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Filed under: Quillblog , CLA, copyright, David Foster Wallace, film, Flannery O'Connor, Globe and Mail, marketing, memoir, Mobylives, the Guardian, The New Yorker, travel, YA
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The book industry: this week in quotes
“We’ve had the ‘woe is me, alas’ memoir, the ‘feeling orgasmic over the touch of linen on my toes alone in bed in Italy on Tuesday’ memoir, the ‘Thank Christ she wasn’t my mother’ memoir, the ‘I got rid of my husband and everything makes sense’ memoir, and now, in the case of Traveling with Pomegranates: A Mother-Daughter Story, we arrive at the “nothing in particular, on me holidays with me mum, we might be having a crisis but you’ll need a magnifying glass to find it” memoir. Publishers trot this tripe out because of the chance it might be lifted by the winds of marketing and carried to every middle-class dinner table.” – Anakana Schofield, from The Globe and Mail‘s Daily Review for Jan. 12
“A new independent study, conducted by the online monitoring and enforcement service Attributor, found that ‘nine million illegal downloads of copyright-protected books were documented during the closing months of 2009,’ according to the [Association of American Publisher's] release….Indeed, those are staggering numbers – and something that must be contended with. And yet they’re kind of perversely encouraging in a way: That many people want to read that many books, and are willing to steal to do so…. At least that goes against the ‘nobody reads anymore’ and ‘it’s the death of publishing’ story we’ve been hearing so much of. And that glass of rare Chateau Lafite 1787 is half full.“ - Mobylives
“How surreally wonderful to discover that an entire exhibition devoted to the ‘works’ of David Foster Wallace’s fictional creation James Incandenza is set to open later this month. A cult filmmaker, Incandenza is the star of Wallace’s seminal novel Infinite Jest… As was his wont, Wallace included a footnote in the novel about the filmography of Incandenza, and now using the author’s ‘detailed list of over 70 industrial, documentary, conceptual, advertorial, technical, parodic, dramatic non-commercial, and non-dramatic commercial works’, Columbia University’s Neiman Centre has commissioned artists and filmmakers to make the movies.”- The Guardian
“Three weeks after Highsmith’s arrival, a new resident appeared at Yaddo: Flannery O’Connor. Does your imagination not crackle at the idea of Highsmith and O’Connor living under the same set of roofs? As Highsmith drafted Strangers on a Train, O’Connor worked on Wise Blood…. Highsmith did not think much of O’Connor, who was disinclined to join the other colonists on their treks to the taverns of Saratoga Springs” – The New Yorker
January is SUAWOYN month … according to Colson Whitehead.
“Canada’s literary scene does not financially support more than a handful of authors, so don’t limit your work to Canada if your goal is to make a living as a novelist. You will either starve or die of frustration. It’s hard enough trying to make it as a writer without adding obstacles in your path.” – author Jeffrey Round on Open Book Toronto














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