included short and long courses in London, Dublin and Geneva, with an expansion to Edinburgh and Glasgow planned for later this year. Instructors have included Tracy Chevalier, Anne Enright, Paul Auster, Kazuo Ishiguro and Nobel laureate Seamus Heaney.

McLaren speculates whether Toronto has a deep enough talent pool to match London’s, though from the sounds of things, the school’s administrators are aiming high:

After taking a series of meetings with writers including Margaret Atwood, Anne Michaels, Michael Redhill, Madeleine Thien, Michael Helm, Andrew Pyper and Ken Babstock, Keogh says he is so confident the Toronto school will be a success, Faber is already looking into plans to expand the model to Montreal and Vancouver.

Echlin, Michaels among Giller picks

The Scotiabank Giller Prize shortlist was announced this morning, and it included a mix of “sure bets” and surprise nods. The biggest surprise, however, was the omission of Margaret Atwood’s The Year of the Flood (McClelland & Stewart), which was widely considered the frontrunner going into the announcement. The five shortlisted titles are:

• Kim Echlin, The Disappeared (Penguin Canada)
• Annabel Lyon, The Golden Mean (Random House Canada)
• Linden MacIntyre, The Bishop’s Man (Random House Canada)
• Colin McAdam, Fall (Penguin Canada)
• Anne Michaels, The Winter Vault (McClelland & Stewart)

The shortlist, selected by Canadian author Alistair MacLeod, U.S. author Russell Banks, and U.K. author Victoria “Muskoka Chair” Glendinning, included no independent publishing houses. It also included the only two male authors to make the 12-title longlist, Linden MacIntyre and Colin McAdam. Titles left off the list include the aforementioned The Year of the Flood, Martha Baillie’s The Incident Report (Pedlar Press), Claire Holden Rothman’s The Heart Specialist (Cormorant Books), Shani Mootoo’s Valmiki’s Daughter (House of Anansi Press), Kate Pullinger’s The Mistress of Nothing (McArthur & Company), Jeanette Lynes’ The Factory Voice (Coteau Books), and Paulette Jiles’ The Colour of Lightning (HarperCollins Canada).

The winner of the 2009 Scotiabank Giller Prize will be announced on Nov. 10.

Authors challenge the idea of a national literature

Canadian authors Margaret Atwood and Anne Michaels, along with Britain’s Monica Ali and Ireland’s Joseph O’Neill, have contributed their thoughts on the idea of a national literature to The Atlantic‘s Fiction 2009 special issue, created in partnership with the Luminato Festival of Arts and Creativity held in Toronto last month. The four essays, grouped under the title “Border Crossings,” discuss how globalization, immigration, and the internet have affected the concept of a national literature, and question whether the notion that books and authors belong only to one place can still exist.

In her essay “Reading Faust in Korean,” Michaels argues that the idea of a national literature is created by the reader who relates to the book in his or her own way, rather thanby the writer’s place of birth. Atwood, for her part, thinks that it’s impossible to place an author or a book into a single category. In her essay “The Beetle and the Teacup,” she writes:

“Do you identify as a woman, or as a writer?” I’ve been asked. “A North American? A Torontonian? An environmentalist? A poet, or a novelist?” As if we were so divisible.

Ondaatje plaque unveiled

Quillblog is a bit late with this one, but would be remiss not to acknowledge the unveiling last Thursday of a plaque commemorating Michael Ondaatje’s iconic Toronto novel In the Skin of a Lion. The plaque sits at the east end of the Bloor Street Viaduct, the construction of which is a central feature of Ondaatje’s 1987 novel. The National Post reports that last Thursday,

Mr. Ondaatje returned to the scene of his masterpiece, in a little parkette on the east end of the bridge, to unveil the first plaque by Project Bookmark Canada. The brainchild of Toronto-area writer Miranda Hill, this project aims to post pieces of prose next to geographic features all over Canada, thus inspiring us to read our stories about our landscape.

The Ondaatje plaque reprints one of the most famous scenes from his novel, in which a construction worker hanging from the underside of the viaduct catches a nun who falls over the side. The incident in the novel is based on an actual event.

Quillblog applauds the effort to memorialize Toronto’s literary history – future installments are planned around Anne Michaels’ Fugitive Pieces and Dennis Lee’s “The Cat and the Wizard,” pending private donations to fund them – but admits to being a bit flabbergasted by Ondaatje’s description in the Post piece of In the Skin of a Lion as a “thriller.”

Coveting thy neighbour’s sales

According to Ben Kaplan of the National Post, the Canadian publishing industry is crazed with envy, obsessively checking up on their rivals’ deals and sales numbers:

Resentment among authors has been around since the first cocktail party lauded the first published word. But in the age of the internet and publicized book deals on Booknet Canada, Publishers Marketplace and the deals section of the Quill & Quire website, first-time novelists now have more tools at their disposal to keep track of opponents – and there’s a certain amount of bloodletting in the Canadian authorship game.
…

Publishers, agents and authors all want to keep tabs on their industry. And certain watershed deals – such as the twin fortunes earned by first-time novelists Anne Michaels and Ann-Marie MacDonald in the mid-’90s, Michael Turner’s deal with Doubleday for The Pornographer’s Poem in 1999 or the bidding war that broke out over Tish Cohen’s debut novel last year – attract the industry’s attention and scorn.

“We don’t only go online to check our sales, but also to check everyone else’s sales,” says Kim McArthur, president of McArthur & Co., a publisher and distributor that has seen 63 of its releases become Canadian best-sellers and 21 of them reach No. 1 in Canadian sales. McArthur believes envy is good for publishing, and that deal trackers and sales figures bring moxie to the biz. “Now you can be envious of someone and then go check their figures,” she says. “Really make yourself sick.”

It seems that we here at Q & Q are enablers. We’re sorry, everybody. We had no idea.

CanLit galore at Toronto’s film fest

The Toronto International Film Festival kicks off next week, and the lineup features a healthy array of CanLit tie-ins. There’s already been much ballyhoo about Jeremy Podeswa’s adaptation of Anne Michaels’ Fugitive Pieces, and about features based on Margaret Laurence’s The Stone Angel and Matt Cohen’s Emotional Arithmetic, starring Ellen Burstyn and Susan Sarandon, respectively.

But it doesn’t end there. Also at the festival are a film version of Brad Smith’s novel All Hat and a short film called “Can You Wave Bye-Bye,” which seems to have sprung from Elyse Gasco’s 1999 short-story collection Can You Wave Bye Bye, Baby? (although the TIFF production notes don’t specify that).

Also of note is the film Silent Light, by Mexican director Carlos Reygadas. It’s a Mennonite family saga set in Mexico, and one of the stars is none other than A Complicated Kindness author Miriam Toews. (Silent Light was also accepted at the fairly choosy New York Film Festival, which takes place shortly after TIFF.)

And though there’s no Canadian connection, publishing types will be interested in Obscene, a documentary about Grove Press publisher Barney Rosset and his battles with American censors over such classic novels as Lady Chatterley’s Lover, Tropic of Cancer, and Naked Lunch.

Finally, there’s even a Canadian publishing connection to the “eTalk Tastemakers Green Room,” which is where celebrities attending TIFF will pick up their swag (because it’s about time celebrities got some perks). One of the sponsors (that is, donaters of free stuff) is Random House of Canada, which will be dropping copies of Adria Vasil’s hit Ecoholic into the loot bags.

UPDATE: We missed one. Stalwart Canadian director Bruce McDonald is bringing his new film The Tracey Fragments to the festival; it’s based on Maureen Medved’s novel of the same name.