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Atwood on the future of publishing

Margaret Atwood is interviewed by Rosalind Porter for The Globe and Mail’s Time to Lead discussion on the state of Canadian publishing. She puts a lot of big issues into perspective, and reminds readers not to overlook the author. Porter asks Atwood if she thinks that with all the discussion going on about the digital revolution there is a tendency to forget that the author is what keeps the business going. This is her response:

Sure, people sit there putting words on the page, and some of them make a lot of money for their publishers and others create huge losses because the publishers placed their bets wrong. When people say publishing is a business – actually it’s not quite a business. It’s part gambling and part arts and crafts, with a business component. It’s not like any other business, and that’s why when standard businessmen go into publishing and think, “Right, I’m going to clean this up, rationalize it and make it work like a real business,” two years later you find they’re bald because they’ve torn out all their hair. And then you say to them, “It’s not like selling beer. It’s not like selling a case of this and a case of that and doing a campaign that works for all of the beer.” You’re selling one book – not even one author any more. Those days are gone, when you sold, let’s say, “Graham Greene” almost like a brand. You’re selling one book, and each copy of that book has to be bought by one reader and each reading of that book is by one unique individual. It’s very specific.

  • Melva McLean

    Spring boarding off the arts and crafts idea, maybe we should print only one hard cover of every book, which hangs in a book gallery and is sold there at the price the current market will bear, or at auction to the highest bidder. That book appreciates in value like any piece art.

    All other copies are sold as e-books, which are like prints/posters of an original piece of artwork. So the author gets the highest price he or she can for the art, gives the gallery a commission, and the publisher (and author) gets revenue from e-books and other secondary rights.

    I haven’t thought this through of course, so there are probably lots of pitfalls.

    Melva

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Book Pictures

Do you have great photos from a recent book event in Canada that you'd like to share with us? Submit them to the Quill & Quire Flickr pool and they'll show up here.

Brian Lam, publisher of Arsenal Pulp Press

Carol Jensson and Judie Glick at the launch of the New Granville Island Market Cookbook

Robert Ballantyne, Associate Publisher at Arsenal Pulp Press, and Wesley Yuen, old friend of Brian Lam.

Judie and Carol at the end of the launch.

Susan Safyan, editor of Arsenal Pulp Press, handing out wine at the launch of the New Granville Island Market Cookbook

the spread, contributed by the vendors at Granville Island Market in support of the New Granville Island Market Cookbook by Judie Glick and Carol Jensson

Butch choir

apple pie

adding some glisten

Gord Hill

Spartacus launch for the Anticapitalist Resistance Comic Book

History Panel

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