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Robert Lepage’s creative alchemy

This feature by Sarah Greene appeared in the November 2011 issue of Q&Q.

Robert Lepage’s impressive artistic career spans theatre, film, and opera, and includes stints as designer and director for Cirque du Soleil and a Peter Gabriel world tour. The prolific Quebec actor, writer, and director has now added graphic novelist to his list of achievements. The Blue Dragon, first published in French earlier this year by Quebec’s Éditions Alto, appears this month from House of Anansi Press.

Adapted from the play of the same name, the book reunites co-writers Lepage and Marie Michaud, both of whom performed in the original 2008 production. The idea for the graphic novel, first suggested by Lepage’s sister and assistant Lynda Beaulieu, seemed natural given the influence on the play of Hergé’s The Blue Lotus, about TinTin’s adventures in Shanghai; the use of Chinese calligraphy, video, and comic panel-like squares in the set design; and the fact that the central character, Pierre Lamontagne, is a graphic artist and calligrapher.

“We thought a graphic novel would be more faithful, do more justice to the piece,” says Lepage. “We saw it as an opportunity to extend the themes of The Blue Dragon.”

A follow-up to the mid-1980s production The Dragons’ Trilogy, the story is set in modern-­day China and revolves around three characters in a love triangle: Lamontagne, a middle-aged Quebecois artist who lives in Shanghai and runs a contemporary art gallery; his ex-wife, a Montreal-based ­advertising executive hoping to adopt a baby; and Lamontagne’s younger Chinese lover. Just as there are three characters interacting in three languages (French, English, and Mandarin), there are three possible endings to the play and the book. Éditions Alto played on the number by printing a first run of 3,333 copies.

To adapt the highly visual play into print, Lepage and his production company, Ex Machina, imagined how they would present the story as a film. They auditioned a number of Quebecois artists for the project, eventually choosing Fred Jourdain, a young illustrator known for his portraits of rock stars and celebrities. Jourdain’s fluid, vivid illustrations of a rainy Shanghai are conveyed by mixing comic-book art with more painterly images. “He was very strong at expressing emotions on his characters’ faces,” says Lepage.

Anansi publisher Sarah MacLachlan fell in love with this combination of graphica and fine art. “I thought that was an extraordinary thing,” she says. The Blue Dragon is Anansi’s first graphic novel for the adult market (its children’s imprint, Groundwood Books, published the YA title Skim by Jillian and Mariko Tamaki in 2009). Canadian fiction editor Melanie Little met Éditions Alto president Antoine Tanguay last January, at the Canada Council for the Arts’ inaugural translation rights fair in Ottawa, and presented an offer within days.

The graphic novel has also had an effect on the theatrical version of The Blue Dragon, which will be remounted by Toronto’s Mirvish Productions in January. “Our work with Fred had a big influence on the piece,” Lepage says. “Both to make it stronger by simplifying some of the storylines, but also by complexifying some things that needed to be more [complex]. A lot of that came from some of the very rich, effervescent exchanges we had with Fred.”

Lepage says the adaptation was so successful it’s changed his approach to publishing: “Whatever play we come up with we should try to find a format – not necessarily another graphic novel – that is as faithful to our visual approach to the stage as it is [to] the written word.”

Éditions Alto and Ex Machina have continued their partnership, producing a limited-­run souvenir book for Lepage’s production of Stravinsky’s opera The Nightingale and Other Short Fables and collaborating on a nine-volume box set for his epic nine-hour opera Lipsynch.

“[Lepage] is a central cultural figure in Quebec right now,” says Tanguay. “Everything he does turns to gold.”

Illustrations by Fred Jourdain, courtesy of Anansi

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Spring preview 2012: Canadian non-fiction

In the January/February issue, Q&Q looks ahead at the spring season’s new books.

MEMOIR AND BIOGRAPHY

Revolutionary activity in the Middle East and North Africa has created an appetite for stories about life in these regions. Among them is the story of CBC News foreign correspondent Nahlah Ayed. In A Thousand Farewells: A Reporter’s Journey from Refugee Camp to the Arab Spring (Penguin Canada, $32 cl., April), the Winnipeg-born journalist traces her passion for reporting on the Middle East to her Palestinian roots and the time she spent in a Jordanian refugee camp as a child. • When Nazanin Afshin-Jam, a Vancouver-raised beauty queen, first heard of Nazanin Fatehi, a teen on death row in Tehran for the murder of her would-be rapist, the two young women had only a name and their Iranian heritage in common. The Tale of Two Nazanins (HarperCollins Canada, $31.99 cl., May), co-written with Susan McClelland, is the story of how the women found common ground in the struggle for Fatehi’s freedom.

While on a tour of duty in Afghanistan in 2006, reservist Trevor Greene had an axe plunged into his skull and lived to tell the tale. Read it for yourself in March Forth: The Inspiring True Story of a Canadian Soldier’s Journey of Love, Hope and Survival (HarperCollins Canada, $29.99 cl., Feb.), co-written with his wife, Debbie Greene.

A pair of memoirs out this spring feature sons coming to terms with their late fathers’ true identities. Deni Béchard follows his fictitious family saga, Vandal Love, with a personal story. Cures for Hunger (Goose Lane Editions, $29.95 cl., May) finds the novelist dealing with the fallout from discovering his dad’s criminal past. • In Cold Comfort: Growing Up Cold War (Talonbooks, $18.95 pa., May), poet Gil McElroy writes about discovering his father’s hidden past working on the controversial Distant Early Warning Line.

In The Many Voyages of Arthur Wellington Clah: A Tsimshian Man on the Pacific Northwest Coast (UBC Press, $29.95 pa., Jan.), historian Peggy Brock creates a portrait of Arthur Wellington Clah, a Hudson’s Bay Company employee who left one of the few first-hand accounts of colonization in Western Canada written from an aboriginal perspective. • In 2008, the Community Arts Council of Greater Victoria commissioned a chronicle of the globetrotting life and unconventional work of artist and printmaker Pat Martin Bates. The result is Balancing on a Thread (Frontenac House Media, $49.95 cl., April), a biography and critical analysis by Pat Bovey, former director of the Art Gallery of Greater Victoria.

Internationally renowned composer and music educator R. Murray Schafer recounts personal and artistic growth in My Life on Earth and Elsewhere (The Porcupine’s Quill, $27.95 pa., May), which follows his journey from aspiring painter to sailor to vagabond before deciding to dedicate his life to music. • As an octogenarian, Naomi Beth Wakan considers herself somewhere between old and “old-old,” and thus amply qualified to comment on retirement homes, elder abuse, death, and the disconnect between self-image and society’s perception of seniors. Liquorice and Lavender: Some Thoughts on Roller-coasting into Old Age (Wolsak & Wynn, $19 pa.) appears in April.

William Stevenson may be best known for his book A Man Called Intrepid, about the similarly named British spy William Stephenson, often considered the real-life model for James Bond. Stevenson tells his own life story, touching on his career as a war reporter, in Past to Present: A Reporter’s Story of War, Spies, People, and Politics (Lyons Press/Canadian Manda Group, $28.95 cl., June). • B.C. cowboy and rodeo regular Bruce Watt spins a few yarns about the good, the bad, and the ugly of ranching in Chilcotin Yarns (Heritage House, $16.95 pa., May).

POLITICS AND CURRENT AFFAIRS

As the Canadian government works toward repatriating child soldier Omar Khadr, McGill-Queen’s University Press is set to publish a timely anthology exploring the Canadian-born man’s background, his incarceration at Guantanamo Bay, his treatment at the hands of Canadian authorities, and the implications raised by his legal case. Omar Khadr, Oh Canada ($24.95 pa., May), edited by Janice Williamson, includes contributions from Sherene Razack, Roméo Dallaire, Charles Foran, Judith Thompson, George Elliott Clarke, and Maher Arar.

Nora Young, host of CBC Radio’s Spark, explores issues such as the real-world impact of online communities and why it’s essential to ensure digital privacy in The Virtual Self: How Our Digital Lives Are Altering the World Around Us (McClelland & Stewart, $29.99 cl., April). • Some form of monarchy has ruled Canada since the start of the nation’s recorded history. The Secret of the Crown: Canada’s Long Affair with Royalty (House of Anansi Press, $29.95 cl., March) by John Fraser is a witty look at our country’s enduring appetite for all things regal.

HISTORY

A number of titles this season take an unflinching look at Canada’s history of racism. In Orienting Canada: Race, Empire, and the Transpacific (UBC Press, $34.95 pa., Jan.), John Price, associate professor of history at the University of Victoria, exposes anti-Asian racism at home and in foreign policy through examples such as the 1907 Vancouver race riots and Canada’s early intervention in the Vietnam War. • Canada’s Forgotten Slaves: Two Centuries of Bondage (Véhicule Press, $27.95 pa., May), George Tombs’ English-language translation of the late Marcel Trudel’s groundbreaking work on the history of slavery in colonial Canada, identifies Canadian slave owners and reveals the extent to which national leaders tried to cover up this unsavoury past. • Bryan Prince looks at slavery in One More River to Cross (Dundurn Press, $24.99 pa., Jan.), which tells the real-life story of Isaac Brown, a slave who was falsely accused of murder and made a daring escape from New Orleans before coming to Canada.

Educator Paul Keery and illustrator Michael Wyatt borrow from the graphic novel tradition to make Canada’s military history accessible in Canada at War: An Illustrated History of Canada in the Second World War (Douglas & McIntyre, $24.95 pa., May). • Originally published in Italian in 2003, Pietro Corsi’s Halifax: The Other Door to America (Guernica Editions, $15 pa., March), translated by Antonio D’Alfonso, explores the city’s role in the immigrant experience through a first-hand account.

POP CULTURE

In The Weakerthans: Watermark ($12.95 pa., April), the second instalment in Invisible Publishing’s Bibliophonic music series, author Dave Jaffer makes the case that the Winnipeg indie rockers are among the country’s best musical acts.

SPORTS

Hockey-shmockey. This season’s ice sport of choice is Arctic aviation. Based on the Canadian TV series of the same name, The Ice Pilots: Flying with the Mavericks of the Great White North (Douglas & McIntyre, $21.95 pa., Jan.), by Survivorman series co-author Michael Vlessides, follows pilots at Buffalo Airways in Yellowknife as they haul supplies and passengers in their Second World War–era propeller planes to remote Arctic outposts. • Frontenac House Media is set to publish Yukon Wings ($59.95 cl., May), an illustrated history of the territory’s aviation sector by industry veteran Bob Cameron.

Much has been written about Leanne Shapton’s quirky style and seemingly charmed career. Swimming Studies (Penguin Canada, $26.50 cl., June) dives into new territory: the illustrator’s lifelong passion for swimming, and her former dream of making it to the Olympics. • Speaking of the Olympics, a former athlete and coach have authored a pair of books on leadership. In The Power of More: Achieving Your Goals in Sport and Life (Greystone Books, $22.95 pa., May), three-time Olympic gold-medal rower Marnie McBean explains how to break down big tasks, set goals, strive for more, and recognize success. • In Leave No Doubt: A Credo for Changing Your Dreams (McGill-Queen’s University Press, $19.95 cl., March), NHL coach Mike Babstock (with co-writer Rick Larsen) expands on a pep talk originally intended for Team Canada, whom he coached at the 2010 Winter Games. • Start your own journey from novice to Olympian with Paddle Your Own Kayak (Boston Mills Press/Firefly Books, $29.95 pa., March), a fully illustrated guide by longtime paddlers Gary and Joanie McGuffin.

Vancouver writer Kevin Chong recounts how he unexpectedly found a new life direction as part-owner of a horse in My Year of the Racehorse: Falling in Love With the Sport of Kings (Greystone, $22.95 pa., April), a look into the tradition and faded elegance of the horse-racing scene.

GARDENING

When friends Rachel Fisher, Heather Stretch, and Robin Tunnicliffe ventured into business together they came up with Saanich Organics, a co-operative of small organic farms around greater Victoria. They’ve teamed up again for All the Dirt: Reflections on Organic Farming (TouchWood Editions, $29.95 pa., Feb.), in part a personal reflection on food entrepreneurship, in part a how-to for small-scale organic farming. • Get growing with Canadian Gardener’s Guide (Dorling Kindersley/Tourmaline Editions, $30 cl., March), an illustrated handbook by prolific food writer and urban gardening guru Lorraine Johnson.

FOOD AND DRINK

In 2009, Lynn Crawford resigned as executive chef at Four Seasons New York to launch a restaurant in Toronto and kick off a new travel series for Canada’s Food Network. The spin-off book, Lynn Crawford’s Pitchin’ In: 100 Great Recipes from Simple Ingredients (Penguin Canada, $37 cl., Jan.), includes recipes the chef acquired in her travels across North America. • While Crawford peddles local foods, University of Toronto geography professor Pierre Desrochers and economist Hiroko Shimizu suggest a different approach in The Locavore’s Dilemma: In Praise of the 10,000-mile Diet (Public Affairs/Perseus Books Group, $30 cl., June). The duo argues the locavore ethos is little more than a well-meaning marketing strategy that distracts from global food problems.

A perfect counterpoint to last season’s roster of meat-heavy cookbooks, Eleanor Boyle’s High Steaks: Why and How to Eat Less Meat (New Society Publishers, $17.95 pa., June) investigates the ecological, health, and social problems caused by conventional meat production, and offers guidance on supporting sustainable livestock practices. • University of Toronto Press’s Edible Histories, Cultural Politics: Towards a Canadian Food History ($34.95 pa., May), edited by Franca Iacovetta, Valerie J. Korinek, and Marlene Epp, is a rare scholarly examination of food culture and traditions from a Canadian point of view. • For nearly three decades, Toronto’s FoodShare has fought to make healthy eating possible for everyone. Share: Delicious Dishes from FoodShare and Friends (Between the Lines, $24.95 pa., May), by Adrienne De Francesco with Marion Kane, brings together favourite recipes from the FoodShare community that emphasize healthy, affordable, culturally diverse, and seasonal meals.

BUSINESS, FINANCE, AND ECONOMICS

Economist Jeff Rubin follows up his bestselling Why Your World Is About to Get a Whole Lot Smaller with The End of Growth (Random House Canada, $29.95 cl., May). This time, Rubin posits that the tendency for governments to tie economic well-being to population growth will ultimately lead to disaster. • Michael Lewis and Pat Conaty tread similar territory but offer a solutions-based approach in The Resilience Imperative: Cooperative Transitions to a Steady-state Economy (New Society, $26.95 pa., June), about shifting from growth to a sustainable, low-carbon economy.

Rob Carrick, a columnist at The Globe and Mail, has written a personal finance guide for the Boomerang Generation. How Not to Move Back in with Your Parents: The Young Person’s Guide to Financial Empowerment (Doubleday Canada, $22.95 pa.) comes out in March, just in time for the end of the academic year. • Toronto ad man Rick Padulo – the brains behind the slogans “Leon’s Don’t Pay a Cent Event” and “Black’s Is Photography” – shares the story of his climb up the agency ladder, and spills a few trade secrets, in I Can Get It for You Retail: Down and Dirty Tales from a Canadian Ad Man (Dundurn, $29.99 cl., March).

HEALTH AND WELL-BEING

It seems a new health and fitness fad springs up every week. Timothy Caulfield, director at the Health Law and Science Policy Group at the University of Alberta, has tried some of them so the rest of us don’t have to. Through first-hand research and analysis, Caulfield’s The Cure for Everything! Untangling the Twisted Messages About Health, Fitness, and Happiness (Penguin, $32 cl., Jan.) exposes the special interests behind many scientific claims in the health industries, and suggests getting healthy is not as complicated as it seems. • In Thinking Women and Health Care Reform in Canada (Canadian Scholars’ Press, $39.95 pa., Feb.), the Women and Health Care Reform working group sets out its argument for why changes to Canada’s health care sector are women’s issues. Researchers raise the issue of gender in such areas as privatization, home care, medical insurance, access to treatment, and maternity care. • When a group of women in Parry Sound, Ontario, decided to raise money for a new mammogram machine at their local hospital, they opted for a fundraising project that was fun, creative, and cheeky. Compiled by the West Parry Sound Health Foundation, Support the Girls: Bra Art for Breast Health (Second Story Press, $21.95 pa., April) features the personal stories and bra-based artwork of breast cancer sufferers and survivors, their loved ones, and health-care workers. A portion of proceeds will go to breast cancer research.

Clinical psychologist and psychotherapist Nancy Reeves has travelled throughout North America facilitating workshops on grief, trauma, spirituality, and art therapy. A Path Through Loss: A Guide to Writing Your Healing and Growth (Woodlake Books, $19.95 pa., Feb.) contains self-guided journalling exercises Reeves has employed and honed over the years.

ENVIRONMENT

David Suzuki is back with another collection of thoughts on the environment. The aptly titled Everything Under the Sun: Toward a Brighter Future on a Small Blue Planet (Greystone, $24.95 pa., June), co-written with Ian Hannington, broaches topics such as solar-energy dependence, the 2011 earthquake and tsunami in Japan, and the difference between human hunters and other predators. • Documentarian Amy Miller investigates the effects of carbon-emissions trading and carbon credit–funded projects in Carbon Rush (Red Deer Press, $24.95 pa., June), a scathing exposé of a system that bankrolls large-scale industrial operations and endangers all manner of life.

Cameron Dueck’s The New Northwest Passage: A Voyage to the Front Lines of Climate Change (Great Plains Publications, $24.95 pa., April) recalls the journalist’s trip through one of the least accessible places on the planet to encounter the effects of climate change on Arctic life. • In Save the Humans (Random House Canada, $29.95 cl., April), Rob Stewart, the filmmaker behind Sharkwater, turns his attention from marine life to the human cost of environmental carelessness. • Couched in tales of hard-living fishermen and the history of the West Coast fishing industry, Bluebacks and Silver Brights: A Lifetime in the B.C. Fisheries from Bounty to Plunder (ECW Press, $22.95 pa., May), by Norman and Allan Safarik, presents a dire ecological outlook for the Pacific Coast thanks to government mismanagement and overfishing. • In Nevermore: A Book of Hours ($20 pa., April), the third title published by Quattro Books’ non-fiction imprint, Fourfront Editions, David Day elegizes species that are long extinct, with illustrations by Maurice Wilson.

SCIENCE

Carolyn Abraham travels around the world, DNA kits at the ready, to probe the genetic background of her spotty family tree. Along the way, she struggles with the ethics behind using genetic tests to trace bloodlines. The Juggler’s Children: Family, Myth and a Tale of Two Chromosomes (Random House Canada, $32 cl.) lands on bookshelves in April. • In developing neurological exercises to overcome her own severe learning disabilities, Barbara Arrowsmith Young pioneered a cognitive training program that demonstrated the possibility for neuroplasticity – the notion that behaviour and training can alter brain function. The Woman Who Changed Her Brain: Stories of Transformation from the Frontier of Brain Science (Free Press/Simon & Schuster, $29.99 cl., May) recounts Arrowsmith’s story and sets out her methodology.

ESSAYS

Author and writing teacher Douglas Glover shares the finer points of the writing life, as well as a few exercises to get scribbling, in The Attack of the Copula Spiders and Other Essays on Writing (Biblioasis, $21.95 pa., April). • Thirty-three writers with ties to Vancouver’s Downtown Eastside, including Michael Turner, Madeleine Thien, and Wayde Compton, recast the maligned neighbourhood as a hub of creativity and humanity in V6A: Writing from Vancouver’s Downtown Eastside (Arsenal Pulp Press, $19.95 pa., April), edited by Elee Kraljii Gardiner and John Mikhail Asfour. • Edited by Kathy Page and Lynne Van Luven, In the Flesh: Twenty Writers Explore the Body (Brindle & Glass, $24.95 pa., April) contains essays by André Alexis, Trevor Cole, Lorna Crozier, Candace Fertile, Kate Pullinger, and Brian Brett that explore aging, illness, and insecurity through a specific body part.

FINE ART AND GRAPHICA

Canadian cities provide a rich source of inspiration for a number of fine art and non-fiction graphica titles this season. Dave Lapp combines new and previously published comics about encounters and conversations on the streets of Toronto in People Around Here (Conundrum Press, $17 pa., April), a follow-up to 2008’s Drop-in. • Toronto streets are brought to the fore in Full Frontal T.O. (Coach House Books, $24.95 pa., May), a chronicle of the Big Smoke’s ever-changing streetscapes by photographer Patrick Cummins and Stroll author Shawn Micallef. • Meanwhile, illustrator Michael Cho wanders Toronto’s backstreets for Back Alleys and Urban Landscapes (Drawn & Quarterly, $19.95 pa., May), a collection of vibrant illustrations of the city’s hidden streetscapes.

Heading West, Michael Kluckner’s Vanishing Vancouver: The Last 20 Years (Whitecap Books, $35 pa., April) updates the artist’s classic book of the same name two decades after its initial release. The new edition documents the city’s rapid development and features more than 200 images, including the author’s own watercolours and brush-and-ink drawings. • Rocky Mountain Books celebrates 100 years of the Calgary Stampede with Cowboy Wild ($39.95 cl., May), a photo book by David Campion chronicling a decade of the greatest show on earth, with text by Samantha Shields.

The latest from D&Q’s Petit Livre art book imprint is Idyll: Dream-filled Landscapes, Portraits, and Abstracts in Beautiful Detail ($19.95 cl., March) by Amber Albrecht. Inspired by the dreaminess of childhood, Albrecht’s paintings, screen prints, and drawings employ folklore and female iconography to address loneliness and loss.

HUMOUR

Just in time for summer break, Thomas Allen Publishers will release Almost There: The Family Vacation Then and Now ($24.95 pa., May), Curtis Gillespie’s take on family travel. • A “good mommy” is as real as a unicorn or Bigfoot, argues Willow Yamauchi in Bad Mommy (Insomniac Press, $19.95 pa., April), which celebrates the kind of parenting that falls somewhere between Joan Crawford and June Cleaver.

RELIGION

Conservative commentator and Sun News Network host Michael Coren’s latest book, Heresy: Ten Lies They Spread About Christianity (Signal/M&S, $29.99 cl., April) picks up where 2011’s Why Catholics Are Right left off, challenging popular assumptions about Christianity regarding issues such as homophobia, sexism, and racism. • To commemorate the 50th anniversary of the Second Vatican Council, in which the Roman Catholic Church updated its practices for an increasingly secular world, Novalis will publish Vatican II: Fifty Years of Evolution and Revolution in the Catholic Church ($18.95 pa., May) by Margaret Lavin, associate professor at the University of Toronto’s Regis College.

The fine print: Q&Q’s spring preview covers books published between Jan. 1 and June 30, 2012. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have been listed in previous previews do not appear here.

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Booksellers’ picks of the year: crime and mystery

The third instalment of Alan Bradley’s Flavia de Luce series, A Red Herring Without Mustard (Doubleday Canada), is one of the most popular crime and mystery titles of 2011, according to booksellers contacted by Q&Q.

Two other new books from established authors, Louise Penny’s A Trick of the Light (St. Martin’s Press/Raincoast) and Peter Robinson’s Before the Poison (McClelland & Stewart), are also among booksellers’ top 2011 crime and mystery titles.

A lesser-known Ontario author, retired aeronautical professional Liam Dwyer, has been one of the year’s top-selling authors at The Sleuth of Baker Street in Toronto. Co-owner Marian Misters says Murdoch in Muskoka (Muskoka Dockside Reader), a new omnibus containing the first three titles in Dwyer’s murder-mystery series, has been especially popular.

At Whodunit? Mystery Bookstore in Winnipeg, co-owner Jack Bumsted points to local author C.C. Benison’s Christmas mystery, Twelve Drummers Drumming (Doubleday Canada), as his store’s best-selling book of the year. Other top 2011 titles at Whodunit? include Q&Q book of the year The Water Rat of Wanchai and The Disciple of Las Vegas, both from Ian Hamilton’s Ava Lee series published by Spiderline, the new crime fiction imprint from House of Anansi Press.

Walter Sinclair, co-owner of Dead Write Books in Vancouver, says the best-selling 2011 books in his store have common features. “All are well-established authors, all with mysteries featuring series characters,” he says. Dead Write’s top titles this year include William Deverell’s latest Arthur Beauchamp mystery, I’ll See You in My Dreams (M&S), and the U.K. edition of Louise Penny’s Bury Your Dead (Headline/Hachette).

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Emma Donoghue’s Room wins Evergreen Award

Emma Donoghue’s novel Room (HarperCollins Canada) has won the 2011 Evergreen Award, to be presented on Feb. 3, 2012, in Toronto.

The Evergreen Award is administered by the Ontario Library Association as part of the Forest of Reading program, designed to expose adult library users to Canadian fiction and non-fiction. Library patrons are invited to vote for their favourite of 10 nominated titles.

“I am thrilled that with this award, Room will be part of such a valuable initiative to promote reading,” Donoghue said in a press release.

The other nominees for the prize were:

  • The Night Shift, by Brian Goldman (HarperCollins Canada)
  • Amphibian, by Carla Gunn (Coach House Books)
  • Dahanu Road, by Anosh Irani (Doubleday Canada)
  • Death Spiral, by James W. Nichol (McArthur & Company)
  • Far to Go, by Alison Pick (House of Anansi Press)
  • Still Missing, by Chevy Stevens (St. Martin’s Press)
  • A Man in Uniform, by Kate Taylor (Doubleday Canada)
  • The Tiger, by John Vaillant (Knopf Canada)
  • Annabel, by Kathleen Winter (House of Anansi Press)

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$10,000 Alberta prize now open to books published out of province

Organizers of the Alberta Readers’ Choice Award, now in its third year, have taken steps to quiet a muted strain of controversy that has attached itself to the prize since its inception.

The $10,000 award, organized by the Edmonton Public Library and voted on by Alberta readers, had until now been open to all books published in Alberta, regardless of the author’s origin or city of residence. But Alberta authors who happened to be published outside the province – someone like, say, Scotiabank Giller Prize nominee Lynn Coady, who lives in Edmonton but is published by Toronto-based House of Anansi Press – would be ineligible for the award.

That is all going to change this year, judging by new criteria posted to the EPL website:

This year, works of fiction and narrative non-fiction (i.e., first edition full-length novels, short story collections or books of poetry) will be accepted by any author who has been a resident of Alberta for a minimum of 12 consecutive months immediately prior to the publication of the submitted work, and who currently resides in Alberta, no matter where the book was published. The change makes this truly an Alberta award and recognizes the exceptional writing talent in our province while encouraging readers to support Alberta authors.

As it turns out, both of the prize’s prior winners – Helen Waldstein Wilkes’ memoir Letters from the Lost (AU Press) and Michael Davie’s novel Fishing for Bacon (NeWest Press) – are by authors currently residing in B.C.

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Fall preview 2011: Canadian fiction

In the July/August issue, Q&Q looks ahead at the fall season’s biggest books.

NOVELS

One of the most anticipated releases of the fall season is surely the new novel from internationally acclaimed author Michael Ondaatje, his first since 2007 Governor General’s Literary Award winner Divisadero. Set in the early 1950s, The Cat’s Table (McClelland & Stewart, $32 cl., Sept.) tells the story of an 11-year-old boy crossing the Indian Ocean on a liner bound for England, and the mysterious prisoner shackled on board. • Also from M&S is Guy Vanderhaeghe’s first novel in eight years. Set in the late 19th-century Canadian and American West, A Good Man ($32.99 cl., Sept.) is the third book in a loose trilogy that also includes The Last Crossing (2003) and The Englishman’s Boy, which won the 1996 Governor General’s Literary Award. • A third GG winner has a new novel out this season: David Gilmour, who won in 2005 for his previous novel, A Perfect Night to Go to China. Gilmour returns with The Perfect Order of Things (Thomas Allen Publishers, $26.95 cl., Sept.), the story of a man who revisits traumatic and life-changing incidents from his past.

Marina Endicott follows up her Scotiabank Giller Prize–shortlisted 2008 novel Good to a Fault with The Little Shadows (Doubleday Canada, $32.95 cl., Sept.), about three sisters who become vaudeville singers following the death of their father. • Acclaimed novelist Helen Humphreys returns with an historical novel set in France during the Napoleonic period. The Reinvention of Love (HarperCollins Canada, $29.99 cl., Sept.) is about a French journalist whose affair with Victor Hugo’s wife causes a scandal (as it might be expected to do).

Brian Francis’s debut novel, Fruit, was a runner-up in the 2009 edition of CBC’s battle of the books, Canada Reads. His second novel, Natural Order (Doubleday Canada, $29.95 cl., Aug.), tells the story of a mother who is forced to confront the secrets she has kept about her son when her carefully constructed life is overturned by a startling revelation. • Kevin Chong returns to fiction with his first novel in a decade. Beauty Plus Pity (Arsenal Pulp Press, $17.95 pa., Sept.) follows an Asian-Canadian slacker in Vancouver whose incipient modelling career is derailed by the death of his father and the sudden departure of his fiancée.

Requiem (HarperCollins Canada, $32.95 cl., Sept.), the third novel from Frances Itani, is about a Japanese-Canadian who embarks upon a cross-country journey of discovery following the death of his wife. • Anita Rau Badami follows her best-selling novels Tamarind Mem and The Hero’s Walk with Tell It to the Trees (Knopf Canada, $32 cl., Sept.), about the Dharma family – the authoritarian Vikram, the gourmand Suman, and the old storyteller Akka. When the Dharmas’ tenant, Anu, turns up dead on their doorstep, the family’s long-buried secrets begin to boil over. • Gayla Reid returns with her first novel since 2002’s Closer Apart. Set during the Spanish Civil War, Come from Afar (Cormorant Books, $32 cl., Aug.) tells the story of an Australian nurse who falls into a relationship with a Canadian soldier from the International Brigade.

Haitian expat Dany Laferrière is back with his third novel in translation in three years. The Return (Douglas & McIntyre, $22.95 pa., Aug.) tells the story of a 23-year-old Haitian named Dany who flees Baby Doc Duvalier’s repressive regime and relocates to Montreal. Thirty-three years later, Dany learns of his father’s death in New York City, and plots a return to his native country. David Homel translates. • Another Montreal resident, poet Sina Queyras, has a novel out this fall, the author’s first. Autobiography of Childhood (Coach House Books, $20.95 pa., Oct.) is about one day in the lives of five siblings haunted by the death of a brother years before. • Infrared (McArthur & Company, $29.95 cl., Sept.), the new novel by Nancy Huston, is about a photographer who travels to Tuscany with her father and stepmother. Employing internal dialogues with the photographer’s mental doppelgänger, Huston opens up her hero for exposure and provides an intimate picture of her interior life.

CanLit mainstay David Helwig returns with a novella, his first since 2007’s Smuggling Donkeys. Killing McGee (Oberon, $38.95 cl., $18.95 pa., Oct.) tells the story of a professor’s dual obsessions with the assassination of D’Arcy McGee and the disappearance of one of his students. • Toronto-based poet Dani Couture returns with her first novel, a surreal and iconoclastic take on that perennial CanLit staple: the family drama. Algoma (Invisible Publishing, $19.95 pa., Oct.) tells the story of a family attempting to cope with the aftermath of a young child falling through the ice and drowning. • Shari Lapeña also has a novel about a perennial CanLit concern: raising money to allow one time to write poetry. Happiness Economics (Brindle & Glass, $19.95 pa., Sept.) tells the story of a stalled poet who takes a job writing advertising copy to start a poetry foundation.

Jamaican-born novelist, poet, and non-fiction author Olive Senior returns to long-form fiction with Dancing Lessons (Cormorant, $22 pa., Aug.), about a woman looking back on her life after a hurricane destroys her home. • Memoirist Frances Greenslade (A Pilgrim in Ireland, By the Secret Ladder) has a debut novel out this August. Shelter (Random House Canada, $29.95 cl.) is a coming of age story about two sisters searching for their mother, who abandoned them after their father was killed in a logging accident.

Not one, but two novels this season extend the burgeoning CanLit focus on towns that have been/are about to be flooded (after Johanna Skibsrud’s The Sentimentalists, Anne Michaels’ The Winter Vault, and Michael V. Smith’s Progress). Tristan Hughes’s Eye Lake (Coach House, $19.95 pa., Oct.) is about the town of Crooked River, Ontario. Named for a river that was diverted to make way for a mine, the town harbours secrets that surface when the river reclaims its original course. • And in September, Goose Lane Editions will publish Riel Nason’s The Town that Drowned ($19.95 pa.), about the suspicions, secrets, and emotions that flare up when the township of Haverton is scheduled to be flooded to allow for the construction of a massive dam.

Edward Riche follows up his Thomas Head Raddall Award winner The Nine Planets with Easy to Like (House of Anansi Press, $29.95 cl., Sept.), a satire about a screenwriter and oenophile who dreams of travelling to Paris, but is trapped in Canada by an expired passport and a growing Hollywood scandal. Relocating to Toronto, he bluffs his way into the upper echelons of the CBC. • Former president and CEO of Penguin Canada, David Davidar was forced out of his position under a cloud of scandal after accusations of sexual harassment. Davidar’s new novel, Ithaca (M&S, $29.99 cl., Oct.), is, perhaps not coincidentally, about the rise and fall of a publishing star.

Canadian literary icon Michel Tremblay returns with a new novel, the first in a trilogy. Set in 1913, Crossing the Continent (Talonbooks, $18.95 pa., Oct.) takes the author’s characters out of Quebec for the first time, to tell the backstory of the people who populate his Chroniques du Plateau-Mont-Royal series. Long-time Tremblay collaborator Sheila Fischman translates.

A resident of St. John’s, Newfoundland, lately one of the most fertile spots for Canadian writing, Michelle Butler Hallett crafts genre-busting stories and novels that frequently experiment with gender and perspective. Her new novel, Deluded Your Sailors (Creative Book Publishing, $21.95 pa., Sept.), focuses on the culture industry from the perspective of Nichole Wright, who makes a discovery that puts a government-funded tourism project in jeopardy, and a shape-shifting minister named Elias Winslow. • Another Newfoundland native, Kate Story, has a novel out with Creative this season. The follow-up to 2008’s Blasted, Wrecked Upon This Shore ($21.95 pa., Sept.) tells the story of Pearl Lewis, an emotionally damaged, charismatic woman who is seen at different stages in her life.

In 1972, Christina Parr returns to her hometown of Parr’s Landing, a place she fled years earlier. The dirty secret of Parr’s Landing? A 300-year-old vampire resides in the caves of the remote mining town. Christina learns why she should have stayed away in Michael Rowe’s Enter, Night (ChiZine Publications, $17.95 pa., Oct.). • English literature professor Janey Erlickson struggles to make headway in her academic career while caring for a tyrannical toddler in Sue Sorensen’s comic novel A Large Harmonium (Coteau Books, $21 pa., Sept.). • Paul Brenner, a Vancouver lawyer, dines with his son, Daniel, one Friday evening. The next day, Brenner receives word that his son has been murdered. Hold Me Now (Freehand Books, $21.95 pa., Oct.), the first novel from Stephen Gauer, examines a father’s grief and a lawyer’s faith in the legal system.

SHORT FICTION

Anyone who has ever wondered what might transpire if the author of Bigfoot’s autobiography were to illustrate a story collection by Canada’s reigning postmodern ironist can stop wondering. October sees the publication of Highly Inappropriate Tales for Young People (Random House Canada, $24 cl.), the first collaboration between author Douglas Coupland and well-known illustrator Graham Roumieu.

D.W. Wilson currently lives in London, England, but is a native of B.C.’s Kootenay Valley. The winner of the inaugural Man Booker Prize Scholarship from the University of East Anglia, Wilson’s debut collection, Once You Break a Knuckle (Hamish Hamilton Canada, $32 cl., Sept.), is a suite of stories about good people doing bad things.

Novelist Anne DeGrace has her first collection of short stories on tap for September. Flying with Amelia (McArthur & Company, $29.95 cl.) spans the 20th century and crosses vast swathes of territory. Wireless telegraphy, German POWs in Manitoba, the Great Depression, and the FLQ crisis all crop up in her stories. • David Whitton’s story “Twilight of the Gods” was included in the 2010 sci-fi anthology Darwin’s Bastards. The story also appears in Whitton’s first solo collection, The Reverse Cowgirl (Freehand, $21.95 pa., Oct.), which sports the most sexually suggestive title for a collection of CanLit stories since Pasha Malla’s The Withdrawal Method.

Toronto writer Rebecca Rosenblum follows up her Metcalf-Rooke Award–winning debut collection Once (a Q&Q book of the year for 2009) with The Big Dream (Biblioasis, $19.95 pa., Sept.), a collection of linked stories about the lives of workers at Dream, Inc., a lifestyle-magazine publisher. • The Maladjusted (Thistledown Press, $18.95 pa., Sept.), Toronto writer Derek Hayes’ debut collection, focuses on people who run afoul of the dictates of polite society. • Also from Thistledown, Britt Holmström’s Leaving Berlin ($18.95 pa., Sept.) examines contemporary women in both Canadian and European settings.

The fine print: Q&Q’s fall preview covers books published between July 1 and Dec. 31, 2011. All information (titles, prices, publication dates, etc.) was supplied by publishers and may have been tentative at Q&Q’s press time. • Titles that have appeared in previous previews do not appear here.

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2011 ReLit longlist revealed

The very long list of nominees for the 2011 ReLit Awards, which celebrates novels, poetry, and short fiction titles published by Canadian independent presses, has been announced. ECW Press leads this year’s longlist with nine nominees.

NOVELS:

  • Sandra Beck, John Lavery (House of Anansi Press)
  • Étienne’s Alphabet, James King (Cormorant Books)
  • Isobel & Emile, Alan Reed (Coach House Books)
  • The Cube People, Christian McPherson (Nightwood Editions)
  • Glenn Piano by Gladys Priddis, Jason Dickson (BookThug)
  • The Obituary, Gail Scott (Coach House)
  • How Should a Person Be? Sheila Heti (Anansi)
  • A Thoroughly Wicked Woman, Betty Keller (Caitlin Press)
  • When Fenelon Falls, Dorothy Ellen Palmer (Coach House)
  • Lethal Rage, Brent Pilkey (ECW Press)
  • Hope Burned, Brent LaPorte (ECW)
  • The Matter of Sylvie, Lee Kvern (Brindle & Glass)
  • A Likely Story, Eric Wright (Cormorant)
  • Follow Me Down, Marc Strange (ECW)
  • New Under the Sun, Kevin Major (Cormorant)
  • The Bourgeois Empire, Evie Christie (ECW)
  • One Bloody Thing After Another, Joey Comeau (ECW)
  • Far to Go, Alison Pick (Anansi)
  • Annabel, Kathleen Winter (Anansi)
  • Baldur’s Song, David Arnason (Turnstone Press)
  • In Plain Sight, Mike Knowles (ECW)
  • Flight, Darren Hynes (Killick Press)
  • Cupids, Paul Butler (Flanker Press)
  • Book, Ken Sparling (Pedlar Press)
  • Flyways, Devin Krukoff (Thistledown Press)
  • Spaz, Bonnie Bowman (Anvil Press)
  • Of Water and Rock, Thomas Armstrong (DC Books)
  • Something Remains, Hassan Ghedi Santur (Dundurn Press)
  • The Evolution of Inanimate Objects, Harry Karlinsky (Insomniac Press)
  • Solitaria, Genni Gunn (Signature Editions)
  • Waiting for Ricky Tantrum, Jules Lewis (Dundurn)
  • Letters to Omar, Rachel Wyatt (Coteau Books)
  • The Goon, Jerrod Edson (Oberon Press)
  • Raising Orion, Lesley Choyce (Thistledown)
  • The Master of Happy Endings, Jack Hodgins (Thomas Allen Publishers)
  • In the Fabled East, Adam Lewis Schroeder (D&M Publishers)
  • Blood Relatives, Craig Francis Power (Pedlar)
  • The Glass Harmonica, Russell Wangersky (Thomas Allen)
  • This Book Will Not Save Your Life, Michelle Berry (Enfield & Wizenty)
  • Anderson, Michael Boyce (Pedlar)
  • Revenge Fantasies of the Politically Dispossessed, Jacob Wren (Pedlar)
  • Drive-by Saviours, Chris Benjamin (Roseway Publishing)
  • Gaze, Keith Cadieux (Quattro Books)
  • Sheilagh’s Brush, Maura Hanrahan (Inanna Publications)
  • Combat Camera, A.J. Somerset (Biblioasis)
  • Victim Rights, Norah McClintock (Red Deer)
  • Good Evening, Central Laundromat, Jason Heroux (Quattro)
  • Black Alley, Dawn M. Cornelio (Biblioasis)
  • Krakow Melt, Daniel Allen Cox (Arsenal Pulp Press)
  • The Hungry Mirror, Lisa de Nikolits (Inanna)
  • Firmament, Bruce Johnson (Gaspereau Press)
  • Pitouie, Derek Winkler (The Workhorsery)
  • The Lucky Child, Marianne Apostolides (Mansfield Press)
  • The Case of Owen Williams, Allan Donaldson (Vagrant Press)
  • L (And Things Come Apart), Ian Orti (Invisible Publishing)
  • Retina Green, Reinhard Filter (Quattro)
  • Sweet England, Steve Weiner (New Star Books)
  • Real Gone, Jim Christy (Quattro)
  • The Find, Kathy Page (McArthur & Company)
  • Confessions of a Reluctant Cougar, Myna Wallin (Tightrope Books)
  • Tobacco Wars, Paul Seesequasis (Quattro)


POETRY
:

  • Floating Bodies, Julie Roorda (Guernica Editions)
  • Cold Sleep Permanent Afternoon, Ray Hsu (Nightwood)
  • Children of Ararat, Keith Garebian (Frontenac House)
  • Indexical Elegies, Jon Paul Fiorentino (Coach House)
  • Falling Blues, Jannie Edwards (Frontenac)
  • Marimba Forever, Jim Christy (Guernica)
  • The Porcupinity of the Stars, Gary Barwin (Coach House)
  • Patient Frame, Steven Heighton (Anansi)
  • Seeing Lessons, Catherine Owen (Wolsak and Wynn)
  • Against the Hard Angle, Matt Robinson (ECW)
  • You Know Who You Are, Ian Williams (Wolsak and Wynn)
  • Fieldnotes, Kate Eichhorn (BookThug)
  • Watermelon Kindness, David Donnell (ECW)
  • The Inquisition Years, Jen Currin (Coach House)
  • O Resplandor, Erin Mouré (Anansi)
  • Light and Time, Michael Mirolla (Guernica)
  • Bloom, Michael Lista (Anansi)
  • Nature, Mark Truscott (BookThug)
  • Casanova in Venice, Kildare Dobbs (The Porcupine’s Quill)
  • Update, Bill Kennedy and Darren Wershler (Snare Books)
  • Living Under Plastic, Evelyn Lau (Oolichan Books)
  • The Little Seamstress, Phil Hall (Pedlar)
  • Winterkill, Catherine Graham (Insomniac)
  • Tiny, Frantic, Stronger, Jeff Latosik (Insomniac)
  • The Walnut-Cracking Machine, Julie Berry (BuschekBooks)
  • Ghost Music, Mark D. Dunn (BuschekBooks)
  • Return from Erebus, Julia McCarthy (Brick Books)
  • The Scare in the Crow, Tammy Armstrong (Goose Lane Editions)
  • The Emperor’s Sofa, Greg Santos (DC Books)
  • Why Are You So Long and Sweet? David W. McFadden (Insomniac)
  • Mammoth, Larissa Andrusyshyn (DC Books)
  • A Pirouette and Gone, E.D. Blodgett (BuschekBooks)
  • Swimming Ginger, Gary Geddes (Goose Lane)
  • Sweet, Dani Couture (Pedlar)
  • Here Is Where We Disembark, Clea Roberts (Freehand Books)
  • Every Day in the Morning (Slow), Adam Seelig (New Star)
  • Hump, Ariel Gordon (Palimpsest Press)
  • The Unsettled, Mona Fertig (Kalamalka Press)
  • Soul on Standby, Antony Di Nardo (Exile Press)
  • Hold the Note, Domenico Capilongo (Quattro)
  • Traumatology, Priscila Uppal (Exile)
  • Sew Him Up, Beatriz Hausner (Quattro)
  • Hard Feelings, Sheryda Warrener (Snare)
  • A Good Time Had By All, Meaghan Strimas (Exile)
  • The Lateral, Jake Kennedy (Snare)
  • The Sylvia Hotel Poems, George Fetherling (Quattro)
  • The Good News About Armageddon, Steve McOrmond (Brick)
  • Psychic Geographies and Other Topics, Gregory Betts (Quattro)
  • Alien, Correspondent, Antony Di Nardo (Brick)
  • The Stream Exposed with All its Stones, D.G. Jones (Signal Editions)
  • An Open Door in the Landscape, Elisabeth Harvor (Palimpsest)
  • The Philosophy of as if, Fraser Sutherland (Bookland Press)
  • Circus, Michael Harris (Signal)
  • Syrinx and Systole, Matthew Remski (Quattro)
  • The Day Is a Cold Grey Stone, Allan Safarik (Hagios Press)
  • The Crow’s Vow, Susan Briscoe (Signal)
  • The Mourner’s Book of Albums, Daniel Scott Tysdal (Tightrope)
  • The Nights Also, Anna Swanson (Tightrope)
  • Don’t Get Lonely Don’t Get Lost, Elisabeth Belliveau (Conundrum Press)
  • Fallout, Sandra Ridley (Hagios)
  • Stray Dog Embassy, Natasha Nuhanovic (Mansfield Press)
  • At the Gates of the Theme Park, Peter Norman (Mansfield)
  • Cathedral, Pamela Porter (Ronsdale Press)
  • Goodbye, Ukulele, Leigh Nash (Mansfield)
  • Come Closer, Leanne Averbach (Tightrope)
  • The Stonehaven Poems, R.D. Patrick (Your Scrivener Press)
  • I Do Not Think That I Could Love a Human Being, Johanna Skibsrud (Gaspereau)
  • Welling, Margaret Christakos (Your Scrivener)
  • The Annotated Bee & Me, Tim Bowling (Gaspereau)
  • The Art of Breathing Underwater, Cathy Ford (Mother Tongue Publishing)

SHORT FICTION:

  • Ravenna Gets, Tony Burgess (Anvil)
  • Ronald Reagan, My Father, Brian Joseph Davis (ECW)
  • This Ramshackle Tabernacle, Samuel Thomas Martin (Breakwater Books)
  • All Those Drawn to Me, Christian Peterson (Caitlin)
  • World News Story, Michael Woods (Book Thug)
  • Three Deaths, Josip Novakovich (Snare)
  • I Still Don’t Even Know You, Michelle Berry (Turnstone)
  • Recipes From the Red Planet, Meredith Quartermain (BookThug)
  • Punishing Ugly Children, Darryl Joel Berger (Killick)
  • Mystery Stories, David Helwig (Porcupine’s Quill)
  • The Mountie at Niagara Falls, Salvatore Difalco (Anvil)
  • I’m a Registered Nurse Not a Whore, Anne Perdue (Insomniac)
  • The Devil You Know, Jenn Farrell (Anvil)
  • Mennonites Don’t Dance, Darcie Friesen Hossack (Thistledown)
  • Sex in Russia, Kenneth Radu (DC)
  • The Young in their Country, Richard Cumyn (Enfield & Wizenty)
  • High Speed Crow, Sheila McClarty (Oberon)
  • Bird Eat Bird, Katrina Best (Insomniac)
  • The Doctrine of Affections, Paul Headrick (Freehand)
  • The Meaning of Children, Beverly Akerman (Exile)
  • Faded Love, Robert N. Friedland (Libros Libertad)
  • Bats or Swallows, Teri Vlassopoulos (Invisible)
  • There is No Other, Jonathan Papernick (Exile)
  • Missed Her, Ivan E. Coyote (Arsenal Pulp)
  • Light Lifting, Alexander MacLeod (Biblioasis)
  • Icebreaker/Auricle, Alisha Piercy (Conundrum)

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Pick, Edugyan, deWitt make Booker longlist

Three Canadian authors have made the 2011 Man Booker Prize for Fiction longlist, announced today. Alison Pick’s Far to Go (House of Anansi Press, Q&Q’s September 2010 cover profile), Esi Edugyan’s Half-Blood Blues (forthcoming from Thomas Allen & Son in September and profiled in the July-August 2011 issue of Q&Q), and Patrick deWitt’s The Sisters Brothers (House of Anansi) are vying for the title of “the best novel of the year written by a citizen of the Commonwealth or the Republic of Ireland.”

It’s also worth noting three of the longlisted titles come from House of Anansi, which is also the domestic publisher of Stephen Kelman’s longlisted book, Pigeon English.

The full list includes:

  • Julian Barnes, The Sense of an Ending (Jonathan Cape/Random House)
  • Sebastian Barry, On Canaan’s Side (Faber)
  • Carol Birch, Jamrach’s Menagerie (Canongate Books/HarperCollins)
  • Patrick deWitt, The Sisters Brothers (Granta/House of Anansi)
  • Esi Edugyan, Half Blood Blues (Serpent’s Tail/Thomas Allen)
  • Yvvette Edwards, A Cupboard Full of Coats (Oneworld)
  • Alan Hollinghurst, The Stranger’s Child (Picador/Pan Macmillan)
  • Stephen Kelman, Pigeon English (Bloomsbury/House of Anansi)
  • Patrick McGuinness, The Last Hundred Days (Seren Books)
  • A.D. Miller, Snowdrops (Atlantic)
  • Alison Pick, Far to Go (Headline Review/House of Anansi)
  • Jane Rogers, The Testament of Jessie Lamb (Sandstone Press)
  • D.J. Taylor, Derby Day (Chatto & Windus/Random House)

The six-title shortlist will be revealed Sept. 6 and the winner announced Oct. 18. Each author included on the shortlist will receive £2,500 and a special edition of their book. The winner will be awarded an additional £50,000. The jury, chaired by Dame Stella Rimington, is made up of writer Matthew d’Ancona, author Susan Hill, author and politician Chris Mullin, and Gaby Wood, books editor at The Daily Telegraph.

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Canadian authors celebrated at the Lambda Awards

Four Canadian authors took home awards last night at the 23rd Lambda Literary Awards in New York City. “The Lammies”  celebrate the best in lesbian, gay, bisexual, and transgender writing for books published the previous year.

First-time novelist Amber Dawn won the Lesbian Debut Fiction award for Sub Rosa (Arsenal Pulp Press). Zoe Whittall won in the new Transgender Fiction category for her novel Holding Still for as Long as Possible (House of Anansi Press). Anna Swanson took the Lesbian Poetry Award for her collection, The Nights Also (Tightrope Books). And S. Bear Bergman and Kate Bornstein took home the award for best LGBT Anthology for Gender Outlaws: The Next Generation (Seal Press).

Read the complete list of winners.

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Anansi puts Rob Ford on a streetcar

When House of Anansi Press was strategizing its marketing campaign for The Little Book of Rob Ford, a collection of “quips, quotes, and colourful comments” from Toronto’s mayor, it took a more subtle approach than NOW Magazine’s controversial nudie cover. They put Ford on the side of a streetcar.

Anansi’s director of publicity Laura Repas says the idea originated with one of Ford’s own quotes: “If you get stuck behind a streetcar you’re stuck! Enough with the streetcars!” Originally Anansi wanted to do a vinyl advertising wrap that would cover the entire car, but with a price tag of more than $20,000, the bold idea was cost-prohibitive. Repas says that poster ad on the side of the TTC streetcar was “an amazing deal,” especially considering the “happy accident” timing of Ford’s new transit plan announced on Thursday.

The book, conceived a day after Ford was elected and released on Feb. 16, does not have a huge marketing budget outside of the streetcar ad, which runs on the Queen Street line: “It goes by City Hall and it’s such a great, long route,” says Repas. Anansi also organized direct outreach to unconventional bookretailers like bike stores and “edgy, fun giftshops,” and set up a Tumblr page to promote the book. Anansi’s Twitter and Facebook followers are encouraged to send in their photos of the TTC ad for a chance to win a package of spring 2011 titles.

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