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Random House blacklisted for The Jewel of Medina

The controversy surrounding Sherry Jones’s novel The Jewel of Medina – which Random House U.S. decided to pull earlier this month, citing fears of terroristic violence – continues to grow. Two weeks ago, none other than Salman Rushdie, also published by Random House, weighed in on the matter, condemning his publisher for canceling publication of the book. This week, criticism hails from another, less high-profile source. The Guardian reports:

An American book prize has blacklisted Random House following its “cowardly self-censorship” of Sherry Jones’s novel The Jewel of Medina. The Langum Charitable Trust, which awards two yearly $1,000 (£550) prizes, has said that until the novel is published, it “will not consider submissions of any books, for any of our prizes, from Random House or any of its affiliates.”

Describing Random House’s decision not to print the novel as a “threat to literature” deserving of “serious remonstrance,” the trust’s founder, David Langum, outlined his rationale:

“No one should expect that publishers print every piece of trash that comes into their offices, and The Jewel of Medina may be neither good literature nor good history,” he said. “That is beside the point since Random House had already paid a $100,000 advance, arranged for book club publication, and foreign publication. It changed course and self-censored solely on the political grounds of fear of offending Muslims or fomenting violence.”

“That form of cowardice will only lead to more and more of this form of self-censorship and is an attack on the integrity of literary publication,” Langum continued. “We must stand up to it, in whatever ways are available to us. The form that was available to our small foundation was to put Random House out of the running for our prizes.”

While it’s hard not to admire Langum’s pluck, his indignation at Random House’s “political” manoeuvering does seem a little out of place. Surely, condemning an author because of the actions of his or her publisher is also a threat to “literary integrity.”

  • h malik

    The novel The Jewel of Medina, written by Sherry Jones, violates several principles of honesty, factual representation, and respect that is due not only to the unaware reader but most importantly to the historical and religiously revered person of Hazrat Aisha, wife of the Holy Prophet Muhammed (pbuh). The Jewel of Medina is categorized as a historical fiction novel, this label in itself is contradictory, because fiction is defined as an invented story and history is an event with a factual and recorded base. It is unfair and dishonest to invent a story about a factual or real person. On the official website of The Jewel of Medina, the novels is said to be extensively researched and elegantly crafted, so the author has basically taken bits and pieces of Hazrat Aishas life and person and crafted a tale. What Jones has done is added the necessary drama to a historical life which was based upon virtue and piety, all in order to promote her novel. It seems that as of late, all a writer has to do is pick some aspect of Islam, write something controversial enough to ignite the ire of Muslims, and the result; supporters from all walks of life supporting the authors right to freedom of speech, not to document the truth, but to create an obvious distortion of the facts. Does freedom of speech mean that we can take an aspect of history and tweak it here and there to suite our fancy, surely our predecessors had more in mind when they fought so hard for this right. Hazrat Aisha is referred to as mother of the faithful amongst Muslims. It is her virtue, piety and religious knowledge that gave her the honour of being viewed as a scholar, an advisor and a woman with grace and strength. Joness depiction of the event of the lost necklace is full of historical errors and so sensationalized that it gives no justice to the actual event and the innocence of the character of Hazrat Aisha. The accusations made in the case of the lost necklace against Hazrat Aisha were falsified 1500 years ago, and it was the piety of Hazrat Aisha and divine revelation that absolved her, just like in the case of Mary and the virgin birth. In an interview Jones stated she added to the story and character of Hazrat Aisha to make her a role model for Muslim women, what Jones does not understand is that Muslim women do not need a sexualized version of Hazrat Aisha, they were quite proud and content with the factual pious Hazrat Aisha. The addition of culturally and historically foreign concepts and presentation of Hazrat Aishas character as a 21st century teenager is so distant from the reality of old Arabia during the dawn islam. Additions such as flowing colorful robes and kohl-darkened eyes and perfumed arms filigreed with henna, are very unlike from the simple and frugal life lived by Hazrat Aisha. Or the presentation of the Holy Prophet (pbuh) having a harem full of beautiful women, which is quite different from the marriages he had to widowed or divorced women of middle age. If an attempt is being made to discuss any historical person, the truth and the facts must always be the first priority of the writer, for otherwise it is a great injustice to the person being discussed, for all there struggles to be so easily changed by the stroke of a pen, all in the name of freedom of speech. What of our right to know the truth, why does which so easily get trampled upon?
    By Humda Malik

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